Love, Lust and Literature in the Late Sixteenth Century

I have chosen to focus on several poets of the long 1590's, since I would argue that together they represent, for the first time, a confluence of literary love traditions that have previously existed independently across multiple centuries, nations and languages. First, I consider Ovid and the influence of the witty, Ovidian elegy love tradition as practiced by Christopher Marlowe and John Donne. Then I will discuss Petrarch and the serious sonnet sequence tradition, the influence of which is evident in the sonnet sequences of Sir Philip Sidney and Edmund Spenser. Next, since both the afore-mentioned love traditions are based outside of marriage, I will discuss how the reality of the place for marriage in society in the 1590's and the literary representations of love and marriage create a gap, one that Edmund Spenser bridges with his joint publication of his sonnet sequence, Amoretti, with his marriage poem, Epithalamion. I aim to show how these traditions developed in England in the same, brief, period of time (the long 1590's) and that they simultaneously flourished, even though they seem to be so different. Finally, I argue that William Shakespeare's play Romeo and Juliet exemplifies the convergence of these traditions.

Name thesis:degree_name

Master of Arts in English (M.A.)

Level thesis:degree_level

Thesis (open access)

Discipline thesis:degree_discipline

Department of Literature and Philosophy

Year dc:date.available

2009

Author dc:creator

• Johnson, Kristin J.

Contributors dc:contributor

• Mary Villeponteaux
• Robert Costomiris

• ETD
• Love in Renaissance literature
• Ovid
• Elegy
• Courtly love
• Sonnet sequence
• Sir Philip Sidney
• Edmund Spencer
• English literature

Repository record dc:identifier

https://digitalcommons.georgiasouthern.edu/etd/165

OAI identifier oai:identifier

oai:digitalcommons.georgiasouthern.edu:etd-1165