{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1179"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1179","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre","abstract":"Critics have largely dismissed Margaret Mitchell's best-selling novel Gone with the Wind as a serious work of literature. Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell's Gone with the Wind that affords a new reading of the novel.","abstract_html":"Critics have largely dismissed Margaret Mitchell&#x27;s best-selling novel Gone with the Wind as a serious work of literature. Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell&#x27;s Gone with the Wind that affords a new reading of the novel.","abstract_has_math":false,"creators":["Homer, Patricia"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["David Dudley","Douglass H. Thomson","Joe Pellegrino"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-05-01T07:00:00Z","date_published":"2010-05-01T07:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Mitchell, Margaret","Irish big house literature","Irish big house genre","Yeats, William Butler","Edgeworth, Maria","Somerville, Edith","Ross, Martin","Ireland","Georgia"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/179","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["David Dudley","Douglass H. 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Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell's Gone with the Wind that affords a new reading of the novel."]},{"key":"dc:title","label":"Title","values":["Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre"]}]}],"canonical_facts":{"dc:contributor":["David Dudley","Douglass H. Thomson","Joe Pellegrino"],"dc:creator":["Homer, Patricia"],"dc:date.available":["2013-10-17T07:00:00Z"],"dc:description.abstract":["Critics have largely dismissed Margaret Mitchell's best-selling novel Gone with the Wind as a serious work of literature. Although various references to Irish culture permeate Gone with the Wind, the novel has not been compared to any Irish literature or mythology. This thesis compares Gone with the Wind with Irish Big House literature and mythology through the lens of biography and history. The works of William Butler Yeats, Maria Edgeworth, and Edith Somerville and Martin Ross are also employed to show evidence of the connection of Gone with the Wind to Irish Big House literature. This comparison results in a new approach to Margaret Mitchell's Gone with the Wind that affords a new reading of the novel."],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/179"],"dc:subject":["ETD","Mitchell, Margaret","Irish big house literature","Irish big house genre","Yeats, William Butler","Edgeworth, Maria","Somerville, Edith","Ross, Martin","Ireland","Georgia"],"dc:title":["Kinship: Margaret Mitchell's Gone With The Wind and the Irish Big House Genre"],"thesis:degree_discipline":["Department of Literature and Philosophy"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Arts in English (M.A.)"]},"updated_at":"2026-07-24T02:26:29Z"}