{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1142"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1142","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Poiesis","abstract":"This thesis examines mark-making techniques in my art and surveys the literary and musical works that inspired it. An historical examination of the role of mark-making in art will be undertaken, beginning with Paleolithic cave art, continuing with Native American petroglyphs and pictographs, and concluding with three contemporary visual artists whose marks have influenced my work: Jean-Michel Basquiat, Cy Twombly, and Susan Rothenberg. Finally, my artistic process is explained through references to the materials and rituals used to create a body of art. This thesis researches the meaning behind artistic marks, and how marks are made in my paintings and in the work of other artists.","abstract_html":"This thesis examines mark-making techniques in my art and surveys the literary and musical works that inspired it. An historical examination of the role of mark-making in art will be undertaken, beginning with Paleolithic cave art, continuing with Native American petroglyphs and pictographs, and concluding with three contemporary visual artists whose marks have influenced my work: Jean-Michel Basquiat, Cy Twombly, and Susan Rothenberg. Finally, my artistic process is explained through references to the materials and rituals used to create a body of art. This thesis researches the meaning behind artistic marks, and how marks are made in my paintings and in the work of other artists.","abstract_has_math":false,"creators":["Harmon, Susan Lee"],"institution":null,"degree_name":"Master of Fine Arts (M.F.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Art","degree_department":null,"school":null,"contributors":["Bruce Little","Onyile Onyile"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-12-01T08:00:00Z","date_published":"2007-12-01T08:00:00Z","updated_at":"2026-07-24T02:26:29Z","subjects":["ETD","Art","Drawing","Expressionistic art","Markmaking","Painting","Paleolithic","Pictographs","Poetry","Artists' marks"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/142","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Bruce Little","Onyile Onyile"]},{"key":"dc:creator","label":"Author","values":["Harmon, Susan Lee"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-10-17T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Fine Arts (M.F.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Art","Drawing","Expressionistic art","Markmaking","Painting","Paleolithic","Pictographs","Poetry","Artists' marks"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/142"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis examines mark-making techniques in my art and surveys the literary and musical works that inspired it. 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