{"id":{"repo_id":"greece","oai_identifier":"oai:10442/1071"},"canonical_url":"https://search.dev.ndltd.org/etd/greece/oai:10442/1071","repository":{"repo_id":"greece","name":"Greek National Archive of PhD Theses","base_url":"https://phdtheses.ekt.gr/eadd_oai/request"},"display":{"title":"ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟΣ (1530/35-1592/93). ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΗΣ ΖΩΓΡΑΦΙΚΗΣ ΤΟΥ","abstract":"THE SUBJECT OF THIS DISSERTATION (PP. I-VIII+1-626 AND 278 PLS.) IS THE POST-BYZANTINE PAINTER MICHAEL DAMASKINOS (1530/35- 1592/93), WHO LIVED IN CRETE AND ITALY AND PRODUCED AN IMPORTANT AND MANY-SIDED ARTISTIC OEUVRE. THE MAIN BODY OFTHE THESIS CONSISTS OF THE PREFACE, THE INTRODUCTION, FOUR CHAPTERS AND THE EPILOGUE. THE THESIS IS COMPLETED BY AN APPENDIX OF ARCHIVAL DOCUMENTS, TWO GLOSSARIES (OF THE GREEK AND VENETIAN DOCUMENTS), A LIST OF ARCHIVAL SOURCES, BIBLIOGRAPHY, INDEX OF SUBJECTS OF DAMASKINOS'S PAINTINGS, CATALOGUE OF PLATES AND FIGURES (MENTIONING ALSO THE SOURCES OF THE ILLUSTRATIONS) AND THE PLATES . THE INTRODUCTION SURVEYS THE SOCIAL AND CULTURAL CONDITIONS IN VENETIAN CRETE, AN IMPORTANT ECONOMIC AND STRATEGIC CENTRE OF THE PERIOD, AS WELL AS THE CONDITIONS OF WORK OF THE CRETAN PAINTERS IN THE CAPITAL CANDIA (NOW HERAKLEION). THE FIRST CHAPTER FOCUSES ON DAMASKINO'S BIOGRAPHY ON THE BASIS OF SOME KNOWN INFORMATION AND THE NEW DOCUMENTS DISCOVERED BY THE AUTHOR IN THE STATE ARCHIVES OF VENICE. AMONG THE MOST INTERESTING OF THESE NEW DOCUMENTS, REGARDING THE PAINTER'S ACTIVITY IN CRETE, ARE THOSE ON HIS WORKSHOP AND THE IMPLEMENTS AND MATERIALS OF HIS PROFESSION, THE COMMISSIONS OF LARGE ALTARPIECES (PALE D'ALTARE) FOR PROMINENT CATHOLIC CHURCHES IN CANDIA, THE DEMAND AND DISSEMINATION OF HIS DRAWINGS. (SHORTENED)","abstract_html":"THE SUBJECT OF THIS DISSERTATION (PP. I-VIII+1-626 AND 278 PLS.) IS