Text and Intensification of Its Impact in Chishti Samā`

In my master’s thesis I analyse mystical Islamic poetry in ritualistic performance context, samā` , focusing on the poetry used by the Chishti Sufis. The work is based on both literary sources and ethnographic material collected in India. The central textual source is Surūd-i Rūhānī, a compilation of mystical poetry. Textual sources, however, can be understood properly only in relation to the living performance context and therefore I also utilise interviews of Sufis and performers of mystical music and recordings of samā` assemblies along with texts. First part of the thesis concentrates on thematic overview of the poems and the process of selecting a suitable text for performance. The poems are written in three languages, viz. in Persian, Urdu and Hindi. Among the authors are both Sufis and non-Sufis. The poems, mystical and non-mystical alike, share the same poetic images and they acquire a mystical meaning when they are set to qawwali music and performed in samā` assemblies. My work includes several translations of verses not previously translated. Latter part of the thesis analyses the musical idiom of qawwali and the ways in which the impact of text on listeners is intensified in performance. Typically the intensification is accomplished in the level of a single poem through three different techniques: using introductory verses, inserting verses between the verses of the main poem and repeating individual units of text. The former two techniques are tied to creating a mystical state in the listeners while the latter aims at sustaining it. It is customary that a listener enraptured by mystical experience offers a monetary contribution to the performers. Thus, intensification of the text’s impact aims at enabling the listeners to experience mystical states.

Grantor dc:publisher

Helsingfors universitet

Year dc:date.issued

2008

Author dc:creator

• Viitamäki, Mikko

Contributors dc:contributor

• Helsingin yliopisto, Humanistinen tiedekunta, Aasian ja Afrikan kielten ja kulttuurien laitos
• University of Helsinki, Faculty of Arts, Institute for Asian and African Studies
• Helsingfors universitet, Humanistiska fakulteten, Institutionen för asiatiska och afrikanska språk och kulturer

Statement dc:rights

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• This publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.
• Julkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.

Language dc:language.iso

eng

Identifier URI

URN:NBN:fi-fe200807291737

OAI identifier oai:identifier

oai:helda.helsinki.fi:10138/19220