{"id":{"repo_id":"houston","oai_identifier":"oai:uh-ir.tdl.org:10657/17667"},"canonical_url":"https://search.dev.ndltd.org/etd/houston/oai:uh-ir.tdl.org:10657/17667","repository":{"repo_id":"houston","name":"University of Houston","base_url":"https://uh-ir.tdl.org/server/oai/request"},"display":{"title":"Nikolai Medtner's Forgotten Melodies Op. 39: Exploring The Narrative Mosaic Of The Cycle","abstract":"Nikolai Medtner, a Russian composer, pianist, and pedagogue, bridged the Late Romantic and Modernist periods, yet he firmly opposed the modernistic trends of his time. In his essay, The Muse and the Fashion, he critiqued modernism's complexity and novelty as a mere trend, advocating for music that remains true to artistic purity and is guided by inspiration rather than fashion. Despite his significant contributions, particularly through his piano works such as the Fairy Tales and sonatas, his Forgotten Melodies Op. 39, have been overlooked in both performance and scholarly circles. This essay explores Op. 39 as a meticulously structured cycle with a narrative arc, examining its movements' intrinsic and extrinsic meanings and their collective expressive effect. By conducting a detailed topical and narrative analysis, this study aims to enhance the understanding of Medtner's style and expression, promoting wider recognition and appreciation of his work within the piano literature.","abstract_html":"Nikolai Medtner, a Russian composer, pianist, and pedagogue, bridged the Late Romantic and Modernist periods, yet he firmly opposed the modernistic trends of his time. In his essay, The Muse and the Fashion, he critiqued modernism's complexity and novelty as a mere trend, advocating for music that remains true to artistic purity and is guided by inspiration rather than fashion. Despite his significant contributions, particularly through his piano works such as the Fairy Tales and sonatas, his Forgotten Melodies Op. 39, have been overlooked in both performance and scholarly circles. This essay explores Op. 39 as a meticulously structured cycle with a narrative arc, examining its movements' intrinsic and extrinsic meanings and their collective expressive effect. By conducting a detailed topical and narrative analysis, this study aims to enhance the understanding of Medtner's style and expression, promoting wider recognition and appreciation of his work within the piano literature.","abstract_has_math":false,"creators":["Blahulyak, Olena"],"institution":"University of Houston","degree_name":"Doctor of Musical Arts","degree_level":"Doctoral","degree_discipline":"Music","degree_department":null,"school":null,"contributors":[],"advisors":["Bertagnolli, Paul A."],"committee_chairs":[],"committee_members":["Hester, Timothy","Snyder, John L.","Van Kekerix, Todd"],"year":2024,"date_issued":"2024-05-09","date_published":"2024-05-09","updated_at":"2026-07-24T02:31:47Z","subjects":["Nikolai Medtner","Piano music"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://hdl.handle.net/10657/17667","outbound_label":"Handle","outbound_source":"dc:identifier.uri"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.advisor","label":"Advisor","values":["Bertagnolli, Paul A."]},{"key":"dc:contributor.committeemember","label":"Committee Member","values":["Hester, Timothy","Snyder, John L.","Van Kekerix, Todd"]},{"key":"dc:creator","label":"Author","values":["Blahulyak, Olena"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.accessioned","label":"Dc Date Accessioned","values":["2024-07-26T03:56:11Z"]},{"key":"dc:date.available","label":"Dc Date Available","values":["2024-07-26T03:56:11Z"]},{"key":"dc:date.issued","label":"Date","values":["2024-05-09"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Music"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Doctoral"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Doctor of Musical Arts"]},{"key":"thesis:institution_name","label":"Thesis Institution Name","values":["University of Houston"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Nikolai Medtner","Piano music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language.iso","label":"Language (ISO)","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://hdl.handle.net/10657/17667"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Nikolai Medtner, a Russian composer, pianist, and pedagogue, bridged the Late Romantic and Modernist periods, yet he firmly opposed the modernistic trends of his time. In his essay, The Muse and the Fashion, he critiqued modernism's complexity and novelty as a mere trend, advocating for music that remains true to artistic purity and is guided by inspiration rather than fashion. Despite his significant contributions, particularly through his piano works such as the Fairy Tales and sonatas, his Forgotten Melodies Op. 39, have been overlooked in both performance and scholarly circles. This essay explores Op. 39 as a meticulously structured cycle with a narrative arc, examining its movements' intrinsic and extrinsic meanings and their collective expressive effect. By conducting a detailed topical and narrative analysis, this study aims to enhance the understanding of Medtner's style and expression, promoting wider recognition and appreciation of his work within the piano literature."]},{"key":"dc:format.mimetype","label":"Dc Format Mimetype","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Nikolai Medtner's Forgotten Melodies Op. 39: Exploring The Narrative Mosaic Of The Cycle"]}]}],"canonical_facts":{"dc:contributor.advisor":["Bertagnolli, Paul A."],"dc:contributor.committeemember":["Hester, Timothy","Snyder, John L.","Van Kekerix, Todd"],"dc:creator":["Blahulyak, Olena"],"dc:date.accessioned":["2024-07-26T03:56:11Z"],"dc:date.available":["2024-07-26T03:56:11Z"],"dc:date.issued":["2024-05-09"],"dc:description.abstract":["Nikolai Medtner, a Russian composer, pianist, and pedagogue, bridged the Late Romantic and Modernist periods, yet he firmly opposed the modernistic trends of his time. In his essay, The Muse and the Fashion, he critiqued modernism's complexity and novelty as a mere trend, advocating for music that remains true to artistic purity and is guided by inspiration rather than fashion. Despite his significant contributions, particularly through his piano works such as the Fairy Tales and sonatas, his Forgotten Melodies Op. 39, have been overlooked in both performance and scholarly circles. This essay explores Op. 39 as a meticulously structured cycle with a narrative arc, examining its movements' intrinsic and extrinsic meanings and their collective expressive effect. By conducting a detailed topical and narrative analysis, this study aims to enhance the understanding of Medtner's style and expression, promoting wider recognition and appreciation of his work within the piano literature."],"dc:format.mimetype":["application/pdf"],"dc:identifier.uri":["https://hdl.handle.net/10657/17667"],"dc:language.iso":["en"],"dc:subject":["Nikolai Medtner","Piano music"],"dc:title":["Nikolai Medtner's Forgotten Melodies Op. 39: Exploring The Narrative Mosaic Of The Cycle"],"dc:type":["Thesis"],"thesis:degree_discipline":["Music"],"thesis:degree_level":["Doctoral"],"thesis:degree_name":["Doctor of Musical Arts"],"thesis:institution_name":["University of Houston"]},"updated_at":"2026-07-24T02:31:47Z"}