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George Mason University

Folk Art of the 19th Century Southwest: the Impact of Trade on Tradition

Abstract

This thesis focuses on folk art of the southwestern United States, made in what is now New Mexico in the 19th century. The US annexation of Mexico changed many aspects of territorial life, including access to new materials, changes in land ownership, new citizenship status, and a new language and culture entering the state. Through the case studies of two different types of folk art, colcha textiles and tin religious niches, this thesis argues for the environmental and economic impact that US incursion had on traditional folk-art practices. Through collection and accessioning at the Museum of International Folk Art in the 20th century, the museum defined and ascribed meanings to the folk-art objects that changed over time as the museum definition of folk art itself changed.

Author and committee

dc:creator, dc:contributor.*
Author
  • Canning, Ellie

Subjects

dc:subject × 6

Identifiers

dc:identifier.*
Identifier
hdl:1920/13060
OAI identifier oai:identifier
oai:MARS:1920/13060

Chain of custody

source
Harvested from
George Mason University
Base URL
mars.gmu.edu/server/oai/request
Last updated
2026-07-27
Source record
OAI-PMH GetRecord
citation

Canning, Ellie. Folk Art of the 19th Century Southwest: the Impact of Trade on Tradition.