Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly modernizing world. Bigfoot, as a cultural product, is representative of a crisis in defining masculinity in modern American culture and acts as an order to normalize the reassertion of an antiquated masculinity. Bigfoot is a temporary outlet that functions as a projection of the needs and desires men wish to release. Men will always question if they are man enough, and Bigfoot provides a collective construction of thoughts and beliefs to symbolize an escapist dream away from the house. This study seeks to understand the significance of the widespread attitudes and beliefs through the image of Bigfoot as a way to examine how people question their authenticity, place, and identity against and within society. Ultimately, this study reveals that the masculinity Bigfoot is able to represent continues to divide genders and bound sexualities, and finds men problematic for reasserting that there is a correct masculinity that marginalizes and controls.
","abstract_html":"<p>Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly modernizing world. Bigfoot, as a cultural product, is representative of a crisis in defining masculinity in modern American culture and acts as an order to normalize the reassertion of an antiquated masculinity. Bigfoot is a temporary outlet that functions as a projection of the needs and desires men wish to release. Men will always question if they are man enough, and Bigfoot provides a collective construction of thoughts and beliefs to symbolize an escapist dream away from the house. This study seeks to understand the significance of the widespread attitudes and beliefs through the image of Bigfoot as a way to examine how people question their authenticity, place, and identity against and within society. Ultimately, this study reveals that the masculinity Bigfoot is able to represent continues to divide genders and bound sexualities, and finds men problematic for reasserting that there is a correct masculinity that marginalizes and controls.</p>","abstract_has_math":false,"creators":["McCarty, Blaine"],"institution":null,"degree_name":"Master of Arts in American Studies (MAST)","degree_level":"Thesis","degree_discipline":"Interdisciplinary Studies","degree_department":null,"school":null,"contributors":["Dr. Rebecca Hill","Dr. Larrie Dudenhoeffer"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2015,"date_issued":"2015-12-01T08:00:00Z","date_published":"2015-12-01T08:00:00Z","updated_at":"2026-07-24T02:43:09Z","subjects":["Bigfoot","Monster Theory","Popular Culture Studies","Cultural Studies","Masculinity Studies","Gender Studies","American Film Studies","American Popular Culture","American Studies","Cultural History","Feminist, Gender, and Sexuality Studies","Film and Media Studies","Other American Studies","Social and Cultural Anthropology"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.kennesaw.edu/mast_etd/3","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Dr. Rebecca Hill","Dr. Larrie Dudenhoeffer"]},{"key":"dc:creator","label":"Author","values":["McCarty, Blaine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2015-12-15T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Interdisciplinary Studies"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in American Studies (MAST)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Bigfoot","Monster Theory","Popular Culture Studies","Cultural Studies","Masculinity Studies","Gender Studies","American Film Studies","American Popular Culture","American Studies","Cultural History","Feminist, Gender, and Sexuality Studies","Film and Media Studies","Other American Studies","Social and Cultural Anthropology"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.kennesaw.edu/mast_etd/3"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly modernizing world. Bigfoot, as a cultural product, is representative of a crisis in defining masculinity in modern American culture and acts as an order to normalize the reassertion of an antiquated masculinity. Bigfoot is a temporary outlet that functions as a projection of the needs and desires men wish to release. Men will always question if they are man enough, and Bigfoot provides a collective construction of thoughts and beliefs to symbolize an escapist dream away from the house. This study seeks to understand the significance of the widespread attitudes and beliefs through the image of Bigfoot as a way to examine how people question their authenticity, place, and identity against and within society. Ultimately, this study reveals that the masculinity Bigfoot is able to represent continues to divide genders and bound sexualities, and finds men problematic for reasserting that there is a correct masculinity that marginalizes and controls.
"]},{"key":"dc:title","label":"Title","values":["The Legends of Bigfoot: Or How I Regained My Manhood"]}]}],"canonical_facts":{"dc:contributor":["Dr. Rebecca Hill","Dr. Larrie Dudenhoeffer"],"dc:creator":["McCarty, Blaine"],"dc:date.available":["2015-12-15T08:00:00Z"],"dc:description.abstract":["Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly modernizing world. Bigfoot, as a cultural product, is representative of a crisis in defining masculinity in modern American culture and acts as an order to normalize the reassertion of an antiquated masculinity. Bigfoot is a temporary outlet that functions as a projection of the needs and desires men wish to release. Men will always question if they are man enough, and Bigfoot provides a collective construction of thoughts and beliefs to symbolize an escapist dream away from the house. This study seeks to understand the significance of the widespread attitudes and beliefs through the image of Bigfoot as a way to examine how people question their authenticity, place, and identity against and within society. Ultimately, this study reveals that the masculinity Bigfoot is able to represent continues to divide genders and bound sexualities, and finds men problematic for reasserting that there is a correct masculinity that marginalizes and controls.
"],"dc:identifier":["https://digitalcommons.kennesaw.edu/mast_etd/3"],"dc:subject":["Bigfoot","Monster Theory","Popular Culture Studies","Cultural Studies","Masculinity Studies","Gender Studies","American Film Studies","American Popular Culture","American Studies","Cultural History","Feminist, Gender, and Sexuality Studies","Film and Media Studies","Other American Studies","Social and Cultural Anthropology"],"dc:title":["The Legends of Bigfoot: Or How I Regained My Manhood"],"thesis:degree_discipline":["Interdisciplinary Studies"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts in American Studies (MAST)"]},"updated_at":"2026-07-24T02:43:09Z"}