{"id":{"repo_id":"gsu","oai_identifier":"oai:digitalcommons.georgiasouthern.edu:etd-1140"},"canonical_url":"https://search.dev.ndltd.org/etd/gsu/oai:digitalcommons.georgiasouthern.edu:etd-1140","repository":{"repo_id":"gsu","name":"Georgia Southern University","base_url":"https://digitalcommons.georgiasouthern.edu/do/oai/"},"display":{"title":"Captured Artifacts","abstract":"My art examines the possible existence of an unknown civilization through the presentation of sculptural art objects within the conventional practice of displaying artifacts in a public institution. Historically, artifacts have served as visual records of journeying to and returning from a far-away land, unknown territory, alien soil, or enemy battlefield. Whether that place is tangible or is a fabrication of our subconscious, the presence of an artifact represents validation of the existence of that place. When displayed, artifacts offer a pleasurable challenge to the viewer by evoking the possibilities of a lost civilization or adventurer's journey. I employ these concepts in a mixed-media installation of sculptural artworks titled Captured Artifacts. In this installation, the juxtaposition of the known with the unknown causes one to pontificate an unfathomable happenstance: the actual possibility of an unknown culture existing beyond the known civilization.","abstract_html":"My art examines the possible existence of an unknown civilization through the presentation of sculptural art objects within the conventional practice of displaying artifacts in a public institution. Historically, artifacts have served as visual records of journeying to and returning from a far-away land, unknown territory, alien soil, or enemy battlefield. Whether that place is tangible or is a fabrication of our subconscious, the presence of an artifact represents validation of the existence of that place. 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