{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1158"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1158","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Catching Fire","abstract":"This support paper is intended to give both a technical and theoretical background for my thesis show. The primary exploration is wood firing and its ability to capture the flames movement in the kiln. This work is inspired by transient natural phenomena. I draw the comparison between the movement of the flame and as through the kiln, their ability to modify the surface of the vessels in the kiln, and the natural forces that shape geographic features in nature. The transient nature of flames can be captured and frozen on the surface of the works that I stack in the kiln. These natural media simply allow us to see currents and otherwise unseen fluid patterns that are constantly permeating our surroundings. Outlined as well is the construction of the Georgia Southern University Anagama (Dorothy) and the troubleshooting and modifications that it underwent during the course of developing my thesis work.","abstract_html":"This support paper is intended to give both a technical and theoretical background for my thesis show. The primary exploration is wood firing and its ability to capture the flames movement in the kiln. This work is inspired by transient natural phenomena. I draw the comparison between the movement of the flame and as through the kiln, their ability to modify the surface of the vessels in the kiln, and the natural forces that shape geographic features in nature. The transient nature of flames can be captured and frozen on the surface of the works that I stack in the kiln. These natural media simply allow us to see currents and otherwise unseen fluid patterns that are constantly permeating our surroundings. Outlined as well is the construction of the Georgia Southern University Anagama (Dorothy) and the troubleshooting and modifications that it underwent during the course of developing my thesis work.","abstract_has_math":false,"creators":["Winsemius, Ian Robert"],"institution":null,"degree_name":"Master of Fine Arts (M.F.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Art","degree_department":null,"school":null,"contributors":["Marc Moulton","Christina Lemon"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-01T07:00:00Z","date_published":"2011-05-01T07:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Transience","Anagama","Fluidity","Ceramics","Porcelain","Stoneware","Catenary","Bisque","Glaze","Natural phenomena","Flames","Kiln","Wood firing","Currents","Geography"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/158","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Marc Moulton","Christina Lemon"]},{"key":"dc:creator","label":"Author","values":["Winsemius, Ian Robert"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (M.F.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Transience","Anagama","Fluidity","Ceramics","Porcelain","Stoneware","Catenary","Bisque","Glaze","Natural phenomena","Flames","Kiln","Wood firing","Currents","Geography"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/158"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This support paper is intended to give both a technical and theoretical background for my thesis show. The primary exploration is wood firing and its ability to capture the flames movement in the kiln. This work is inspired by transient natural phenomena. I draw the comparison between the movement of the flame and as through the kiln, their ability to modify the surface of the vessels in the kiln, and the natural forces that shape geographic features in nature. The transient nature of flames can be captured and frozen on the surface of the works that I stack in the kiln. These natural media simply allow us to see currents and otherwise unseen fluid patterns that are constantly permeating our surroundings. Outlined as well is the construction of the Georgia Southern University Anagama (Dorothy) and the troubleshooting and modifications that it underwent during the course of developing my thesis work."]},{"key":"dc:title","label":"Title","values":["Catching Fire"]}]}],"canonical_facts":{"dc:contributor":["Marc Moulton","Christina Lemon"],"dc:creator":["Winsemius, Ian Robert"],"dc:date.available":["2013-10-17T07:00:00Z"],"dc:description.abstract":["This support paper is intended to give both a technical and theoretical background for my thesis show. The primary exploration is wood firing and its ability to capture the flames movement in the kiln. This work is inspired by transient natural phenomena. I draw the comparison between the movement of the flame and as through the kiln, their ability to modify the surface of the vessels in the kiln, and the natural forces that shape geographic features in nature. The transient nature of flames can be captured and frozen on the surface of the works that I stack in the kiln. These natural media simply allow us to see currents and otherwise unseen fluid patterns that are constantly permeating our surroundings. Outlined as well is the construction of the Georgia Southern University Anagama (Dorothy) and the troubleshooting and modifications that it underwent during the course of developing my thesis work."],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/158"],"dc:subject":["ETD","Transience","Anagama","Fluidity","Ceramics","Porcelain","Stoneware","Catenary","Bisque","Glaze","Natural phenomena","Flames","Kiln","Wood firing","Currents","Geography"],"dc:title":["Catching Fire"],"thesis:degree_discipline":["Department of Art"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Fine Arts (M.F.A.)"]},"updated_at":"2026-07-24T02:26:29Z"}