{"id":{"repo_id":"gmu","oai_identifier":"oai:MARS:1920/5840"},"canonical_url":"https://search.dev.ndltd.org/etd/gmu/oai:MARS:1920/5840","repository":{"repo_id":"gmu","name":"George Mason University","base_url":"https://mars.gmu.edu/server/oai/request"},"display":{"title":"Victorian Middle-Class Ideology in W. S. Gilbert’s Savoy Operas","abstract":"This thesis explores Victorian middle-class ideology through the lens of W. S. Gilbert’s Savoy Operas, focusing on three general categories: intelligence and aptitude, morality and gentlemanliness, and domesticity and steadfast love. Gilbert’s Savoy Operas portray these three areas in such a way as to promote middle-class superiority over the upper and working classes, effectively flattering the middle classes and strengthening their perceptions of being the bulwark of society. Additionally, Gilbert’s middle-class characters display qualities of the emerging professional ideal, which promoted a system of reward based on personal merit, and directly challenged the upper classes and the privilege and power that they possessed solely through birth.","abstract_html":"This thesis explores Victorian middle-class ideology through the lens of W. S. Gilbert’s Savoy Operas, focusing on three general categories: intelligence and aptitude, morality and gentlemanliness, and domesticity and steadfast love. Gilbert’s Savoy Operas portray these three areas in such a way as to promote middle-class superiority over the upper and working classes, effectively flattering the middle classes and strengthening their perceptions of being the bulwark of society. Additionally, Gilbert’s middle-class characters display qualities of the emerging professional ideal, which promoted a system of reward based on personal merit, and directly challenged the upper classes and the privilege and power that they possessed solely through birth.","abstract_has_math":false,"creators":["Clemmer, Erin T."],"institution":null,"degree_name":null,"degree_level":null,"degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-05-21T18:06:54Z","date_published":"2010-05-21T18:06:54Z","updated_at":"2026-07-27T19:52:04Z","subjects":["Gilbert, W.S.","British","Savoy Operas","Class","Victorian","Drama"],"languages":[],"rights":[],"rights_urls":[],"identifier_entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:1920/5840"],"render_values":[{"text":"hdl:1920/5840","href":null,"code":true}]}]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2010-05-21T18:06:54Z"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Gilbert, W.S.","British","Savoy Operas","Class","Victorian","Drama"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["hdl:1920/5840"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.other","label":"Dc Description Other","values":["This thesis explores Victorian middle-class ideology through the lens of W. S. Gilbert’s Savoy Operas, focusing on three general categories: intelligence and aptitude, morality and gentlemanliness, and domesticity and steadfast love. Gilbert’s Savoy Operas portray these three areas in such a way as to promote middle-class superiority over the upper and working classes, effectively flattering the middle classes and strengthening their perceptions of being the bulwark of society. Additionally, Gilbert’s middle-class characters display qualities of the emerging professional ideal, which promoted a system of reward based on personal merit, and directly challenged the upper classes and the privilege and power that they possessed solely through birth."]},{"key":"dc:title","label":"Title","values":["Victorian Middle-Class Ideology in W. S. Gilbert’s Savoy Operas"]}]}],"canonical_facts":{"dc:date.issued":["2010-05-21T18:06:54Z"],"dc:description.other":["This thesis explores Victorian middle-class ideology through the lens of W. S. Gilbert’s Savoy Operas, focusing on three general categories: intelligence and aptitude, morality and gentlemanliness, and domesticity and steadfast love. Gilbert’s Savoy Operas portray these three areas in such a way as to promote middle-class superiority over the upper and working classes, effectively flattering the middle classes and strengthening their perceptions of being the bulwark of society. Additionally, Gilbert’s middle-class characters display qualities of the emerging professional ideal, which promoted a system of reward based on personal merit, and directly challenged the upper classes and the privilege and power that they possessed solely through birth."],"dc:identifier":["hdl:1920/5840"],"dc:subject":["Gilbert, W.S.","British","Savoy Operas","Class","Victorian","Drama"],"dc:title":["Victorian Middle-Class Ideology in W. S. Gilbert’s Savoy Operas"],"dc:type":["Thesis"]},"updated_at":"2026-07-27T19:52:04Z"}