{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/10674"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/10674","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"Reconstructing Home in Exile: Ovid's Tristia","abstract":"This thesis explores the physical landscapes and social interactions that form Ovid's home in Rome, as well as his vision of a transcendent home made possible through poetry. My case-studies will be poems from Ovid's Tristia in which he either directly reconstructs home or provides a photographic negative image of home by highlighting the opposite: the barbaric. I will spend the first chapter examining Ovid's construction of home's physical landscape. In Tristia 3.10 and 3.12, Ovid recreates Rome as a sort of negative image of Tomis. Rome is what Tomis is not. In Chapter Two, I will look at Ovid's reconstruction of social interaction; alienated in Tomis, he maintains his connections in Rome through his absent presence, as exemplified in Tristia 3.5. But home for Ovid is more than Rome. In Chapter Three, I will examine Ovid's position as a sacred vates who can, through his poetry, have a transcendent home on Mount Helicon. Tiberius's future triumph in Germany (Tristia 4.2) gives Ovid the opportunity to join himself to Caesar's triumph; his poem becomes the symbolic declaration of his own victory over the world. His letter to his daughter Perilla (Tristia 3.4), who is also a poet, reveals that poetry gives Ovid a companionship with her even while he is absent; poetry allows him friendships that spans any distance. I will also examine Tristia 4.10, Ovid's autobiography, as a further example of Ovid's transcendent home on Mount Helicon. He spent his boyhood on Mount Helicon, and in his early years he becomes known and read in the city; in exile he finally becomes known and read in the whole world.","abstract_html":"This thesis explores the physical landscapes and social interactions that form Ovid's home in Rome, as well as his vision of a transcendent home made possible through poetry. My case-studies will be poems from Ovid's Tristia in which he either directly reconstructs home or provides a photographic negative image of home by highlighting the opposite: the barbaric. I will spend the first chapter examining Ovid's construction of home's physical landscape. In Tristia 3.10 and 3.12, Ovid recreates Rome as a sort of negative image of Tomis. Rome is what Tomis is not. In Chapter Two, I will look at Ovid's reconstruction of social interaction; alienated in Tomis, he maintains his connections in Rome through his absent presence, as exemplified in Tristia 3.5. But home for Ovid is more than Rome. In Chapter Three, I will examine Ovid's position as a sacred vates who can, through his poetry, have a transcendent home on Mount Helicon. Tiberius's future triumph in Germany (Tristia 4.2) gives Ovid the opportunity to join himself to Caesar's triumph; his poem becomes the symbolic declaration of his own victory over the world. His letter to his daughter Perilla (Tristia 3.4), who is also a poet, reveals that poetry gives Ovid a companionship with her even while he is absent; poetry allows him friendships that spans any distance. I will also examine Tristia 4.10, Ovid's autobiography, as a further example of Ovid's transcendent home on Mount Helicon. He spent his boyhood on Mount Helicon, and in his early years he becomes known and read in the city; in exile he finally becomes known and read in the whole world.","abstract_has_math":false,"creators":["Murphy, Holly Lynn"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Welch, Tara"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-05-31","date_published":"2012-05-31","updated_at":"2026-07-24T02:44:56Z","subjects":["Classical studies","Exile","Home","Ovid","Poetry","Tristia"],"languages":["en"],"rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12124"],"render_values":[{"text":"http://dissertations.umi.com/ku:12124","href":"http://dissertations.umi.com/ku:12124","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1808/10674","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Welch, Tara"]},{"key":"dc:creator","label":"Author","values":["Murphy, Holly Lynn"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2013-01-20T17:18:10Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2013-01-20T17:18:10Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Classical studies","Exile","Home","Ovid","Poetry","Tristia"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:12124"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1808/10674"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis explores the physical landscapes and social interactions that form Ovid's home in Rome, as well as his vision of a transcendent home made possible through poetry. My case-studies will be poems from Ovid's Tristia in which he either directly reconstructs home or provides a photographic negative image of home by highlighting the opposite: the barbaric. I will spend the first chapter examining Ovid's construction of home's physical landscape. In Tristia 3.10 and 3.12, Ovid recreates Rome as a sort of negative image of Tomis. Rome is what Tomis is not. In Chapter Two, I will look at Ovid's reconstruction of social interaction; alienated in Tomis, he maintains his connections in Rome through his absent presence, as exemplified in Tristia 3.5. But home for Ovid is more than Rome. In Chapter Three, I will examine Ovid's position as a sacred vates who can, through his poetry, have a transcendent home on Mount Helicon. Tiberius's future triumph in Germany (Tristia 4.2) gives Ovid the opportunity to join himself to Caesar's triumph; his poem becomes the symbolic declaration of his own victory over the world. His letter to his daughter Perilla (Tristia 3.4), who is also a poet, reveals that poetry gives Ovid a companionship with her even while he is absent; poetry allows him friendships that spans any distance. I will also examine Tristia 4.10, Ovid's autobiography, as a further example of Ovid's transcendent home on Mount Helicon. He spent his boyhood on Mount Helicon, and in his early years he becomes known and read in the city; in exile he finally becomes known and read in the whole world."]},{"key":"dc:title","label":"Title","values":["Reconstructing Home in Exile: Ovid's Tristia"]}]}],"canonical_facts":{"dc:contributor.advisor":["Welch, Tara"],"dc:creator":["Murphy, Holly Lynn"],"dc:date.accessioned":["2013-01-20T17:18:10Z"],"dc:date.available":["2013-01-20T17:18:10Z"],"dc:date.issued":["2012-05-31"],"dc:description.abstract":["This thesis explores the physical landscapes and social interactions that form Ovid's home in Rome, as well as his vision of a transcendent home made possible through poetry. My case-studies will be poems from Ovid's Tristia in which he either directly reconstructs home or provides a photographic negative image of home by highlighting the opposite: the barbaric. I will spend the first chapter examining Ovid's construction of home's physical landscape. In Tristia 3.10 and 3.12, Ovid recreates Rome as a sort of negative image of Tomis. Rome is what Tomis is not. In Chapter Two, I will look at Ovid's reconstruction of social interaction; alienated in Tomis, he maintains his connections in Rome through his absent presence, as exemplified in Tristia 3.5. But home for Ovid is more than Rome. In Chapter Three, I will examine Ovid's position as a sacred vates who can, through his poetry, have a transcendent home on Mount Helicon. Tiberius's future triumph in Germany (Tristia 4.2) gives Ovid the opportunity to join himself to Caesar's triumph; his poem becomes the symbolic declaration of his own victory over the world. His letter to his daughter Perilla (Tristia 3.4), who is also a poet, reveals that poetry gives Ovid a companionship with her even while he is absent; poetry allows him friendships that spans any distance. I will also examine Tristia 4.10, Ovid's autobiography, as a further example of Ovid's transcendent home on Mount Helicon. He spent his boyhood on Mount Helicon, and in his early years he becomes known and read in the city; in exile he finally becomes known and read in the whole world."],"dc:identifier.other":["http://dissertations.umi.com/ku:12124"],"dc:identifier.uri":["http://hdl.handle.net/1808/10674"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"dc:subject":["Classical studies","Exile","Home","Ovid","Poetry","Tristia"],"dc:title":["Reconstructing Home in Exile: Ovid's Tristia"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T02:44:56Z"}