{"id":{"repo_id":"ku","oai_identifier":"oai:kuscholarworks.ku.edu:1808/10433"},"canonical_url":"https://search.dev.ndltd.org/etd/ku/oai:kuscholarworks.ku.edu:1808/10433","repository":{"repo_id":"ku","name":"University of Kansas","base_url":"https://kuscholarworks.ku.edu/server/oai/request"},"display":{"title":"The Writing of Nation: Faulkner and the Postbellum South","abstract":"This dissertation argues that William Faulkner, drawing on a conversation begun by earlier Southern writers, writes his anxiety about the South's assimilation into the nation. Specifically, I argue that his early works show repulsion to the idea of the South's assimilation, while his later works show more comfort with assimilation, along with a greater willingness to participate in the national imperial project. I begin by establishing the conversation in writers who are active in the postbellum period, and then I explore the ways in which Faulkner draws on this conversation to present his own complicated and changing depiction of nation. Central to this discussion is recognition of an anxiety about the role of the South in the creation of national identity.","abstract_html":"This dissertation argues that William Faulkner, drawing on a conversation begun by earlier Southern writers, writes his anxiety about the South's assimilation into the nation. Specifically, I argue that his early works show repulsion to the idea of the South's assimilation, while his later works show more comfort with assimilation, along with a greater willingness to participate in the national imperial project. I begin by establishing the conversation in writers who are active in the postbellum period, and then I explore the ways in which Faulkner draws on this conversation to present his own complicated and changing depiction of nation. Central to this discussion is recognition of an anxiety about the role of the South in the creation of national identity.","abstract_has_math":false,"creators":["Long, Adam"],"institution":"University of Kansas","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Fowler, Doreen"],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-05-31","date_published":"2012-05-31","updated_at":"2026-07-24T02:44:56Z","subjects":["African literature","Cable","Chesnutt","Faulkner, William","Page","Southern","Twain, Mark"],"languages":["en"],"rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:11985"],"render_values":[{"text":"http://dissertations.umi.com/ku:11985","href":"http://dissertations.umi.com/ku:11985","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/1808/10433","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Fowler, Doreen"]},{"key":"dc:creator","label":"Author","values":["Long, Adam"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2012-11-26T21:17:34Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2012-11-26T21:17:34Z"]},{"key":"dc:date.issued","label":"Date","values":["2012-05-31"]},{"key":"dc:publisher","label":"Institution","values":["University of Kansas"]},{"key":"dc:type","label":"Dc Type","values":["Dissertation"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["African literature","Cable","Chesnutt","Faulkner, William","Page","Southern","Twain, Mark"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]},{"key":"dc:rights","label":"Dc Rights","values":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.other","label":"Dc Identifier Other","values":["http://dissertations.umi.com/ku:11985"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://hdl.handle.net/1808/10433"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This dissertation argues that William Faulkner, drawing on a conversation begun by earlier Southern writers, writes his anxiety about the South's assimilation into the nation. 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I begin by establishing the conversation in writers who are active in the postbellum period, and then I explore the ways in which Faulkner draws on this conversation to present his own complicated and changing depiction of nation. Central to this discussion is recognition of an anxiety about the role of the South in the creation of national identity."],"dc:identifier.other":["http://dissertations.umi.com/ku:11985"],"dc:identifier.uri":["http://hdl.handle.net/1808/10433"],"dc:language.iso":["en"],"dc:publisher":["University of Kansas"],"dc:rights":["This item is protected by copyright and unless otherwise specified the copyright of this thesis/dissertation is held by the author."],"dc:subject":["African literature","Cable","Chesnutt","Faulkner, William","Page","Southern","Twain, Mark"],"dc:title":["The Writing of Nation: Faulkner and the Postbellum South"],"dc:type":["Dissertation"]},"updated_at":"2026-07-24T02:44:56Z"}