THE POST-BYZANTINE PAINTER MICHAEL DAMASKINOS (1530/35- 1592/93), WHO LIVED IN CRETE AND ITALY AND PRODUCED AN IMPORTANT AND MANY-SIDED ARTISTIC OEUVRE. THE MAIN BODY OFTHE THESIS CONSISTS OF THE PREFACE, THE INTRODUCTION, FOUR CHAPTERS AND THE EPILOGUE. THE THESIS IS COMPLETED BY AN APPENDIX OF ARCHIVAL DOCUMENTS, TWO GLOSSARIES (OF THE GREEK AND VENETIAN DOCUMENTS), A LIST OF ARCHIVAL SOURCES, BIBLIOGRAPHY, INDEX OF SUBJECTS OF DAMASKINOS'S PAINTINGS, CATALOGUE OF PLATES AND FIGURES (MENTIONING ALSO THE SOURCES OF THE ILLUSTRATIONS) AND THE PLATES . THE INTRODUCTION SURVEYS THE SOCIAL AND CULTURAL CONDITIONS IN VENETIAN CRETE, AN IMPORTANT ECONOMIC AND STRATEGIC CENTRE OF THE PERIOD, AS WELL AS THE CONDITIONS OF WORK OF THE CRETAN PAINTERS IN THE CAPITAL CANDIA (NOW HERAKLEION). THE FIRST CHAPTER FOCUSES ON DAMASKINO'S BIOGRAPHY ON THE BASIS OF SOME KNOWN INFORMATION AND THE NEW DOCUMENTS DISCOVERED BY THE AUTHOR IN THE STATE ARCHIVES OF VENICE. AMONG THE MOST INTERESTING OF THESE NEW DOCUMENTS, REGARDING THE PAINTER'S ACTIVITY IN CRETE, ARE THOSE ON HIS WORKSHOP AND THE IMPLEMENTS AND MATERIALS OF HIS PROFESSION, THE COMMISSIONS OF LARGE ALTARPIECES (PALE D'ALTARE) FOR PROMINENT CATHOLIC CHURCHES IN CANDIA, THE DEMAND AND DISSEMINATION OF HIS DRAWINGS. (SHORTENED)","abstract_has_math":false,"creators":["Κωνσταντουδάκη-Κιτρομηλίδου, Μαρία"],"institution":"National and Kapodistrian University of Athens","degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":1989,"date_issued":"1989","date_published":"1989","updated_at":"2026-07-24T02:24:43Z","subjects":["ΒΕΝΕΤΙΑ, ΕΛΛΗΝΟΡΘΟΔΟΞΗ ΕΚΚΛΗΣΙΑ, ΕΙΚΟΝΕΣ","ΔΑΜΑΣΚΗΝΟΣ, ΜΙΧΑΗΛ","ΕΙΚΟΝΕΣ, ΚΡΗΤΙΚΕΣ","ΖΩΓΡΑΦΙΚΗ, ΙΤΑΛΙΚΗ, ΕΠΙΔΡΑΣΕΙΣ ΤΗΣ","Ζωγραφική, Μεταβυζαντινή","ΖΩΓΡΑΦΟΙ, ΕΛΛΗΝΕΣ, ΣΤΗ ΒΕΝΕΤΙΑ","ΖΩΓΡΑΦΟΙ, ΚΡΗΤΙΚΟΙ","ΚΡΗΤΗ, ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΗ, ΠΟΛΙΤΙΣΜΟΣ ΤΗΣ","ΚΡΗΤΙΚΗ ΖΩΓΡΑΦΙΚΗ, ΑΡΧΕΙΑΚΕΣ ΠΗΓΕΣ","ΤΕΧΝΗ, ΜΕΤΑΒΥΖΑΝΤΙΝΗ, ΚΟΙΝΩΝΙΚΗ ΙΣΤΟΡΙΑ ΤΗΣ","Art, post-byzantine, social history of","CRETAN PAINTING, ARCHIVAL SOURCES","CRETE, UNDER VENETIAN RULE, CULTURE OF","DAMASKINOS MICHAEL","ICONS, CRETAN","PAINTERS, CRETAN","PAINTERS, GREEK IN VENICE","PAINTING, ITALIAN, INFLUENCES OF","PAINTING, POST BYZANTINE","VENICE, GREEK ORTHODOX CHURCH, ICONS","Ανθρωπιστικές Επιστήμες και Τέχνες","Ιστορία και Αρχαιολογία","Τέχνες (Τέχνες, Ιστορία της Τέχνης, Ερμηνευτικές Τέχνες, Μουσική)","Humanities and the Arts","History and Archaeology","Arts (arts, history of arts, performing arts, music)"],"languages":["gre"],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["10.12681/eadd/1071"],"render_values":[{"text":"10.12681/eadd/1071","href":"https://doi.org/10.12681/eadd/1071","code":true}]}]},"links":{"outbound_url":"http://hdl.handle.net/10442/hedi/1071","outbound_label":"Handle","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Κωνσταντουδάκη-Κιτρομηλίδου, Μαρία"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["1989"]},{"key":"dc:publisher","label":"Institution","values":["National and Kapodistrian University of Athens","Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)"]},{"key":"dc:type","label":"Dc Type","values":["PhD Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["ΒΕΝΕΤΙΑ, ΕΛΛΗΝΟΡΘΟΔΟΞΗ ΕΚΚΛΗΣΙΑ, ΕΙΚΟΝΕΣ","ΔΑΜΑΣΚΗΝΟΣ, ΜΙΧΑΗΛ","ΕΙΚΟΝΕΣ, ΚΡΗΤΙΚΕΣ","ΖΩΓΡΑΦΙΚΗ, ΙΤΑΛΙΚΗ, ΕΠΙΔΡΑΣΕΙΣ ΤΗΣ","Ζωγραφική, Μεταβυζαντινή","ΖΩΓΡΑΦΟΙ, ΕΛΛΗΝΕΣ, ΣΤΗ ΒΕΝΕΤΙΑ","ΖΩΓΡΑΦΟΙ, ΚΡΗΤΙΚΟΙ","ΚΡΗΤΗ, ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΗ, ΠΟΛΙΤΙΣΜΟΣ ΤΗΣ","ΚΡΗΤΙΚΗ ΖΩΓΡΑΦΙΚΗ, ΑΡΧΕΙΑΚΕΣ ΠΗΓΕΣ","ΤΕΧΝΗ, ΜΕΤΑΒΥΖΑΝΤΙΝΗ, ΚΟΙΝΩΝΙΚΗ ΙΣΤΟΡΙΑ ΤΗΣ","Art, post-byzantine, social history of","CRETAN PAINTING, ARCHIVAL SOURCES","CRETE, UNDER VENETIAN RULE, CULTURE OF","DAMASKINOS MICHAEL","ICONS, CRETAN","PAINTERS, CRETAN","PAINTERS, GREEK IN VENICE","PAINTING, ITALIAN, INFLUENCES