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King's College London

Cervantes’s La entretenida: Translation, Performance and a Digital Edition

Abstract

dc:description.abstract

The results of the research are presented in two forms—a digital edition of the play, viewable at http://entretenida.outofthewings.org/index.html, and this written submission. Chapter 1 focuses on the quasi-improvisational quality of La entretenida, exploring connections with Plautus, the rhetorical tradition, the commedia dell’arte, jazz, storytelling, and metatheatre. Chapter 2 challenges the widely held view that La entretenida is a parody of the comedia nueva, and looks at the way in which Cervantes engaged with dramatic theory, and in particular with the principle of decorum. Chapter 3 shows how the play reflects Cervantes’s tendency to view life through literature, relating this aspect of his writing to the role of memory in Early Modern culture, while Chapter 4 demonstrates how this metaliterary quality becomes a means whereby Cervantes explores social issues. Chapter 5 examines the circumstances surrounding the publication of Ocho comedias, revealing an interesting connection with the second part of Don Quijote, and arguing that Cervantes had a highly ambivalent attitude to print. Chapters 6 and 7 investigate the process of production, with particular reference to the punctuation of the published volume. Chapter 8 presents the rationale for the digital edition, which, because of its special advantages in generating different views of the text and navigating between them, can facilitate engagement with the text from a number of different perspectives and reflect the web-like nature of Cervantes’s writings. Chapters 9 and 10 describe the multidimensional approach that was adopted in the process of translating and performing the play, which involved extensive preparatory work with a group of actors. Interrogation of the text through translation and performance was able to inform, as well as be informed by, its scholarly investigation.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
King's College London
Year dc:date.issued
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • O'Neill, John
Advisors dc:contributor.advisor
  • Weiss, Julian Michael
  • Boyle, Catherine Mary
  • Archer, Robert Leonard Albert

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:kclpure.kcl.ac.uk:studenttheses/69b9e54a-ad88-4ad1-b974-8d6731ab003f
OAI identifier oai:identifier
oai:kclpure.kcl.ac.uk:studenttheses/69b9e54a-ad88-4ad1-b974-8d6731ab003f

Chain of custody

source
Harvested from
King's College London
Base URL
kclpure.kcl.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

O'Neill, John. Cervantes’s La entretenida: Translation, Performance and a Digital Edition. Doctoral Thesis thesis, King's College London, 2012. https://kclpure.kcl.ac.uk/portal/en/studentTheses/69b9e54a-ad88-4ad1-b974-8d6731ab003f