{"id":{"repo_id":"houston","oai_identifier":"oai:uh-ir.tdl.org:10657/4469"},"canonical_url":"https://search.dev.ndltd.org/etd/houston/oai:uh-ir.tdl.org:10657/4469","repository":{"repo_id":"houston","name":"University of Houston","base_url":"https://uh-ir.tdl.org/server/oai/request"},"display":{"title":"Fusion of Chinese and Western Musical Styles in Chen Yi’s from the Path of Beauty","abstract":"Chen Yi (b.1953), one of the leading Chinese-born American composers today, has earned a reputation in the world as a female composer of contemporary music. Both Chinese and Western musical styles have influenced Chen’s compositional style. As one of the new-wave movement composers, Chen has blended Chinese musical ideas into contemporary Western compositions, to develop a fusion of Chinese and Western musical styles. This paper will discuss how Chen’s personal life experiences have impacted her compositional philosophy by drawing from her personal interviews. An overview of Chen’s compositions shows how her perspectives on her Chinese identity and her inspirations from Chinese culture influenced her personal compositional style. My analysis of From the Path of Beauty will investigate how she applies her compositional philosophy, and how she incorporates her own interpretation of Chinese culture in this work.","abstract_html":"Chen Yi (b.1953), one of the leading Chinese-born American composers today, has earned a reputation in the world as a female composer of contemporary music. Both Chinese and Western musical styles have influenced Chen’s compositional style. As one of the new-wave movement composers, Chen has blended Chinese musical ideas into contemporary Western compositions, to develop a fusion of Chinese and Western musical styles. This paper will discuss how Chen’s personal life experiences have impacted her compositional philosophy by drawing from her personal interviews. An overview of Chen’s compositions shows how her perspectives on her Chinese identity and her inspirations from Chinese culture influenced her personal compositional style. My analysis of From the Path of Beauty will investigate how she applies her compositional philosophy, and how she incorporates her own interpretation of Chinese culture in this work.","abstract_has_math":false,"creators":["Xu, Jingwen"],"institution":"University of Houston","degree_name":"Doctor of Musical Arts","degree_level":"Doctoral","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Snyder, John L."],"committee_chairs":[],"committee_members":["Smith, Rob","Koozin, Timothy","Yon, Kirsten A."],"year":2019,"date_issued":"2019-05","date_published":"2019-05","updated_at":"2026-07-24T02:32:47Z","subjects":["Yi, Chen","String quartets","Chinese and Western"],"languages":["eng"],"rights":["The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s)."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10657/4469","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Snyder, John L."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Smith, Rob","Koozin, Timothy","Yon, Kirsten A."]},{"key":"dc:creator","label":"Author","values":["Xu, Jingwen"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2019-09-13T01:21:00Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2019-09-13T01:21:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2019-05"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Houston"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Yi, Chen","String quartets","Chinese and Western"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["eng"]},{"key":"dc:rights","label":"Dc Rights","values":["The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s)."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10657/4469"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Chen Yi (b.1953), one of the leading Chinese-born American composers today, has earned a reputation in the world as a female composer of contemporary music. Both Chinese and Western musical styles have influenced Chen’s compositional style. As one of the new-wave movement composers, Chen has blended Chinese musical ideas into contemporary Western compositions, to develop a fusion of Chinese and Western musical styles. This paper will discuss how Chen’s personal life experiences have impacted her compositional philosophy by drawing from her personal interviews. An overview of Chen’s compositions shows how her perspectives on her Chinese identity and her inspirations from Chinese culture influenced her personal compositional style. My analysis of From the Path of Beauty will investigate how she applies her compositional philosophy, and how she incorporates her own interpretation of Chinese culture in this work."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Fusion of Chinese and Western Musical Styles in Chen Yi’s from the Path of Beauty"]}]}],"canonical_facts":{"dc:contributor.advisor":["Snyder, John L."],"dc:contributor.committeemember":["Smith, Rob","Koozin, Timothy","Yon, Kirsten A."],"dc:creator":["Xu, Jingwen"],"dc:date.accessioned":["2019-09-13T01:21:00Z"],"dc:date.available":["2019-09-13T01:21:00Z"],"dc:date.issued":["2019-05"],"dc:description.abstract":["Chen Yi (b.1953), one of the leading Chinese-born American composers today, has earned a reputation in the world as a female composer of contemporary music. Both Chinese and Western musical styles have influenced Chen’s compositional style. As one of the new-wave movement composers, Chen has blended Chinese musical ideas into contemporary Western compositions, to develop a fusion of Chinese and Western musical styles. This paper will discuss how Chen’s personal life experiences have impacted her compositional philosophy by drawing from her personal interviews. An overview of Chen’s compositions shows how her perspectives on her Chinese identity and her inspirations from Chinese culture influenced her personal compositional style. My analysis of From the Path of Beauty will investigate how she applies her compositional philosophy, and how she incorporates her own interpretation of Chinese culture in this work."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/10657/4469"],"dc:language.iso":["eng"],"dc:rights":["The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. 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