OF","PAINTING, POST BYZANTINE","VENICE, GREEK ORTHODOX CHURCH, ICONS","Ανθρωπιστικές Επιστήμες και Τέχνες","Ιστορία και Αρχαιολογία","Τέχνες (Τέχνες, Ιστορία της Τέχνης, Ερμηνευτικές Τέχνες, Μουσική)","Humanities and the Arts","History and Archaeology","Arts (arts, history of arts, performing arts, music)"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["gre"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["10.12681/eadd/1071","http://hdl.handle.net/10442/hedi/1071"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description","label":"Description","values":["THE SUBJECT OF THIS DISSERTATION (PP. I-VIII+1-626 AND 278 PLS.) IS THE POST-BYZANTINE PAINTER MICHAEL DAMASKINOS (1530/35- 1592/93), WHO LIVED IN CRETE AND ITALY AND PRODUCED AN IMPORTANT AND MANY-SIDED ARTISTIC OEUVRE. THE MAIN BODY OFTHE THESIS CONSISTS OF THE PREFACE, THE INTRODUCTION, FOUR CHAPTERS AND THE EPILOGUE. THE THESIS IS COMPLETED BY AN APPENDIX OF ARCHIVAL DOCUMENTS, TWO GLOSSARIES (OF THE GREEK AND VENETIAN DOCUMENTS), A LIST OF ARCHIVAL SOURCES, BIBLIOGRAPHY, INDEX OF SUBJECTS OF DAMASKINOS'S PAINTINGS, CATALOGUE OF PLATES AND FIGURES (MENTIONING ALSO THE SOURCES OF THE ILLUSTRATIONS) AND THE PLATES . THE INTRODUCTION SURVEYS THE SOCIAL AND CULTURAL CONDITIONS IN VENETIAN CRETE, AN IMPORTANT ECONOMIC AND STRATEGIC CENTRE OF THE PERIOD, AS WELL AS THE CONDITIONS OF WORK OF THE CRETAN PAINTERS IN THE CAPITAL CANDIA (NOW HERAKLEION). THE FIRST CHAPTER FOCUSES ON DAMASKINO'S BIOGRAPHY ON THE BASIS OF SOME KNOWN INFORMATION AND THE NEW DOCUMENTS DISCOVERED BY THE AUTHOR IN THE STATE ARCHIVES OF VENICE. AMONG THE MOST INTERESTING OF THESE NEW DOCUMENTS, REGARDING THE PAINTER'S ACTIVITY IN CRETE, ARE THOSE ON HIS WORKSHOP AND THE IMPLEMENTS AND MATERIALS OF HIS PROFESSION, THE COMMISSIONS OF LARGE ALTARPIECES (PALE D'ALTARE) FOR PROMINENT CATHOLIC CHURCHES IN CANDIA, THE