{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd_legacy-1712"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd_legacy-1712","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Fitzgerald Revisited: A Feminist Reexamination of <em>Tender is the Night</em>","abstract":"<p>This thesis, presented on F. Scott Fitzgerald's fourth novel. <em>Tender is the Night</em>, addresses connections between the text and the author's personal life, the novel's critical heritage and the strengths and weaknesses of the dominant critical paradigm, and the need for a new reading which operates outside of that paradigm. The author seeks to approach the text from a new feminist perspective under the general assumption that previous feminist cnncism shares the same basic critical approaches as the conventional critical paradigm and therefore provides limited new insight into the text. Using a new critical paradigm that disregards previous patriarchal assumptions and emphasizes Fitzgerald's characterization of women, this thesis suggests a different reading of <em>Tender Is the Night</em> in which women play an important, positive role.</p>","abstract_html":"&lt;p&gt;This thesis, presented on F. Scott Fitzgerald&#x27;s fourth novel. &lt;em&gt;Tender is the Night&lt;/em&gt;, addresses connections between the text and the author&#x27;s personal life, the novel&#x27;s critical heritage and the strengths and weaknesses of the dominant critical paradigm, and the need for a new reading which operates outside of that paradigm. The author seeks to approach the text from a new feminist perspective under the general assumption that previous feminist cnncism shares the same basic critical approaches as the conventional critical paradigm and therefore provides limited new insight into the text. Using a new critical paradigm that disregards previous patriarchal assumptions and emphasizes Fitzgerald&#x27;s characterization of women, this thesis suggests a different reading of &lt;em&gt;Tender Is the Night&lt;/em&gt; in which women play an important, positive role.&lt;/p&gt;","abstract_has_math":false,"creators":["Chipman, Lydia Moore"],"institution":null,"degree_name":"Master of English","degree_level":"Thesis (restricted to Georgia Southern)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["Caren Town","Linda Rohrer Paige"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2002,"date_issued":"2002-01-01T08:00:00Z","date_published":"2002-01-01T08:00:00Z","updated_at":"2026-07-24T02:28:40Z","subjects":["ETD","F. Scott Fitzgerald","Tender is the night","Feminist perspective","Feminist criticism","Characterization","English Language and Literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd_legacy/1104","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Caren Town","Linda Rohrer Paige"]},{"key":"dc:creator","label":"Author","values":["Chipman, Lydia Moore"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2015-08-18T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (restricted to Georgia Southern)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of English"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","F. 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The author seeks to approach the text from a new feminist perspective under the general assumption that previous feminist cnncism shares the same basic critical approaches as the conventional critical paradigm and therefore provides limited new insight into the text. Using a new critical paradigm that disregards previous patriarchal assumptions and emphasizes Fitzgerald's characterization of women, this thesis suggests a different reading of <em>Tender Is the Night</em> in which women play an important, positive role.</p>"]},{"key":"dc:title","label":"Title","values":["Fitzgerald Revisited: A Feminist Reexamination of <em>Tender is the Night</em>"]}]}],"canonical_facts":{"dc:contributor":["Caren Town","Linda Rohrer Paige"],"dc:creator":["Chipman, Lydia Moore"],"dc:date.available":["2015-08-18T07:00:00Z"],"dc:description.abstract":["<p>This thesis, presented on F. Scott Fitzgerald's fourth novel. <em>Tender is the Night</em>, addresses connections between the text and the author's personal life, the novel's critical heritage and the strengths and weaknesses of the dominant critical paradigm, and the need for a new reading which operates outside of that paradigm. The author seeks to approach the text from a new feminist perspective under the general assumption that previous feminist cnncism shares the same basic critical approaches as the conventional critical paradigm and therefore provides limited new insight into the text. Using a new critical paradigm that disregards previous patriarchal assumptions and emphasizes Fitzgerald's characterization of women, this thesis suggests a different reading of <em>Tender Is the Night</em> in which women play an important, positive role.</p>"],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd_legacy/1104"],"dc:subject":["ETD","F. 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