This thesis provides a critical edition of M.G. Lewis's \"Oberon's Henchman\" with an introduction to the text that recontextualizes the poem within its historical milieu. The introduction also presents a critical reading of the text, arguing that Lewis's pastiche is a carefully orchestrated, respectfully playful synthesis of source material which redefines the nature of the spirit world on his own terms. In addition to this background and critical information, this edition provides tools for the reader's comprehension and analysis of the poem: a character guide, synopses presented both chronologically and in order of occurrence within the ballad, extensive notes and glosses to guide and enhance the reader's understanding, and appendices to supplement the reading.
","abstract_html":"<p>This thesis provides a critical edition of M.G. Lewis's "Oberon's Henchman" with an introduction to the text that recontextualizes the poem within its historical milieu. The introduction also presents a critical reading of the text, arguing that Lewis's pastiche is a carefully orchestrated, respectfully playful synthesis of source material which redefines the nature of the spirit world on his own terms. In addition to this background and critical information, this edition provides tools for the reader's comprehension and analysis of the poem: a character guide, synopses presented both chronologically and in order of occurrence within the ballad, extensive notes and glosses to guide and enhance the reader's understanding, and appendices to supplement the reading.</p>","abstract_has_math":false,"creators":["Waddell, Erin"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["John Thomas Lloyd","Mary A. Villeponteaux"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-01-01T08:00:00Z","date_published":"2011-01-01T08:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Matthew Gregory Lewis","Oberon's Henchman","Romantic tales","Lady Frances Douglas","Bothwell","A Midsummer Night's Dream","Shakespeare","Wieland","Parody","Pastiche","German literature","English ballads","Gothic literature","Fairies","Brownie","Scottish folklore"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/182","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["John Thomas Lloyd","Mary A. Villeponteaux"]},{"key":"dc:creator","label":"Author","values":["Waddell, Erin"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Matthew Gregory Lewis","Oberon's Henchman","Romantic tales","Lady Frances Douglas","Bothwell","A Midsummer Night's Dream","Shakespeare","Wieland","Parody","Pastiche","German literature","English ballads","Gothic literature","Fairies","Brownie","Scottish folklore"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/182"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis provides a critical edition of M.G. Lewis's \"Oberon's Henchman\" with an introduction to the text that recontextualizes the poem within its historical milieu. The introduction also presents a critical reading of the text, arguing that Lewis's pastiche is a carefully orchestrated, respectfully playful synthesis of source material which redefines the nature of the spirit world on his own terms. In addition to this background and critical information, this edition provides tools for the reader's comprehension and analysis of the poem: a character guide, synopses presented both chronologically and in order of occurrence within the ballad, extensive notes and glosses to guide and enhance the reader's understanding, and appendices to supplement the reading.
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