The literary and philosophical theory of semiotics considers signs and symbols. Pragmatics is the branch of semiotics that explicates the practical effects of a given interpretation according to its context. Through analyzing the pragmatic context of Crime and Punishment, one can begin to uncover the depth of meaning that the novel delivers. In The Limits of Interpretation, Umberto Eco talks about what he calls \"intersubjective meaning,\" which helps a particular interpretation of a text attain \"a privilege over any other possible interpretation spelled out without the agreement of the community\" (40). The particular intersubjective meaning that needs to be developed with respect to Crime and Punishment is one in which faith-in Dostoevsky's case, the Christian faith-becomes the focal point for understanding the novel as a coherent text, especially in regard to Raskolnikov's fragmentary conversion to that faith. Even at the end of the novel, Raskolnikov is more on the threshold of Christian discipleship. As the narrator describes, Raskolnikov's conversion to such a disposition has been a long time in coming-a gradual realization of a force latent within the protagonist from the beginning. This thesis explores Raskolnikov's faith in light of Dietrich Bonhoeffer's understanding of Christian discipleship in The Cost of Discipleship. Raskolnikov is to a certain extent the same sort of Christian disciple whom Bonhoeffer describes in The Cost of Discipleship. According to Bonhoeffer, faith is authentic only insofar as it is lived through obedience. Bonhoeffer observes, \"Without the preliminary step of obedience, our faith will only be pious humbug, and lead us to the grace which is not costly\" (64). According to Bonhoeffer, authentic Christian virtue and asceticism ultimately derive from faith in Christ. Using Bonhoeffer's Christology as an interpretive lens to view Raskolnikov's discipleship, my thesis explores and to some extent explicates the pragmatics of understanding Crime and Punishment as a story of Christian discipleship.
","abstract_html":"<p>The literary and philosophical theory of semiotics considers signs and symbols. Pragmatics is the branch of semiotics that explicates the practical effects of a given interpretation according to its context. Through analyzing the pragmatic context of <em>Crime and Punishment</em>, one can begin to uncover the depth of meaning that the novel delivers. In <em>The Limits of Interpretation</em>, Umberto Eco talks about what he calls "intersubjective meaning," which helps a particular interpretation of a text attain "a privilege over any other possible interpretation spelled out without the agreement of the community" (40). The particular intersubjective meaning that needs to be developed with respect to <em>Crime and Punishment</em> is one in which faith-in Dostoevsky's case, the Christian faith-becomes the focal point for understanding the novel as a coherent text, especially in regard to Raskolnikov's fragmentary conversion to that faith. Even at the end of the novel, Raskolnikov is more on the threshold of Christian discipleship. As the narrator describes, Raskolnikov's conversion to such a disposition has been a long time in coming-a gradual realization of a force latent within the protagonist from the beginning. This thesis explores Raskolnikov's faith in light of Dietrich Bonhoeffer's understanding of Christian discipleship in <em>The Cost of Discipleship</em>. Raskolnikov is to a certain extent the same sort of Christian disciple whom Bonhoeffer describes in <em>The Cost of Discipleship</em>. According to Bonhoeffer, faith is authentic only insofar as it is lived through obedience. Bonhoeffer observes, "Without the preliminary step of obedience, our faith will only be pious humbug, and lead us to the grace which is not costly" (64). According to Bonhoeffer, authentic Christian virtue and asceticism ultimately derive from faith in Christ. Using Bonhoeffer's Christology as an interpretive lens to view Raskolnikov's discipleship, my thesis explores and to some extent explicates the pragmatics of understanding <em>Crime and Punishment</em> as a story of Christian discipleship.</p>","abstract_has_math":false,"creators":["Pride, Jacob"],"institution":null,"degree_name":"Master of Arts in English (M.A.)","degree_level":"Thesis (open access)","degree_discipline":"Department of Literature and Philosophy","degree_department":null,"school":null,"contributors":["Hemchand Gossai","Joe Pellegrino"],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2013,"date_issued":"2013-04-01T07:00:00Z","date_published":"2013-04-01T07:00:00Z","updated_at":"2026-07-24T02:26:17Z","subjects":["ETD","Semiotics","Christian Discipleship","Fyodor Dostoevsky","Raskolnikov","Dietrich Bonhoeffer","Christianity","Comparative Literature","German Language and Literature","Slavic Languages and Societies"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://digitalcommons.georgiasouthern.edu/etd/44","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Hemchand Gossai","Joe Pellegrino"]},{"key":"dc:creator","label":"Author","values":["Pride, Jacob"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2013-07-22T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Department of Literature and Philosophy"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis (open access)"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts in English (M.A.)