It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have begun demanding to know the realities behind the phenomenon. In order to help elucidate the details of the controversy—and to begin moving forward in the pursuit of enlightenment— this thesis reviews and explicates several texts that predate what could be deemed Ireland’s Magdalen literature, arguing that they constitute réamhscéala, or pre-tales, useful in establishing a genealogy for such influential texts as Patricia Burke Brogan’s play Eclipsed (1992) and the movies The Magdalen Sisters and Philomena. The réamhscéal (singular form) is a staple of ancient Irish epic literature: a tale that precedes the core narrative and without which that narrative can stand; but a tale that nonetheless helps enlighten the main action. Before the emergence of the identifiable genre that has come to be known as Magdalen literature, certain authors were already writing on or at least alluding to the matter of women and their institutionalization (whether in fact or in effect). Two major figures, Kate O’Brien and Samuel Beckett, produced novels—Without My Cloak and Murphy, respectively—that may be counted among the réamhscéala of the Magdalen texts that have been emerging since the early 1990s.
","abstract_html":"<p>It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have begun demanding to know the realities behind the phenomenon. In order to help elucidate the details of the controversy—and to begin moving forward in the pursuit of enlightenment— this thesis reviews and explicates several texts that predate what could be deemed Ireland’s Magdalen literature, arguing that they constitute réamhscéala, or pre-tales, useful in establishing a genealogy for such influential texts as Patricia Burke Brogan’s play <em>Eclipsed </em>(1992) and the movies <em>The Magdalen </em>Sisters and Philomena. The réamhscéal (singular form) is a staple of ancient Irish epic literature: a tale that precedes the core narrative and without which that narrative can stand; but a tale that nonetheless helps enlighten the main action. Before the emergence of the identifiable genre that has come to be known as Magdalen literature, certain authors were already writing on or at least alluding to the matter of women and their institutionalization (whether in fact or in effect). Two major figures, Kate O’Brien and Samuel Beckett, produced novels—<em>Without My Cloak </em>and <em>Murphy, </em>respectively—that may be counted among the réamhscéala of the Magdalen texts that have been emerging since the early 1990s.</p>","abstract_has_math":false,"creators":["Manning, Tiffany N"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["Joseph Pellegrino","Dustin Anderson"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2014,"date_issued":"2014-01-01T08:00:00Z","date_published":"2014-01-01T08:00:00Z","updated_at":"2026-07-24T02:27:52Z","subjects":["ETD","Magdalen Laundries","Magdalen Asylums","Ireland","Kate O’Brien","Samuel Beckett","Patricia Burke Brogan","Celtic Studies","Feminist, Gender, and Sexuality Studies","Other Feminist, Gender, and Sexuality Studies","Women's Studies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/1110","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Joseph Pellegrino","Dustin Anderson"]},{"key":"dc:creator","label":"Author","values":["Manning, Tiffany N"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-05-20T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Magdalen Laundries","Magdalen Asylums","Ireland","Kate O’Brien","Samuel Beckett","Patricia Burke Brogan","Celtic Studies","Feminist, Gender, and Sexuality Studies","Other Feminist, Gender, and Sexuality Studies","Women's Studies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/1110"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have begun demanding to know the realities behind the phenomenon. In order to help elucidate the details of the controversy—and to begin moving forward in the pursuit of enlightenment— this thesis reviews and explicates several texts that predate what could be deemed Ireland’s Magdalen literature, arguing that they constitute réamhscéala, or pre-tales, useful in establishing a genealogy for such influential texts as Patricia Burke Brogan’s play Eclipsed (1992) and the movies The Magdalen Sisters and Philomena. The réamhscéal (singular form) is a staple of ancient Irish epic literature: a tale that precedes the core narrative and without which that narrative can stand; but a tale that nonetheless helps enlighten the main action. Before the emergence of the identifiable genre that has come to be known as Magdalen literature, certain authors were already writing on or at least alluding to the matter of women and their institutionalization (whether in fact or in effect). Two major figures, Kate O’Brien and Samuel Beckett, produced novels—Without My Cloak and Murphy, respectively—that may be counted among the réamhscéala of the Magdalen texts that have been emerging since the early 1990s.
"]},{"key":"dc:title","label":"Title","values":["Amongst Women”: O’Brien, Beckett, and The Magdalen “Réamhscéal"]}]}],"canonical_facts":{"dc:contributor":["Joseph Pellegrino","Dustin Anderson"],"dc:creator":["Manning, Tiffany N"],"dc:date.available":["2014-05-20T07:00:00Z"],"dc:description.abstract":["It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have begun demanding to know the realities behind the phenomenon. In order to help elucidate the details of the controversy—and to begin moving forward in the pursuit of enlightenment— this thesis reviews and explicates several texts that predate what could be deemed Ireland’s Magdalen literature, arguing that they constitute réamhscéala, or pre-tales, useful in establishing a genealogy for such influential texts as Patricia Burke Brogan’s play Eclipsed (1992) and the movies The Magdalen Sisters and Philomena. The réamhscéal (singular form) is a staple of ancient Irish epic literature: a tale that precedes the core narrative and without which that narrative can stand; but a tale that nonetheless helps enlighten the main action. Before the emergence of the identifiable genre that has come to be known as Magdalen literature, certain authors were already writing on or at least alluding to the matter of women and their institutionalization (whether in fact or in effect). Two major figures, Kate O’Brien and Samuel Beckett, produced novels—Without My Cloak and Murphy, respectively—that may be counted among the réamhscéala of the Magdalen texts that have been emerging since the early 1990s.
"],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/1110"],"dc:subject":["ETD","Magdalen Laundries","Magdalen Asylums","Ireland","Kate O’Brien","Samuel Beckett","Patricia Burke Brogan","Celtic Studies","Feminist, Gender, and Sexuality Studies","Other Feminist, Gender, and Sexuality Studies","Women's Studies"],"dc:title":["Amongst Women”: O’Brien, Beckett, and The Magdalen “Réamhscéal"],"thesis:degree_discipline":["Department of Literature and Philosophy"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Arts in English (M.A.)"]},"updated_at":"2026-07-24T02:27:52Z"}