{"id":{"repo_id":"iastate","oai_identifier":"oai:dr.lib.iastate.edu:20.500.12876/YvkA6pez"},"canonical_url":"https://search.dev.ndltd.org/etd/iastate/oai:dr.lib.iastate.edu:20.500.12876/YvkA6pez","repository":{"repo_id":"iastate","name":"Iowa State University","base_url":"https://dr.lib.iastate.edu/server/oai/request"},"display":{"title":"Puppet and Parvaneh: Exploring gender bias and artistic anonymity in Iran","abstract":"This thesis is the written component to the art exhibit, Puppet & Parvaneh, Exploring gender bias and artistic anonymity in Iran, held in March 2025 at Gallery 181, College of Design, Iowa State University. The title incorporates the word Parvaneh, which means butterfly in Farsi and symbolizes hope in my work. It examines the impact of gender bias on Iranian women artists, who often face societal, legal, and cultural constraints that force them into anonymity to protect their safety and freedom. The study looks at issues like gender equality, individual freedom, and the power of art to overthrow oppressive structures. To create a narrative that invites open interpretation, the accompanying artwork uses a variety of media, including cardboard puppets, clay sculptures, digital illustrations, and acrylic on canvas. Central to the exhibit is the exploration of anonymity as both a constraint and a form of resistance. For Iranian women, anonymity often serves as a shield against punitive repercussions, yet it also functions as a silent act of defiance, enabling creative expression in hostile environments. This duality underscores the complexity of their lived experiences and the courage inherent in their artistic practices. Through a combination of narrative styles, the exhibit bridges the personal and the political, offering a platform for silenced voices while challenging viewers to confront the realities of systemic oppression.","abstract_html":"This thesis is the written component to the art exhibit, Puppet & Parvaneh, Exploring gender bias and artistic anonymity in Iran, held in March 2025 at Gallery 181, College of Design, Iowa State University. The title incorporates the word Parvaneh, which means butterfly in Farsi and symbolizes hope in my work. It examines the impact of gender bias on Iranian women artists, who often face societal, legal, and cultural constraints that force them into anonymity to protect their safety and freedom. The study looks at issues like gender equality, individual freedom, and the power of art to overthrow oppressive structures. To create a narrative that invites open interpretation, the accompanying artwork uses a variety of media, including cardboard puppets, clay sculptures, digital illustrations, and acrylic on canvas. Central to the exhibit is the exploration of anonymity as both a constraint and a form of resistance. For Iranian women, anonymity often serves as a shield against punitive repercussions, yet it also functions as a silent act of defiance, enabling creative expression in hostile environments. This duality underscores the complexity of their lived experiences and the courage inherent in their artistic practices. Through a combination of narrative styles, the exhibit bridges the personal and the political, offering a platform for silenced voices while challenging viewers to confront the realities of systemic oppression.","abstract_has_math":false,"creators":["Masrour, Elnaz"],"institution":"Iowa State University","degree_name":"Master of Fine Arts","degree_level":"thesis","degree_discipline":"Art education","degree_department":"Department of Art and Visual Culture","school":null,"contributors":[],"advisors":["Walton, Barbara","Lilligren, Ingrid","Gebhart, Nancy","Stoehr, Alissa"],"committee_chairs":[],"committee_members":[],"year":2025,"date_issued":"2025-05","date_published":"2025-05","updated_at":"2026-07-24T02:39:07Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.31274/td-20251215-113"],"render_values":[{"text":"https://doi.org/10.31274/td-20251215-113","href":"https://doi.org/10.31274/td-20251215-113","code":true}]}]},"links":{"outbound_url":"https://dr.lib.iastate.edu/handle/20.500.12876/YvkA6pez","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Walton, Barbara","Lilligren, Ingrid","Gebhart, Nancy","Stoehr, Alissa"]},{"key":"dc:contributor.department","label":"Department","values":["Department of Art and Visual Culture"]},{"key":"dc:creator","label":"Author","values":["Masrour, Elnaz"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2025-06-30T19:19:40Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2025-06-30T19:19:40Z"]},{"key":"dc:date.issued","label":"Date","values":["2025-05"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art education"]},{"key":"thesis:degree_level","label":"Degree Level","values":["thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["Iowa State University"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.31274/td-20251215-113"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://dr.lib.iastate.edu/handle/20.500.12876/YvkA6pez"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is the written component to the art exhibit, Puppet & Parvaneh, Exploring gender bias and artistic anonymity in Iran, held in March 2025 at Gallery 181, College of Design, Iowa State University. The title incorporates the word Parvaneh, which means butterfly in Farsi and symbolizes hope in my work. It examines the impact of gender bias on Iranian women artists, who often face societal, legal, and cultural constraints that force them into anonymity to protect their safety and freedom. The study looks at issues like gender equality, individual freedom, and the power of art to overthrow oppressive structures. To create a narrative that invites open interpretation, the accompanying artwork uses a variety of media, including cardboard puppets, clay sculptures, digital illustrations, and acrylic on canvas. Central to the exhibit is the exploration of anonymity as both a constraint and a form of resistance. For Iranian women, anonymity often serves as a shield against punitive repercussions, yet it also functions as a silent act of defiance, enabling creative expression in hostile environments. This duality underscores the complexity of their lived experiences and the courage inherent in their artistic practices. Through a combination of narrative styles, the exhibit bridges the personal and the political, offering a platform for silenced voices while challenging viewers to confront the realities of systemic oppression."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["PDF"]},{"key":"dc:title","label":"Title","values":["Puppet and Parvaneh: Exploring gender bias and artistic anonymity in Iran"]}]}],"canonical_facts":{"dc:contributor.advisor":["Walton, Barbara","Lilligren, Ingrid","Gebhart, Nancy","Stoehr, Alissa"],"dc:contributor.department":["Department of Art and Visual Culture"],"dc:creator":["Masrour, Elnaz"],"dc:date.accessioned":["2025-06-30T19:19:40Z"],"dc:date.available":["2025-06-30T19:19:40Z"],"dc:date.issued":["2025-05"],"dc:description.abstract":["This thesis is the written component to the art exhibit, Puppet & Parvaneh, Exploring gender bias and artistic anonymity in Iran, held in March 2025 at Gallery 181, College of Design, Iowa State University. The title incorporates the word Parvaneh, which means butterfly in Farsi and symbolizes hope in my work. It examines the impact of gender bias on Iranian women artists, who often face societal, legal, and cultural constraints that force them into anonymity to protect their safety and freedom. The study looks at issues like gender equality, individual freedom, and the power of art to overthrow oppressive structures. To create a narrative that invites open interpretation, the accompanying artwork uses a variety of media, including cardboard puppets, clay sculptures, digital illustrations, and acrylic on canvas. Central to the exhibit is the exploration of anonymity as both a constraint and a form of resistance. For Iranian women, anonymity often serves as a shield against punitive repercussions, yet it also functions as a silent act of defiance, enabling creative expression in hostile environments. 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