{"id":{"repo_id":"kennesaw","oai_identifier":"oai:digitalcommons.kennesaw.edu:mast_etd-1023"},"canonical_url":"https://search.dev.ndltd.org/etd/kennesaw/oai:digitalcommons.kennesaw.edu:mast_etd-1023","repository":{"repo_id":"kennesaw","name":"Kennesaw State University","base_url":"https://digitalcommons.kennesaw.edu/do/oai/"},"display":{"title":"THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA","abstract":"<p>This project explores how the new FX original series, <em>Atlanta</em>, challenges previous notions of Blackness on American television. The series <em>Atlanta </em>delves into conversations on hip-hop and Black culture through what has been considered an authentic representation of Black Atlanta. This paper examines tropes of Southerness and perceived homophobia in hip-hop and Black culture while analyzing the way in which the series creators and producers create a dialogue on economic and social matters facing the Black Southern community in the city of Atlanta. Finally, this paper examines controlling images of Black women on American television to uncover the ways in which the series <em>Atlanta</em> has relied on or challenged primitive representations.</p>","abstract_html":"&lt;p&gt;This project explores how the new FX original series, &lt;em&gt;Atlanta&lt;/em&gt;, challenges previous notions of Blackness on American television. The series &lt;em&gt;Atlanta &lt;/em&gt;delves into conversations on hip-hop and Black culture through what has been considered an authentic representation of Black Atlanta. This paper examines tropes of Southerness and perceived homophobia in hip-hop and Black culture while analyzing the way in which the series creators and producers create a dialogue on economic and social matters facing the Black Southern community in the city of Atlanta. Finally, this paper examines controlling images of Black women on American television to uncover the ways in which the series &lt;em&gt;Atlanta&lt;/em&gt; has relied on or challenged primitive representations.&lt;/p&gt;","abstract_has_math":false,"creators":["Askew, Tamisha Nicole"],"institution":null,"degree_name":"Master of Arts in American Studies (MAST)","degree_level":"Capstone","degree_discipline":"Interdisciplinary Studies","degree_department":null,"school":null,"contributors":["Dr. Griselda Thomas","Dr. Nichole Guillory"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2018,"date_issued":"2018-05-10T07:00:00Z","date_published":"2018-05-10T07:00:00Z","updated_at":"2026-07-24T02:43:26Z","subjects":["Atlanta","Black Southern Culture","Black Masculinity","Black Womanhood","American Popular Culture","Social and Political History","American Studies","Lesbian, Gay, Bisexual, and Transgender Studies","Political History","Social History","United States History","Women's History","Women's Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.kennesaw.edu/mast_etd/21","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Griselda Thomas","Dr. Nichole Guillory"]},{"key":"dc:creator","label":"Author","values":["Askew, Tamisha Nicole"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2019-05-10T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Interdisciplinary Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Capstone"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in American Studies (MAST)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Atlanta","Black Southern Culture","Black Masculinity","Black Womanhood","American Popular Culture","Social and Political History","American Studies","Lesbian, Gay, Bisexual, and Transgender Studies","Political History","Social History","United States History","Women's History","Women's Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.kennesaw.edu/mast_etd/21"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This project explores how the new FX original series, <em>Atlanta</em>, challenges previous notions of Blackness on American television. The series <em>Atlanta </em>delves into conversations on hip-hop and Black culture through what has been considered an authentic representation of Black Atlanta. This paper examines tropes of Southerness and perceived homophobia in hip-hop and Black culture while analyzing the way in which the series creators and producers create a dialogue on economic and social matters facing the Black Southern community in the city of Atlanta. Finally, this paper examines controlling images of Black women on American television to uncover the ways in which the series <em>Atlanta</em> has relied on or challenged primitive representations.</p>"]},{"key":"dc:title","label":"Title","values":["THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA"]}]}],"canonical_facts":{"dc:contributor":["Dr. Griselda Thomas","Dr. Nichole Guillory"],"dc:creator":["Askew, Tamisha Nicole"],"dc:date.available":["2019-05-10T07:00:00Z"],"dc:description.abstract":["<p>This project explores how the new FX original series, <em>Atlanta</em>, challenges previous notions of Blackness on American television. The series <em>Atlanta </em>delves into conversations on hip-hop and Black culture through what has been considered an authentic representation of Black Atlanta. This paper examines tropes of Southerness and perceived homophobia in hip-hop and Black culture while analyzing the way in which the series creators and producers create a dialogue on economic and social matters facing the Black Southern community in the city of Atlanta. Finally, this paper examines controlling images of Black women on American television to uncover the ways in which the series <em>Atlanta</em> has relied on or challenged primitive representations.</p>"],"dc:identifier":["https://digitalcommons.kennesaw.edu/mast_etd/21"],"dc:subject":["Atlanta","Black Southern Culture","Black Masculinity","Black Womanhood","American Popular Culture","Social and Political History","American Studies","Lesbian, Gay, Bisexual, and Transgender Studies","Political History","Social History","United States History","Women's History","Women's Studies"],"dc:title":["THE REAL ATLANTA: REPRESENTATIONS OF BLACK SOUTHERN CULTURE, MASCULINITY, AND WOMANHOOD AS SEEN IN SEASON ONE OF THE FX SERIES ATLANTA"],"thesis:degree_discipline":["Interdisciplinary Studies"],"thesis:degree_level":["Capstone"],"thesis:degree_name":["Master of Arts in American Studies (MAST)"]},"updated_at":"2026-07-24T02:43:26Z"}