Abstract
dc:description.abstract<p>The sculptures I create are inspired by derelict manufactured spaces found within Bulloch County. Each object is created in Tabby, a historic building material comprised of oyster shells, lime, sand and water, commonly known as ‘the first American concrete.’ Tabby was often used in the Coastal South, speaking to the resourceful tradition of using available aggregates. The sculptures embrace the tonal and textural qualities provided by this material to yield ghost-like representations of architectural components while also referencing commercial and historic methods of construction.</p> <p>Serving as a monument to the diverse history of each site, every sculpture is fabricated based on the scale of the original architecture. Whether the selection is derived from personal, commercial, or historical interest, preserving the specified sense of the structure always remains paramount. Within each sculpture, sections are intentionally left missing to reference a hindered capacity for each architectural component to fulfill its intended function. By focusing on facades in ruin, the works act as a metaphor for neglect, loss, transition and transformation.</p>
Degree
thesis:*- Name thesis:degree_name
- Master of Fine Arts (M.F.A.)
- Level thesis:degree_level
- Thesis (open access)
- Discipline thesis:degree_discipline
- Department of Art
- Year dc:date.available
- 2014
Author and committee
dc:creator, dc:contributor.*- Author dc:creator
-
- Faris, James Anthony
- Contributors dc:contributor
-
- Julie McGuire
- Santanu Majumdar
Subjects
dc:subject × 7Identifiers
dc:identifier.*- Repository record dc:identifier
- https://digitalcommons.georgiasouthern.edu/etd/1081
- OAI identifier oai:identifier
- oai:digitalcommons.georgiasouthern.edu:etd-2135