DEMAND AND DISSEMINATION OF HIS DRAWINGS. (SHORTENED)","Η ΔΙΑΤΡΙΒΗ (ΣΕΛ. Α-Η, 1-626 ΚΑΙ 278 ΠΙΝ.) ΕΧΕΙ ΩΣ ΘΕΜΑ ΤΟΝ ΜΕΤΑΒΥΖΑΝΤΙΝΟ ΖΩΓΡΑΦΟ ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟ (1530/35-1592/93), ΠΟΥ ΕΖΗΣΕ ΣΤΗΝ ΚΡΗΤΗ ΚΑΙ ΣΤΗΝ ΙΤΑΛΙΑ ΚΑΙ ΑΦΗΣΕ ΣΗΜΑΝΤΙΚΟ ΚΑΙ ΠΟΛΥΠΛΕΥΡΟ ΚΑΛΛΙΤΕΧΝΙΚΟ ΕΡΓΟ. ΤΟ ΚΥΡΙΟ ΣΩΜΑ ΤΗΣ ΕΡΓΑΣΙΑΣ ΑΠΟΤΕΛΕΙΤΑΙ ΑΠΟ ΤΟΝ ΠΡΟΛΟΓΟ, ΤΗΝ ΕΙΣΑΓΩΓΗ, ΤΕΣΣΕΡΑ ΚΕΦΑΛΑΙΑ ΚΑΙ ΤΟΝ ΕΠΙΛΟΓΟ. ΑΚΟΛΟΥΘΟΥΝ ΤΟ ΠΑΡΑΡΤΗΜΑ, ΟΠΟΥ ΔΗΜΟΣΙΕΟΝΤΑΙ ΑΡΧΕΙΑΚΑ ΕΓΓΡΑΦΑ, ΔΥΟ ΛΕΞΙΛΟΓΙΑ (ΤΩΝ ΕΛΛΗΝΙΚΩΝ ΚΑΙ ΤΩΝ ΒΕΝΕΤΙΚΩΝ ΕΓΓΡΑΦΩΝ) . ΠΗΓΕΣ, ΒΙΒΛΙΟΓΡΑΦΙΑ, ΕΥΡΕΤΗΡΙΟ ΤΩΝ ΕΙΚΟΝΟΓΡΑΦΙΚΩΝ ΘΕΜΑΤΩΝ ΤΩΝ ΕΡΓΩΝ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ, ΚΑΤΑΛΟΓΟΣ ΠΙΝΑΚΩΝ (ΜΕ ΜΝΕΙΑ ΤΗΣ ΠΡΟΕΛΕΥΣΗΣ ΤΩΝ ΦΩΤΟΓΡΑΦΙΩΝ) ΚΑΙ ΟΙ ΠΙΝΑΚΕΣ. ΣΤΟΝ ΠΡΟΛΟΓΟ ΟΡΙΖΟΝΤΑΙ ΟΙ ΣΤΟΧΟΙ ΤΗΣ ΕΡΓΑΣΙΑΣ, ΠΟΥ ΗΤΑΝ: Α) Η ΒΙΟΓΡΑΦΗΣΗ ΤΟΥ ΖΩΓΡΑΦΟΥ, Β) Η ΚΑΤΑΛΟΓΟΓΡΑΦΗΣΗ ΤΩΝ ΕΡΓΩΝ ΤΟΥ ΚΑΙ Η ΣΥΝΟΛΙΚΗ ΘΕΩΡΗΣΗ ΤΗΣ ΚΑΛΛΙΤΕΧΝΙΚΗΣ ΠΑΡΑΓΩΓΗΣ ΤΟΥ ΚΑΙ Γ) Η ΜΕΛΕΤΗ ΤΩΝ ΕΠΙΔΡΑΣΕΩΝ ΑΠΟ ΤΗΝ ΤΕΧΝΗ ΤΗΣ ΔΥΣΗΣ ΣΤΗ ΖΩΓΡΑΦΙΚΗ ΤΟΥ. ΣΤΗΝ ΕΙΣΑΓΩΓΗ ΕΞΕΤΑΖΟΝΤΑΙ ΟΙ ΚΟΙΝΩΝΙΚΕΣ ΚΑΙ ΠΟΛΙΤΙΣΜΙΚΕΣ ΣΥΝΘΗΚΕΣ ΣΤΗ ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΗ ΚΡΗΤΗ, ΣΗΜΑΝΤΙΚΟ ΟΙΚΟΝΟΜΙΚΟ ΚΑΙ ΣΤΡΑΤΗΓΙΚΟ ΚΕΝΤΡΟ ΤΗΣ ΕΠΟΧΗΣ, ΟΙ ΣΥΝΘΗΚΕΣ ΕΡΓΑΣΙΑΣ ΤΩΝ ΖΩΓΡΑΦΩΝ ΣΤΗΝ ΠΡΩΤΕΥΟΥΣΑ ΧΑΝΔΑΚΑ (ΣΗΜ. ΗΡΑΚΛΕΙΟ) ΚΑΙ ΔΙΑΦΟΡΕΣ ΠΑΡΑΜΕΤΡΟΙ ΤΗΣ ΔΡΑΣΤΗΡΙΟΤΗΤΑΣ ΤΟΥΣ. (ΠΕΡΙΚΟΠΗ)"]},{"key":"dc:title","label":"Title","values":["ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟΣ (1530/35-1592/93). ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΗΣ ΖΩΓΡΑΦΙΚΗΣ ΤΟΥ","MICHAEL DAMASKINOS (1530/35-1592/93). A CONTRIBUTION TO THE STUDY OF HIS PAINTING"]}]}],"canonical_facts":{"dc:creator":["Κωνσταντουδάκη-Κιτρομηλίδου, Μαρία"],"dc:date":["1989"],"dc:description":["THE SUBJECT OF THIS DISSERTATION (PP. I-VIII+1-626 AND 278 PLS.) IS THE POST-BYZANTINE PAINTER MICHAEL DAMASKINOS (1530/35- 1592/93), WHO LIVED IN CRETE AND ITALY AND PRODUCED AN IMPORTANT AND