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King's College London

Reactive Originality, Conflict and Co-operation, and Virtuosity: Defining the Contemporary Concerto

Abstract

dc:description.abstract

An attempt to define the facets of contemporary concerto composition: a practical<br/>exploration of modelling that investigates the roles of contrast (concerto) and cooperation (concertante) aesthetics and virtuosity.<br/>Chapter 1 outlines what is meant by the term “reactive originality”, some<br/>thoughts regarding the use and presentation of virtuosity in music and outlines the<br/>difficulties of defining the facets of a modern concerto.<br/>Chapter 2 charts the creative process behind the solo piano music, Scorpio,<br/>Aeon and Solilodrama. Taking each Bagatelle in turn, technical analyses are used to highlight the role of the Piano Bagatelles as miniature studies, discussing the<br/>compositional process behind them and their influence upon subsequent pieces. The final section covers how the Capriccio was conceived and how it can be seen as a culmination of the creative work up to this point.<br/>Chapter 3 covers the composition of Introduction and Allegro, noting the shift<br/>in focus from a single soloist to examining the ensemble as a virtuosic entity. Brief<br/>analyses are used to cover its influences and creative processes and to outline how these pieces demonstrate a new focus on thematic unity.<br/>In chapter 4, I demonstrate how The Death of Stars and ...a white haze through<br/>which the moonbeams passed... use the lessons learnt in previous pieces to attempt to conclude the investigations into concerto and concertante idioms.<br/>Chapter 5 discusses any conclusions that can be drawn from the completed<br/>work and reflects on the impact that the project has had on my thinking, technique and artistic development as a composer.

Degree

thesis:*
Name dc:type.qualificationname
Doctor of Philosophy
Level dc:type.qualificationlevel
Doctoral Thesis
Grantor dc:publisher.institution
King's College London
Year dc:date.issued
2013

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Birch, Chris
Advisors dc:contributor.advisor
  • Keeley, Robert Ian
  • Milstein, Silvina Raquel

Rights

Language dc:language
eng

Identifiers

dc:identifier.*
Identifier
oai:kclpure.kcl.ac.uk:studenttheses/1ca1047f-14b8-44b4-af56-4d44737ffa53
OAI identifier oai:identifier
oai:kclpure.kcl.ac.uk:studenttheses/1ca1047f-14b8-44b4-af56-4d44737ffa53

Chain of custody

source
Harvested from
King's College London
Base URL
kclpure.kcl.ac.uk/ws/oai
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
related terms
citation

Birch, Chris. Reactive Originality, Conflict and Co-operation, and Virtuosity: Defining the Contemporary Concerto. Doctoral Thesis thesis, King's College London, 2013. https://kclpure.kcl.ac.uk/portal/en/studentTheses/1ca1047f-14b8-44b4-af56-4d44737ffa53