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University of Houston

Charles Brockden Brown and the Ethics of the Grotesque

Abstract

dc:description.abstract

This work focuses on tracing the animating ethos of Charles Brockden Brown’s intriguing but confusing novels through close attention to the texts and to the richly complex historical environment from which they emerge and to which they respond. In several non-novelistic writings, including prefaces, letters, essays, and reviews, Brown insists that the value of narratives, whether fictional or historical, lies in their effects in the realm of the ethical; it “lies without doubt in their moral tendency.” But Brown’s narratives go beyond inculcating a moral system; indeed, as I aim to show in my analyses of the novels Wieland and Ormond, each marked by Gothic sensationalism and psychological realism, Brown’s narratives function to challenge the ethics of ethics, to subject ideas to reality-grounded counterfactual scenarios so as to expose the humanity and justice or lack thereof of moral systems. Brown’s relentless skepticism coupled with his deep-seated concern for moral responsibility, I argue, speaks to problematic formal features of the narratives as well. That is, I want to argue that the novels’ resistance to a totalizing explanatory construct serves to prompt a mode of continuous critical engagement, a living practice of attentive reading that is, when transposed into the realm of interpersonal relations, the active awareness and ethical regarding of the other in its true otherness. As such, the novels’ very weirdness—their inconclusiveness, incongruity, and contradictions, in content and form; that which I suggest is best understood as their grotesqueness; that which commands attention and resists assimilation—serves an ethical end.

Degree

thesis:*
Name thesis:degree_name
Doctor of Philosophy
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
English and American Literature
Grantor
University of Houston
Year dc:date.issued
2015

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Joachim, William Douglas
Advisor dc:contributor.advisor
  • Weldon, Roberta
Committee members dc:contributor.committeemember
  • Berger, Jason J.
  • Freeland, Cynthia A.
  • Monroe, William
  • Wood, Barry A.

Subjects

dc:subject × 2

Rights

dc:rights
Statement dc:rights
  • The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
https://hdl.handle.net/10657/5464
OAI identifier oai:identifier
oai:uh-ir.tdl.org:10657/5464

Chain of custody

source
Harvested from
University of Houston
Base URL
uh-ir.tdl.org/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Joachim, William Douglas. Charles Brockden Brown and the Ethics of the Grotesque. Doctoral thesis, University of Houston, 2015. https://hdl.handle.net/10657/5464