MANY-SIDED ARTISTIC OEUVRE. THE MAIN BODY OFTHE THESIS CONSISTS OF THE PREFACE, THE INTRODUCTION, FOUR CHAPTERS AND THE EPILOGUE. THE THESIS IS COMPLETED BY AN APPENDIX OF ARCHIVAL DOCUMENTS, TWO GLOSSARIES (OF THE GREEK AND VENETIAN DOCUMENTS), A LIST OF ARCHIVAL SOURCES, BIBLIOGRAPHY, INDEX OF SUBJECTS OF DAMASKINOS'S PAINTINGS, CATALOGUE OF PLATES AND FIGURES (MENTIONING ALSO THE SOURCES OF THE ILLUSTRATIONS) AND THE PLATES . THE INTRODUCTION SURVEYS THE SOCIAL AND CULTURAL CONDITIONS IN VENETIAN CRETE, AN IMPORTANT ECONOMIC AND STRATEGIC CENTRE OF THE PERIOD, AS WELL AS THE CONDITIONS OF WORK OF THE CRETAN PAINTERS IN THE CAPITAL CANDIA (NOW HERAKLEION). THE FIRST CHAPTER FOCUSES ON DAMASKINO'S BIOGRAPHY ON THE BASIS OF SOME KNOWN INFORMATION AND THE NEW DOCUMENTS DISCOVERED BY THE AUTHOR IN THE STATE ARCHIVES OF VENICE. AMONG THE MOST INTERESTING OF THESE NEW DOCUMENTS, REGARDING THE PAINTER'S ACTIVITY IN CRETE, ARE THOSE ON HIS WORKSHOP AND THE IMPLEMENTS AND MATERIALS OF HIS PROFESSION, THE COMMISSIONS OF LARGE ALTARPIECES (PALE D'ALTARE) FOR PROMINENT CATHOLIC CHURCHES IN CANDIA, THE DEMAND AND DISSEMINATION OF HIS DRAWINGS. (SHORTENED)","Η ΔΙΑΤΡΙΒΗ (ΣΕΛ. Α-Η, 1-626 ΚΑΙ 278 ΠΙΝ.) ΕΧΕΙ ΩΣ ΘΕΜΑ ΤΟΝ ΜΕΤΑΒΥΖΑΝΤΙΝΟ ΖΩΓΡΑΦΟ ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟ (1530/35-1592/93), ΠΟΥ ΕΖΗΣΕ ΣΤΗΝ ΚΡΗΤΗ ΚΑΙ ΣΤΗΝ ΙΤΑΛΙΑ ΚΑΙ ΑΦΗΣΕ ΣΗΜΑΝΤΙΚΟ ΚΑΙ ΠΟΛΥΠΛΕΥΡΟ ΚΑΛΛΙΤΕΧΝΙΚΟ ΕΡΓΟ. ΤΟ ΚΥΡΙΟ ΣΩΜΑ ΤΗΣ ΕΡΓΑΣΙΑΣ ΑΠΟΤΕΛΕΙΤΑΙ ΑΠΟ ΤΟΝ ΠΡΟΛΟΓΟ, ΤΗΝ ΕΙΣΑΓΩΓΗ, ΤΕΣΣΕΡΑ ΚΕΦΑΛΑΙΑ ΚΑΙ ΤΟΝ ΕΠΙΛΟΓΟ. ΑΚΟΛΟΥΘΟΥΝ ΤΟ ΠΑΡΑΡΤΗΜΑ, ΟΠΟΥ ΔΗΜΟΣΙΕΟΝΤΑΙ ΑΡΧΕΙΑΚΑ ΕΓΓΡΑΦΑ, ΔΥΟ ΛΕΞΙΛΟΓΙΑ (ΤΩΝ ΕΛΛΗΝΙΚΩΝ ΚΑΙ ΤΩΝ ΒΕΝΕΤΙΚΩΝ ΕΓΓΡΑΦΩΝ) . ΠΗΓΕΣ, ΒΙΒΛΙΟΓΡΑΦΙΑ, ΕΥΡΕΤΗΡΙΟ ΤΩΝ ΕΙΚΟΝΟΓΡΑΦΙΚΩΝ ΘΕΜΑΤΩΝ ΤΩΝ ΕΡΓΩΝ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ, ΚΑΤΑΛΟΓΟΣ ΠΙΝΑΚΩΝ (ΜΕ ΜΝΕΙΑ ΤΗΣ ΠΡΟΕΛΕΥΣΗΣ ΤΩΝ ΦΩΤΟΓΡΑΦΙΩΝ) ΚΑΙ ΟΙ ΠΙΝΑΚΕΣ. ΣΤΟΝ ΠΡΟΛΟΓΟ ΟΡΙΖΟΝΤΑΙ ΟΙ ΣΤΟΧΟΙ ΤΗΣ ΕΡΓΑΣΙΑΣ, ΠΟΥ ΗΤΑΝ: Α) Η