{"id":{"repo_id":"iastate","oai_identifier":"oai:dr.lib.iastate.edu:20.500.12876/29490"},"canonical_url":"https://search.dev.ndltd.org/etd/iastate/oai:dr.lib.iastate.edu:20.500.12876/29490","repository":{"repo_id":"iastate","name":"Iowa State University","base_url":"https://dr.lib.iastate.edu/server/oai/request"},"display":{"title":"Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen","abstract":"<p>This study examines portrayals of lead characters played by black and mixed-black men and women in four contemporary top-grossing box office films released from 2010-2015. The qualitative textual analysis assesses whether leads played by black or mixed-black people conform to or stray from Hollywood’s historical messages that have allowed for racial and gender inequalities on screen. By cross-analyzing characters in terms of genre and gender and forming an understanding of how each character functions in their respective narratives, my analysis identified four major themes. Lead characters played by black and mixed-black people are shown a) having broken or absent families; b) engaged in servitude and/or subordination, which also included uniformity in terms of appearance; c) associated with criminality and/or weaponry; and d) facing one’s fears and striving for a better life, which often involved confronting one’s financial struggles. My findings also suggest that there is more complexity to be found in the roles given to black and mixed black actors/actresses than has been the case historically, as historical portrayals of African Americans are challenged and complicated by contemporary films with both historically based and fictionally based plots.</p>","abstract_html":"&lt;p&gt;This study examines portrayals of lead characters played by black and mixed-black men and women in four contemporary top-grossing box office films released from 2010-2015. The qualitative textual analysis assesses whether leads played by black or mixed-black people conform to or stray from Hollywood’s historical messages that have allowed for racial and gender inequalities on screen. By cross-analyzing characters in terms of genre and gender and forming an understanding of how each character functions in their respective narratives, my analysis identified four major themes. Lead characters played by black and mixed-black people are shown a) having broken or absent families; b) engaged in servitude and/or subordination, which also included uniformity in terms of appearance; c) associated with criminality and/or weaponry; and d) facing one’s fears and striving for a better life, which often involved confronting one’s financial struggles. My findings also suggest that there is more complexity to be found in the roles given to black and mixed black actors/actresses than has been the case historically, as historical portrayals of African Americans are challenged and complicated by contemporary films with both historically based and fictionally based plots.&lt;/p&gt;","abstract_has_math":false,"creators":["Garrett, Melissa"],"institution":null,"degree_name":"Master of Science","degree_level":"thesis","degree_discipline":"Journalism and Mass Communication","degree_department":"Greenlee School of Journalism and Communication","school":null,"contributors":[],"advisors":["Tracy Lucht"],"committee_chairs":[],"committee_members":[],"year":2017,"date_issued":"2017-01-01","date_published":"2017-01-01","updated_at":"2026-07-24T02:38:23Z","subjects":[],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.31274/etd-180810-4935"],"render_values":[{"text":"https://doi.org/10.31274/etd-180810-4935","href":"https://doi.org/10.31274/etd-180810-4935","code":true}]},{"key":"dc:identifier","label":"Identifier","values":["archive/lib.dr.iastate.edu/etd/15307/"],"render_values":[{"text":"archive/lib.dr.iastate.edu/etd/15307/","href":null,"code":true}]}]},"links":{"outbound_url":"https://dr.lib.iastate.edu/handle/20.500.12876/29490","outbound_label":"Repository record","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Tracy Lucht"]},{"key":"dc:contributor.department","label":"Department","values":["Greenlee School of Journalism and Communication"]},{"key":"dc:creator","label":"Author","values":["Garrett, Melissa"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2018-08-11T21:52:57.000"]},{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2020-06-30T03:02:57Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2020-06-30T03:02:57Z"]},{"key":"dc:date.issued","label":"Date","values":["2017-01-01"]},{"key":"dc:type","label":"Dc Type","values":["thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Journalism and Mass Communication"]},{"key":"thesis:degree_level","label":"Degree Level","values":["thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Science"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["archive/lib.dr.iastate.edu/etd/15307/"]},{"key":"dc:identifier.doi","label":"DOI","values":["https://doi.org/10.31274/etd-180810-4935"]},{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://dr.lib.iastate.edu/handle/20.500.12876/29490"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This study examines portrayals of lead characters played by black and mixed-black men and women in four contemporary top-grossing box office films released from 2010-2015. The qualitative textual analysis assesses whether leads played by black or mixed-black people conform to or stray from Hollywood’s historical messages that have allowed for racial and gender inequalities on screen. By cross-analyzing characters in terms of genre and gender and forming an understanding of how each character functions in their respective narratives, my analysis identified four major themes. Lead characters played by black and mixed-black people are shown a) having broken or absent families; b) engaged in servitude and/or subordination, which also included uniformity in terms of appearance; c) associated with criminality and/or weaponry; and d) facing one’s fears and striving for a better life, which often involved confronting one’s financial struggles. My findings also suggest that there is more complexity to be found in the roles given to black and mixed black actors/actresses than has been the case historically, as historical portrayals of African Americans are challenged and complicated by contemporary films with both historically based and fictionally based plots.</p>"]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen"]}]}],"canonical_facts":{"dc:contributor.advisor":["Tracy Lucht"],"dc:contributor.department":["Greenlee School of Journalism and Communication"],"dc:creator":["Garrett, Melissa"],"dc:date":["2018-08-11T21:52:57.000"],"dc:date.accessioned":["2020-06-30T03:02:57Z"],"dc:date.available":["2020-06-30T03:02:57Z"],"dc:date.issued":["2017-01-01"],"dc:description.abstract":["<p>This study examines portrayals of lead characters played by black and mixed-black men and women in four contemporary top-grossing box office films released from 2010-2015. The qualitative textual analysis assesses whether leads played by black or mixed-black people conform to or stray from Hollywood’s historical messages that have allowed for racial and gender inequalities on screen. By cross-analyzing characters in terms of genre and gender and forming an understanding of how each character functions in their respective narratives, my analysis identified four major themes. Lead characters played by black and mixed-black people are shown a) having broken or absent families; b) engaged in servitude and/or subordination, which also included uniformity in terms of appearance; c) associated with criminality and/or weaponry; and d) facing one’s fears and striving for a better life, which often involved confronting one’s financial struggles. My findings also suggest that there is more complexity to be found in the roles given to black and mixed black actors/actresses than has been the case historically, as historical portrayals of African Americans are challenged and complicated by contemporary films with both historically based and fictionally based plots.</p>"],"dc:format.mimetype":["application/pdf"],"dc:identifier":["archive/lib.dr.iastate.edu/etd/15307/"],"dc:identifier.doi":["https://doi.org/10.31274/etd-180810-4935"],"dc:identifier.uri":["https://dr.lib.iastate.edu/handle/20.500.12876/29490"],"dc:language.iso":["en"],"dc:title":["Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen"],"dc:type":["thesis"],"thesis:degree_discipline":["Journalism and Mass Communication"],"thesis:degree_level":["thesis"],"thesis:degree_name":["Master of Science"]},"updated_at":"2026-07-24T02:38:23Z"}