{"id":{"repo_id":"iupui","oai_identifier":"oai:scholarworks.indianapolis.iu.edu:1805/2592"},"canonical_url":"https://search.dev.ndltd.org/etd/iupui/oai:scholarworks.indianapolis.iu.edu:1805/2592","repository":{"repo_id":"iupui","name":"IUPUI","base_url":"https://scholarworks.indianapolis.iu.edu/server/oai/request"},"display":{"title":"Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration","abstract":"Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weight of Western views on dance influences Caribbean transmutations and translations of cultural behavior, ritual acts, and spontaneous movement. The novels studied include Samuel Selvon's \"The Lonely Londoners\" (1956), Earl Lovelace's \"The Dragon Can't Dance\" (1979), Paule Marshall's \"Praisesong for the Widow\" (1983), and Marie-Elena John's \"Unburnable\" (2006).","abstract_html":"Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weight of Western views on dance influences Caribbean transmutations and translations of cultural behavior, ritual acts, and spontaneous movement. The novels studied include Samuel Selvon's "The Lonely Londoners" (1956), Earl Lovelace's "The Dragon Can't Dance" (1979), Paule Marshall's "Praisesong for the Widow" (1983), and Marie-Elena John's "Unburnable" (2006).","abstract_has_math":false,"creators":["Tressler, Gretchen E."],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":["Springer, Jennifer Thorington"],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-06-03","date_published":"2011-06-03","updated_at":"2026-07-24T02:42:13Z","subjects":["Caribbean","Literature","Anglophone","Dance","Identity","Culture","Community","Ritual","Performance","Political consciousness","Postcolonial","Carnival","Ekphrasis","Afro-Caribbean","Earl Lovelace","Paule Marshall","Marie-Elena John","Samuel Selvon"],"languages":["en_US"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["http://dx.doi.org/10.7912/C2/385"],"render_values":[{"text":"http://dx.doi.org/10.7912/C2/385","href":"http://dx.doi.org/10.7912/C2/385","code":true}]}]},"links":{"outbound_url":"https://hdl.handle.net/1805/2592","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Springer, Jennifer Thorington"]},{"key":"dc:contributor.other","label":"Dc Contributor Other","values":["Kubitschek, Missy Dehn","Shepherd, Susan Carol"]},{"key":"dc:creator","label":"Author","values":["Tressler, Gretchen E."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2011-06-03T14:57:28Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2011-06-03T14:57:28Z"]},{"key":"dc:date.issued","label":"Date","values":["2011-06-03"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Caribbean","Literature","Anglophone","Dance","Identity","Culture","Community","Ritual","Performance","Political consciousness","Postcolonial","Carnival","Ekphrasis","Afro-Caribbean","Earl Lovelace","Paule Marshall","Marie-Elena John","Samuel Selvon"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en_US"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/1805/2592","http://dx.doi.org/10.7912/C2/385"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["Indiana University-Purdue University Indianapolis (IUPUI)"]},{"key":"dc:description.abstract","label":"Abstract","values":["Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weight of Western views on dance influences Caribbean transmutations and translations of cultural behavior, ritual acts, and spontaneous movement. The novels studied include Samuel Selvon's \"The Lonely Londoners\" (1956), Earl Lovelace's \"The Dragon Can't Dance\" (1979), Paule Marshall's \"Praisesong for the Widow\" (1983), and Marie-Elena John's \"Unburnable\" (2006)."]},{"key":"dc:title","label":"Title","values":["Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration"]}]}],"canonical_facts":{"dc:contributor.advisor":["Springer, Jennifer Thorington"],"dc:contributor.other":["Kubitschek, Missy Dehn","Shepherd, Susan Carol"],"dc:creator":["Tressler, Gretchen E."],"dc:date.accessioned":["2011-06-03T14:57:28Z"],"dc:date.available":["2011-06-03T14:57:28Z"],"dc:date.issued":["2011-06-03"],"dc:description":["Indiana University-Purdue University Indianapolis (IUPUI)"],"dc:description.abstract":["Dance appears often in Anglophone Caribbean literature, usually when a character chooses to celebrate and emphasize her/his freedom from the physical, emotional, and societal constraints that normally keep the body in check. This study examines how a character's political consciousness often emerges in chorus with aesthetic bodily movement and analyzes the symbolic force and political significance of Caribbean dance--both celebratory (as in Carnival) and defensive (as in warrior dances). Furthermore, this study observes how the weight of Western views on dance influences Caribbean transmutations and translations of cultural behavior, ritual acts, and spontaneous movement. The novels studied include Samuel Selvon's \"The Lonely Londoners\" (1956), Earl Lovelace's \"The Dragon Can't Dance\" (1979), Paule Marshall's \"Praisesong for the Widow\" (1983), and Marie-Elena John's \"Unburnable\" (2006)."],"dc:identifier.uri":["https://hdl.handle.net/1805/2592","http://dx.doi.org/10.7912/C2/385"],"dc:language.iso":["en_US"],"dc:subject":["Caribbean","Literature","Anglophone","Dance","Identity","Culture","Community","Ritual","Performance","Political consciousness","Postcolonial","Carnival","Ekphrasis","Afro-Caribbean","Earl Lovelace","Paule Marshall","Marie-Elena John","Samuel Selvon"],"dc:title":["Dance and Identity Politics in Caribbean Literature: Culture, Community, and Commemoration"],"dc:type":["Thesis"]},"updated_at":"2026-07-24T02:42:13Z"}