ΒΙΟΓΡΑΦΗΣΗ ΤΟΥ ΖΩΓΡΑΦΟΥ, Β) Η ΚΑΤΑΛΟΓΟΓΡΑΦΗΣΗ ΤΩΝ ΕΡΓΩΝ ΤΟΥ ΚΑΙ Η ΣΥΝΟΛΙΚΗ ΘΕΩΡΗΣΗ ΤΗΣ ΚΑΛΛΙΤΕΧΝΙΚΗΣ ΠΑΡΑΓΩΓΗΣ ΤΟΥ ΚΑΙ Γ) Η ΜΕΛΕΤΗ ΤΩΝ ΕΠΙΔΡΑΣΕΩΝ ΑΠΟ ΤΗΝ ΤΕΧΝΗ ΤΗΣ ΔΥΣΗΣ ΣΤΗ ΖΩΓΡΑΦΙΚΗ ΤΟΥ. ΣΤΗΝ ΕΙΣΑΓΩΓΗ ΕΞΕΤΑΖΟΝΤΑΙ ΟΙ ΚΟΙΝΩΝΙΚΕΣ ΚΑΙ ΠΟΛΙΤΙΣΜΙΚΕΣ ΣΥΝΘΗΚΕΣ ΣΤΗ ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΗ ΚΡΗΤΗ, ΣΗΜΑΝΤΙΚΟ ΟΙΚΟΝΟΜΙΚΟ ΚΑΙ ΣΤΡΑΤΗΓΙΚΟ ΚΕΝΤΡΟ ΤΗΣ ΕΠΟΧΗΣ, ΟΙ ΣΥΝΘΗΚΕΣ ΕΡΓΑΣΙΑΣ ΤΩΝ ΖΩΓΡΑΦΩΝ ΣΤΗΝ ΠΡΩΤΕΥΟΥΣΑ ΧΑΝΔΑΚΑ (ΣΗΜ. ΗΡΑΚΛΕΙΟ) ΚΑΙ ΔΙΑΦΟΡΕΣ ΠΑΡΑΜΕΤΡΟΙ ΤΗΣ ΔΡΑΣΤΗΡΙΟΤΗΤΑΣ ΤΟΥΣ. (ΠΕΡΙΚΟΠΗ)"],"dc:identifier":["10.12681/eadd/1071","http://hdl.handle.net/10442/hedi/1071"],"dc:language":["gre"],"dc:publisher":["National and Kapodistrian University of Athens","Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ)"],"dc:subject":["ΒΕΝΕΤΙΑ, ΕΛΛΗΝΟΡΘΟΔΟΞΗ ΕΚΚΛΗΣΙΑ, ΕΙΚΟΝΕΣ","ΔΑΜΑΣΚΗΝΟΣ, ΜΙΧΑΗΛ","ΕΙΚΟΝΕΣ, ΚΡΗΤΙΚΕΣ","ΖΩΓΡΑΦΙΚΗ, ΙΤΑΛΙΚΗ, ΕΠΙΔΡΑΣΕΙΣ ΤΗΣ","Ζωγραφική, Μεταβυζαντινή","ΖΩΓΡΑΦΟΙ, ΕΛΛΗΝΕΣ, ΣΤΗ ΒΕΝΕΤΙΑ","ΖΩΓΡΑΦΟΙ, ΚΡΗΤΙΚΟΙ","ΚΡΗΤΗ, ΒΕΝΕΤΟΚΡΑΤΟΥΜΕΝΗ, ΠΟΛΙΤΙΣΜΟΣ ΤΗΣ","ΚΡΗΤΙΚΗ ΖΩΓΡΑΦΙΚΗ, ΑΡΧΕΙΑΚΕΣ ΠΗΓΕΣ","ΤΕΧΝΗ, ΜΕΤΑΒΥΖΑΝΤΙΝΗ, ΚΟΙΝΩΝΙΚΗ ΙΣΤΟΡΙΑ ΤΗΣ","Art, post-byzantine, social history of","CRETAN PAINTING, ARCHIVAL SOURCES","CRETE, UNDER VENETIAN RULE, CULTURE OF","DAMASKINOS MICHAEL","ICONS, CRETAN","PAINTERS, CRETAN","PAINTERS, GREEK IN VENICE","PAINTING, ITALIAN, INFLUENCES OF","PAINTING, POST BYZANTINE","VENICE, GREEK ORTHODOX CHURCH, ICONS","Ανθρωπιστικές Επιστήμες και Τέχνες","Ιστορία και Αρχαιολογία","Τέχνες (Τέχνες, Ιστορία της Τέχνης, Ερμηνευτικές Τέχνες, Μουσική)","Humanities and the Arts","History and Archaeology","Arts (arts, history of arts, performing arts, music)"],"dc:title":["ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟΣ (1530/35-1592/93). ΣΥΜΒΟΛΗ ΣΤΗ ΜΕΛΕΤΗ ΤΗΣ ΖΩΓΡΑΦΙΚΗΣ ΤΟΥ","MICHAEL DAMASKINOS (1530/35-1592/93). A CONTRIBUTION TO THE STUDY OF HIS PAINTING"],"dc:type":["PhD Thesis"]},"updated_at":"2026-07-24T02:24:43Z"}