This thesis is a scholarly examination of John Updike’s first two novels of the Rabbit saga: Rabbit, Run and Rabbit Redux. The discussion is centered on the cultural artifacts and geographic spaces that populate the novels and how they are a reflection of popular cultural and contemporary sociological, economic, and political climates. These items are also closely considered with respect to their rhetorical significance and how Updike makes use of rhetorical spaces to influence his readers. What may seem like ordinary places are, through Updike’s writing, imbued with rhetorical significance that sheds light on his contemporary culture and that of his readers. Updike’s writing over the span of two decades readers provides readers an opportunity to experience culture of two important but seemingly antipodal decades: the 1950s and 60s. Furthermore, by choosing characters that reflect “Middle America” for the first novel and by then integrating characters from the fringes of society in the second novel, Updike shows that he is keenly aware of his changing society.
","abstract_html":"<p>This thesis is a scholarly examination of John Updike’s first two novels of the Rabbit saga: Rabbit, Run and Rabbit Redux. The discussion is centered on the cultural artifacts and geographic spaces that populate the novels and how they are a reflection of popular cultural and contemporary sociological, economic, and political climates. These items are also closely considered with respect to their rhetorical significance and how Updike makes use of rhetorical spaces to influence his readers. What may seem like ordinary places are, through Updike’s writing, imbued with rhetorical significance that sheds light on his contemporary culture and that of his readers. Updike’s writing over the span of two decades readers provides readers an opportunity to experience culture of two important but seemingly antipodal decades: the 1950s and 60s. Furthermore, by choosing characters that reflect “Middle America” for the first novel and by then integrating characters from the fringes of society in the second novel, Updike shows that he is keenly aware of his changing society.</p>","abstract_has_math":false,"creators":["Bonifacio, Michael"],"institution":null,"degree_name":"Master of Arts","degree_level":"Thesis","degree_discipline":"English","degree_department":null,"school":null,"contributors":["Rosemary Johnsen, Ph.D.","Christopher T. White, Ph.D.","Margaret Nugent, D.A."],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-04-01T07:00:00Z","date_published":"2012-04-01T07:00:00Z","updated_at":"2026-07-24T02:24:36Z","subjects":["Literature in English, North America"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://opus.govst.edu/theses/7","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor","label":"Contributor","values":["Rosemary Johnsen, Ph.D.","Christopher T. White, Ph.D.","Margaret Nugent, D.A."]},{"key":"dc:creator","label":"Author","values":["Bonifacio, Michael"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["2014-05-30T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis"]},{"key":"thesis:degree_name","label":"Degree Name","values":["Master of Arts"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Literature in English, North America"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://opus.govst.edu/theses/7"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis is a scholarly examination of John Updike’s first two novels of the Rabbit saga: Rabbit, Run and Rabbit Redux. The discussion is centered on the cultural artifacts and geographic spaces that populate the novels and how they are a reflection of popular cultural and contemporary sociological, economic, and political climates. These items are also closely considered with respect to their rhetorical significance and how Updike makes use of rhetorical spaces to influence his readers. What may seem like ordinary places are, through Updike’s writing, imbued with rhetorical significance that sheds light on his contemporary culture and that of his readers. Updike’s writing over the span of two decades readers provides readers an opportunity to experience culture of two important but seemingly antipodal decades: the 1950s and 60s. Furthermore, by choosing characters that reflect “Middle America” for the first novel and by then integrating characters from the fringes of society in the second novel, Updike shows that he is keenly aware of his changing society.
"]},{"key":"dc:title","label":"Title","values":["The Cultural Consciousness of John Updike: Rhetorical Spaces as Representations of Americana through the “Rabbit” Series"]}]}],"canonical_facts":{"dc:contributor":["Rosemary Johnsen, Ph.D.","Christopher T. White, Ph.D.","Margaret Nugent, D.A."],"dc:creator":["Bonifacio, Michael"],"dc:date.available":["2014-05-30T07:00:00Z"],"dc:description.abstract":["This thesis is a scholarly examination of John Updike’s first two novels of the Rabbit saga: Rabbit, Run and Rabbit Redux. The discussion is centered on the cultural artifacts and geographic spaces that populate the novels and how they are a reflection of popular cultural and contemporary sociological, economic, and political climates. These items are also closely considered with respect to their rhetorical significance and how Updike makes use of rhetorical spaces to influence his readers. What may seem like ordinary places are, through Updike’s writing, imbued with rhetorical significance that sheds light on his contemporary culture and that of his readers. Updike’s writing over the span of two decades readers provides readers an opportunity to experience culture of two important but seemingly antipodal decades: the 1950s and 60s. Furthermore, by choosing characters that reflect “Middle America” for the first novel and by then integrating characters from the fringes of society in the second novel, Updike shows that he is keenly aware of his changing society.
"],"dc:identifier":["https://opus.govst.edu/theses/7"],"dc:subject":["Literature in English, North America"],"dc:title":["The Cultural Consciousness of John Updike: Rhetorical Spaces as Representations of Americana through the “Rabbit” Series"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis"],"thesis:degree_name":["Master of Arts"]},"updated_at":"2026-07-24T02:24:36Z"}