{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1187"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1187","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Portraits of Progress: The Rise of Realism in Jane Austen's Clergy","abstract":"This work examines the development of Austen's characterization of the clergy. It uses examples of three prominent clerical types: Henry Tilney, too good to be true ; William Collins, too ridiculous to be believable ; and Edmund Bertram, realistic because he is both flawed and virtuous. Utilizing critical sources from the last sixty years, this thesis demonstrates that previous scholars have overlooked the idea that the development of Austen's clerical characters can be used to chart Austen's progress as a writer. 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It uses examples of three prominent clerical types: Henry Tilney, too good to be true ; William Collins, too ridiculous to be believable ; and Edmund Bertram, realistic because he is both flawed and virtuous. Utilizing critical sources from the last sixty years, this thesis demonstrates that previous scholars have overlooked the idea that the development of Austen's clerical characters can be used to chart Austen's progress as a writer. As such, this thesis fills in where other scholars have left off."]},{"key":"dc:title","label":"Title","values":["Portraits of Progress: The Rise of Realism in Jane Austen's Clergy"]}]}],"canonical_facts":{"dc:contributor":["Dustin Anderson","Joe Pellegrino"],"dc:creator":["Cason, Rachel Elizabeth"],"dc:date.available":["2013-10-17T07:00:00Z"],"dc:description.abstract":["This work examines the development of Austen's characterization of the clergy. 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