{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1152"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1152","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Rough Hewn","abstract":"Rough Hewn is the culmination of my research into aesthetics and form. It is a reflection of my appreciation of the raw surface textures and shapes that can be captured in wood; the \"How?\" and \"What If?\" of the objects, materials, and processes that inform my creative development. As I compose my sculptures working with rough-hewn timber, I consider the dichotomy of a material that is considered both utilitarian and beautiful. In my work I utilize scale, texture, and form to create a tangible connection between the object and viewer as I examine the relationship of rectangular forms to the human body. \"The big pine tree in front of the house, standing still and unconcerned and alive...the overshadowing tree whose green top one never looks at...One goes out of the door and the tree-trunk is there, like a guardian angel. The tree-trunk, the long work table and the fence!\" D. H. Lawrence","abstract_html":"Rough Hewn is the culmination of my research into aesthetics and form. It is a reflection of my appreciation of the raw surface textures and shapes that can be captured in wood; the "How?" and "What If?" of the objects, materials, and processes that inform my creative development. As I compose my sculptures working with rough-hewn timber, I consider the dichotomy of a material that is considered both utilitarian and beautiful. In my work I utilize scale, texture, and form to create a tangible connection between the object and viewer as I examine the relationship of rectangular forms to the human body. "The big pine tree in front of the house, standing still and unconcerned and alive...the overshadowing tree whose green top one never looks at...One goes out of the door and the tree-trunk is there, like a guardian angel. The tree-trunk, the long work table and the fence!" D. H. Lawrence","abstract_has_math":false,"creators":["McCoy, Jason"],"institution":null,"degree_name":"Master of Fine Arts (M.F.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Art","degree_department":null,"school":null,"contributors":["Jane Pleak","Christina Lemon"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2011,"date_issued":"2011-05-01T07:00:00Z","date_published":"2011-05-01T07:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Space","Texture","Form","Aesthetic","Primitive","Trades","Organic"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/152","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Jane Pleak","Christina Lemon"]},{"key":"dc:creator","label":"Author","values":["McCoy, Jason"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (M.F.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Space","Texture","Form","Aesthetic","Primitive","Trades","Organic"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/152"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Rough Hewn is the culmination of my research into aesthetics and form. It is a reflection of my appreciation of the raw surface textures and shapes that can be captured in wood; the \"How?\" and \"What If?\" of the objects, materials, and processes that inform my creative development. As I compose my sculptures working with rough-hewn timber, I consider the dichotomy of a material that is considered both utilitarian and beautiful. In my work I utilize scale, texture, and form to create a tangible connection between the object and viewer as I examine the relationship of rectangular forms to the human body. \"The big pine tree in front of the house, standing still and unconcerned and alive...the overshadowing tree whose green top one never looks at...One goes out of the door and the tree-trunk is there, like a guardian angel. The tree-trunk, the long work table and the fence!\" D. H. 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In my work I utilize scale, texture, and form to create a tangible connection between the object and viewer as I examine the relationship of rectangular forms to the human body. \"The big pine tree in front of the house, standing still and unconcerned and alive...the overshadowing tree whose green top one never looks at...One goes out of the door and the tree-trunk is there, like a guardian angel. The tree-trunk, the long work table and the fence!\" D. H. Lawrence"],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/152"],"dc:subject":["ETD","Space","Texture","Form","Aesthetic","Primitive","Trades","Organic"],"dc:title":["Rough Hewn"],"thesis:degree_discipline":["Department of Art"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Fine Arts (M.F.A.)"]},"updated_at":"2026-07-24T02:26:29Z"}