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[Bloomington, Ind.] : Indiana University

From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema

Abstract

dc:description.abstract

This study explores gender roles in Turkish-German Migrant Cinema as created by two directors, Kutlug Ataman and Fatih Akin. Informed by its predecessors, Yilmaz Guney and Rainer Werner Fassbinder, who were among the first to explore the marginalization of immigrants in post-War Germany, the current Turkish-German wave of Migrant Cinema explores issues of memory, border crossing, third space, masculinity in crisis, homosexuality, assimilation, integration, and women as the embodiment of the homeland. Utilizing mainly feminist and feminist film theory, along with Marxist and Marxist Feminist theories as well as elements from Queer Cinema, I analyze the depiction of male, female, gay, and lesbian gender roles in three films: <italic>Lola and Billy the Kid</italic> (Ataman), and <italic>Head-On</italic> and <italic>The Edge of Heaven</italic> (Akin). In contrast to Ataman, who tackles gender and racial stereotypes head-on and places his characters' futures firmly in Germany, Akin's creates male and female characters whose quest to self journey take them back to motherland Turkey. Both directors work in the Turkish-German Migrant Cinema context of melodrama, although Akin might be judged the more successful in pushing the boundaries while conforming to the classical conventions of popular movie-making. Taken together, these films provide increased visibility to underrepresented gender categories in the immigrant context while simultaneously catering to the heterosexual gaze and thereby appealing to mainstream audiences.

Degree

thesis:*
Grantor dc:publisher
[Bloomington, Ind.] : Indiana University
Year dc:date.issued
2012

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Cicek, Filiz
Advisor dc:contributor.advisor
  • Harding, Cigdem Harding B

Subjects

dc:subject × 6

Rights

Language dc:language.iso
en

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/2022/16353
OAI identifier oai:identifier
oai:scholarworks.iu.edu:2022/16353

Chain of custody

source
Harvested from
Indiana University
Base URL
scholarworks.iu.edu/iuswrrest/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Cicek, Filiz. From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema. [Bloomington, Ind.] : Indiana University, 2012. https://hdl.handle.net/2022/16353