Back to results

University of Houston

Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France

Abstract

dc:description.abstract

This essay traces the emergence of music for organ and orchestra in France. Félix-Alexandre Guilmant and Charles-Marie Widor were the first two Frenchmen to compose and perform such works. Guilmant premiered his Symphonie pour orgue et orchestre, op. 42, in 1878. Widor’s Symphonie pour orgue et orchestre, op. 42(bis), was first performed in 1882. The musical material of neither of these symphonies was originally conceived for organ and orchestra. Rather than create new musical works, both composers opted to re-work existing compositions for solo organ. Guilmant’s first symphony is an orchestration of Sonata I in D Minor, op. 42, while Widor’s symphony is based on one movement of his Symphonie II and two movements from his Symphonie VI. In addition to tracing the development of the genre, this document examines primary instrumentation texts that originated in France during the eighteenth, nineteenth, and early twentieth centuries. Biographical information about the composers is also included. The concluding section of this essay focuses on salient compositional strategies the two composers employed as they orchestrated and transformed their solo organ works into symphonies for organ and orchestra.

Degree

thesis:*
Name thesis:degree_name
Doctor of Musical Arts
Level thesis:degree_level
Doctoral
Discipline thesis:degree_discipline
Music
Grantor
University of Houston
Year dc:date.issued
2018

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Ging, Michael David
Advisor dc:contributor.advisor
  • Dirst, Matthew
Committee members dc:contributor.committeemember
  • Koozin, Timothy
  • Robinson, Daryl
  • Weber, Betsy C.

Subjects

dc:subject × 4

Rights

dc:rights
Statement dc:rights
  • The author of this work is the copyright owner. UH Libraries and the Texas Digital Library have their permission to store and provide access to this work. Further transmission, reproduction, or presentation of this work is prohibited except with permission of the author(s).
Language dc:language.iso
eng

Identifiers

dc:identifier.*
Handle dc:identifier.uri
http://hdl.handle.net/10657/3123
OAI identifier oai:identifier
oai:uh-ir.tdl.org:10657/3123

Chain of custody

source
Harvested from
University of Houston
Base URL
uh-ir.tdl.org/server/oai/request
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
citation

Ging, Michael David. Orchestrations and Transformations: Guilmant, Widor, and the Emergence of Music for Organ and Orchestra in France. Doctoral thesis, University of Houston, 2018. http://hdl.handle.net/10657/3123