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University of Houston

Joan Jonas and the Object of Performance

Abstract

dc:description.abstract

Performance art as a medium poses numerous difficulties to scholars and museum professions when trying to both study and preserve the works in question. The work itself is tied closely to a performer’s actions with respect to its setting and audience, which contributes to its ephemeral nature. People have worked to preserve these events, acts, and happenings through various means, including memory, photographic or filmic documentation, and physical remnants or by-products from the event; however, these pieces only provide a fragmented, disjointed image of a complex, multidimensional work. To more closely analyze problems associated with performance art, I refer to Joan Jonas and several of her pieces to serve as a case study for the overarching problems associated with performance studies discussed in the thesis. Her work will enable one to see how the physical remnant connects to the whole act of the past event. After analyzing her works and understanding how Jonas incorporated props and objects into her practice, I will address the residual prop’s potential to be displayed and serve as a reference point or remaining testimony to the artist’s original intent and action.

Degree

thesis:*
Name thesis:degree_name
Master of Arts
Level thesis:degree_level
Masters
Discipline thesis:degree_discipline
Art History
Grantor
University of Houston
Year dc:date.issued
2021

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Lobue, Chesli Nicole
Advisor dc:contributor.advisor
  • Harren, Natilee
Committee members dc:contributor.committeemember
  • Zalman, Sandra
  • Koontz, Rex

Subjects

dc:subject × 9

Rights

dc:rights
Statement dc:rights
  • The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10657/7754
OAI identifier oai:identifier
oai:uh-ir.tdl.org:10657/7754

Chain of custody

source
Harvested from
University of Houston
Base URL
uh-ir.tdl.org/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Lobue, Chesli Nicole. Joan Jonas and the Object of Performance. Masters thesis, University of Houston, 2021. https://hdl.handle.net/10657/7754