{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1168"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1168","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Dangers of Credulity: Mary Robinson and the Trope of Victimization","abstract":"A prodigious professional poet admired by Samuel Taylor Coleridge; a courtesan idealized for her unparalleled beauty; a famed actress and mistress to royalty known to live beyond her means in an era of exploding print culture: Mary Robinson found herself portrayed incongruously in motley of mediums. While the leading portrait artists of the day, Thomas Gainsborough, George Romney, and Sir Joshua Reynolds, were painting dazzling portraits of Mrs. Robinson, she found herself lampooned in the satirical cartoons of James Gillray and Thomas Rowlandson. The multifarious representations of Mary Robinson seem an apt commentary on her tumultuous life. Intriguing in their own right, these depictions present even more interesting issues. How did Mary Robinson respond to the images? How have these visual artists shaped our reception of Mary Robinson as an artist? How did the schism between the representations affect Robinson's art and own self-image?","abstract_html":"A prodigious professional poet admired by Samuel Taylor Coleridge; a courtesan idealized for her unparalleled beauty; a famed actress and mistress to royalty known to live beyond her means in an era of exploding print culture: Mary Robinson found herself portrayed incongruously in motley of mediums. While the leading portrait artists of the day, Thomas Gainsborough, George Romney, and Sir Joshua Reynolds, were painting dazzling portraits of Mrs. Robinson, she found herself lampooned in the satirical cartoons of James Gillray and Thomas Rowlandson. The multifarious representations of Mary Robinson seem an apt commentary on her tumultuous life. Intriguing in their own right, these depictions present even more interesting issues. How did Mary Robinson respond to the images? How have these visual artists shaped our reception of Mary Robinson as an artist? How did the schism between the representations affect Robinson's art and own self-image?","abstract_has_math":false,"creators":["Kozee, Jeffrey Paul"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["Candy Schille","Gautam Kundu"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-12-01T08:00:00Z","date_published":"2007-12-01T08:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Robinson","Mary","Victim","Self-image","Satirical cartoons","Portraits","Authors","English","Victims in literature"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/168","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Candy Schille","Gautam Kundu"]},{"key":"dc:creator","label":"Author","values":["Kozee, Jeffrey Paul"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Robinson","Mary","Victim","Self-image","Satirical cartoons","Portraits","Authors","English","Victims in literature"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/168"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["A prodigious professional poet admired by Samuel Taylor Coleridge; a courtesan idealized for her unparalleled beauty; a famed actress and mistress to royalty known to live beyond her means in an era of exploding print culture: Mary Robinson found herself portrayed incongruously in motley of mediums. While the leading portrait artists of the day, Thomas Gainsborough, George Romney, and Sir Joshua Reynolds, were painting dazzling portraits of Mrs. Robinson, she found herself lampooned in the satirical cartoons of James Gillray and Thomas Rowlandson. The multifarious representations of Mary Robinson seem an apt commentary on her tumultuous life. Intriguing in their own right, these depictions present even more interesting issues. How did Mary Robinson respond to the images? How have these visual artists shaped our reception of Mary Robinson as an artist? How did the schism between the representations affect Robinson's art and own self-image?"]},{"key":"dc:title","label":"Title","values":["Dangers of Credulity: Mary Robinson and the Trope of Victimization"]}]}],"canonical_facts":{"dc:contributor":["Candy Schille","Gautam Kundu"],"dc:creator":["Kozee, Jeffrey Paul"],"dc:date.available":["2013-10-17T07:00:00Z"],"dc:description.abstract":["A prodigious professional poet admired by Samuel Taylor Coleridge; a courtesan idealized for her unparalleled beauty; a famed actress and mistress to royalty known to live beyond her means in an era of exploding print culture: Mary Robinson found herself portrayed incongruously in motley of mediums. While the leading portrait artists of the day, Thomas Gainsborough, George Romney, and Sir Joshua Reynolds, were painting dazzling portraits of Mrs. Robinson, she found herself lampooned in the satirical cartoons of James Gillray and Thomas Rowlandson. The multifarious representations of Mary Robinson seem an apt commentary on her tumultuous life. Intriguing in their own right, these depictions present even more interesting issues. How did Mary Robinson respond to the images? How have these visual artists shaped our reception of Mary Robinson as an artist? How did the schism between the representations affect Robinson's art and own self-image?"],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/168"],"dc:subject":["ETD","Robinson","Mary","Victim","Self-image","Satirical cartoons","Portraits","Authors","English","Victims in literature"],"dc:title":["Dangers of Credulity: Mary Robinson and the Trope of Victimization"],"thesis:degree_discipline":["Department of Literature and Philosophy"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Arts in English (M.A.)"]},"updated_at":"2026-07-24T02:26:29Z"}