{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1173"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1173","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Evolution of Cyberspace as a Landscape in Cyberpunk Novels","abstract":"Millions of people enter cyberspace on some level daily. This new technology has infiltrated society rapidly since the first computers were networked. Interestingly, cyberpunk, a sub-genre of science fiction, depicted cyberspace many years before mainstream society had ever conceived of it. This thesis explores the changes in science fictional representations of cyberspace by examining William Gibson's Neuromancer and Neal Stephenson's Snow crash. 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