{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1172"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1172","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"\"As-Yet-Still-Forgiven Past\": Dylan Thomas and Nostalgia","abstract":"Dylan Thomas exhibited a variety of nostalgic influences within his poetry. A careful study of his life will reveal a nostalgia that evolved from adolescent musings upon an ideal past, to a self-destructive urge to return to innocence through death. Thomas incorporates a variety of historical influences within this nostalgia, but his primary influence is ultimately his own tormented past. This study not only focuses on the personal nostalgia of one man, but the variety of ways nostalgia can affect people, history and society as sociological force.","abstract_html":"Dylan Thomas exhibited a variety of nostalgic influences within his poetry. A careful study of his life will reveal a nostalgia that evolved from adolescent musings upon an ideal past, to a self-destructive urge to return to innocence through death. Thomas incorporates a variety of historical influences within this nostalgia, but his primary influence is ultimately his own tormented past. This study not only focuses on the personal nostalgia of one man, but the variety of ways nostalgia can affect people, history and society as sociological force.","abstract_has_math":false,"creators":["Bailey, David Bradley"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["Rebecca Ziegler","Gautam Kundu"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-12-01T08:00:00Z","date_published":"2008-12-01T08:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Thomas","Dylan","Poetry","Nostalgia","Klee","Paul","Arts and craftsism","World War I","World War II","Brinnin","John Malcom","Watkins","Vernon","Psychology","Sociology","Wales","Great Britain","Alcoholism","Garden of Eden"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/172","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Rebecca Ziegler","Gautam Kundu"]},{"key":"dc:creator","label":"Author","values":["Bailey, David Bradley"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Thomas","Dylan","Poetry","Nostalgia","Klee","Paul","Arts and craftsism","World War I","World War II","Brinnin","John Malcom","Watkins","Vernon","Psychology","Sociology","Wales","Great Britain","Alcoholism","Garden of Eden"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/172"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Dylan Thomas exhibited a variety of nostalgic influences within his poetry. A careful study of his life will reveal a nostalgia that evolved from adolescent musings upon an ideal past, to a self-destructive urge to return to innocence through death. Thomas incorporates a variety of historical influences within this nostalgia, but his primary influence is ultimately his own tormented past. This study not only focuses on the personal nostalgia of one man, but the variety of ways nostalgia can affect people, history and society as sociological force."]},{"key":"dc:title","label":"Title","values":["\"As-Yet-Still-Forgiven Past\": Dylan Thomas and Nostalgia"]}]}],"canonical_facts":{"dc:contributor":["Rebecca Ziegler","Gautam Kundu"],"dc:creator":["Bailey, David Bradley"],"dc:date.available":["2013-10-17T07:00:00Z"],"dc:description.abstract":["Dylan Thomas exhibited a variety of nostalgic influences within his poetry. A careful study of his life will reveal a nostalgia that evolved from adolescent musings upon an ideal past, to a self-destructive urge to return to innocence through death. Thomas incorporates a variety of historical influences within this nostalgia, but his primary influence is ultimately his own tormented past. This study not only focuses on the personal nostalgia of one man, but the variety of ways nostalgia can affect people, history and society as sociological force."],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/172"],"dc:subject":["ETD","Thomas","Dylan","Poetry","Nostalgia","Klee","Paul","Arts and craftsism","World War I","World War II","Brinnin","John Malcom","Watkins","Vernon","Psychology","Sociology","Wales","Great Britain","Alcoholism","Garden of Eden"],"dc:title":["\"As-Yet-Still-Forgiven Past\": Dylan Thomas and Nostalgia"],"thesis:degree_discipline":["Department of Literature and Philosophy"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Arts in English (M.A.)"]},"updated_at":"2026-07-24T02:26:29Z"}