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ETD","Semiotics","Christian Discipleship","Fyodor Dostoevsky","Raskolnikov","Dietrich Bonhoeffer","Christianity","Comparative Literature","German Language and Literature","Slavic Languages and Societies"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://digitalcommons.georgiasouthern.edu/etd/44"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The literary and philosophical theory of semiotics considers signs and symbols. Pragmatics is the branch of semiotics that explicates the practical effects of a given interpretation according to its context. Through analyzing the pragmatic context of Crime and Punishment, one can begin to uncover the depth of meaning that the novel delivers. In The Limits of Interpretation, Umberto Eco talks about what he calls \"intersubjective meaning,\" which helps a particular interpretation of a text attain \"a privilege over any other possible interpretation spelled out without the agreement of the community\" (40). The particular intersubjective meaning that needs to be developed with respect to Crime and Punishment is one in which faith-in Dostoevsky's case, the Christian faith-becomes the focal point for understanding the novel as a coherent text, especially in regard to Raskolnikov's fragmentary conversion to that faith. Even at the end of the novel, Raskolnikov is more on the threshold of Christian discipleship. As the narrator describes, Raskolnikov's conversion to such a disposition has been a long time in coming-a gradual realization of a force latent within the protagonist from the beginning. This thesis explores Raskolnikov's faith in light of Dietrich Bonhoeffer's understanding of Christian discipleship in The Cost of Discipleship. Raskolnikov is to a certain extent the same sort of Christian disciple whom Bonhoeffer describes in The Cost of Discipleship. According to Bonhoeffer, faith is authentic only insofar as it is lived through obedience. Bonhoeffer observes, \"Without the preliminary step of obedience, our faith will only be pious humbug, and lead us to the grace which is not costly\" (64). According to Bonhoeffer, authentic Christian virtue and asceticism ultimately derive from faith in Christ. Using Bonhoeffer's Christology as an interpretive lens to view Raskolnikov's discipleship, my thesis explores and to some extent explicates the pragmatics of understanding Crime and Punishment as a story of Christian discipleship.
"]},{"key":"dc:title","label":"Title","values":["Semiotics and Christian Discipleship in Fyodor Dostoevsky’s Crime and Punishment and Dietrich Bonhoeffer’s The Cost of Discipleship"]}]}],"canonical_facts":{"dc:contributor":["Hemchand Gossai","Joe Pellegrino"],"dc:creator":["Pride, Jacob"],"dc:date.available":["2013-07-22T07:00:00Z"],"dc:description.abstract":["The literary and philosophical theory of semiotics considers signs and symbols. Pragmatics is the branch of semiotics that explicates the practical effects of a given interpretation according to its context. Through analyzing the pragmatic context of Crime and Punishment, one can begin to uncover the depth of meaning that the novel delivers. In The Limits of Interpretation, Umberto Eco talks about what he calls \"intersubjective meaning,\" which helps a particular interpretation of a text attain \"a privilege over any other possible interpretation spelled out without the agreement of the community\" (40). The particular intersubjective meaning that needs to be developed with respect to Crime and Punishment is one in which faith-in Dostoevsky's case, the Christian faith-becomes the focal point for understanding the novel as a coherent text, especially in regard to Raskolnikov's fragmentary conversion to that faith. Even at the end of the novel, Raskolnikov is more on the threshold of Christian discipleship. As the narrator describes, Raskolnikov's conversion to such a disposition has been a long time in coming-a gradual realization of a force latent within the protagonist from the beginning. This thesis explores Raskolnikov's faith in light of Dietrich Bonhoeffer's understanding of Christian discipleship in The Cost of Discipleship. Raskolnikov is to a certain extent the same sort of Christian disciple whom Bonhoeffer describes in The Cost of Discipleship. According to Bonhoeffer, faith is authentic only insofar as it is lived through obedience. Bonhoeffer observes, \"Without the preliminary step of obedience, our faith will only be pious humbug, and lead us to the grace which is not costly\" (64). According to Bonhoeffer, authentic Christian virtue and asceticism ultimately derive from faith in Christ. Using Bonhoeffer's Christology as an interpretive lens to view Raskolnikov's discipleship, my thesis explores and to some extent explicates the pragmatics of understanding Crime and Punishment as a story of Christian discipleship.
"],"dc:identifier":["https://digitalcommons.georgiasouthern.edu/etd/44"],"dc:subject":["ETD","Semiotics","Christian Discipleship","Fyodor Dostoevsky","Raskolnikov","Dietrich Bonhoeffer","Christianity","Comparative Literature","German Language and Literature","Slavic Languages and Societies"],"dc:title":["Semiotics and Christian Discipleship in Fyodor Dostoevsky’s Crime and Punishment and Dietrich Bonhoeffer’s The Cost of Discipleship"],"thesis:degree_discipline":["Department of Literature and Philosophy"],"thesis:degree_level":["Thesis (open access)"],"thesis:degree_name":["Master of Arts in English (M.A.)"]},"updated_at":"2026-07-24T02:26:17Z"}