{"id":{"repo_id":"glasgow","oai_identifier":"oai:theses.gla.ac.uk:655"},"canonical_url":"https://search.dev.ndltd.org/etd/glasgow/oai:theses.gla.ac.uk:655","repository":{"repo_id":"glasgow","name":"University of Glasgow","base_url":"https://theses.gla.ac.uk/cgi/oai2"},"display":{"title":"Portfolio of compositions","abstract":"The four works which make up the portfolio demonstrate pieces of varying lengths and complexity, written for a range of contrasting ensembles. The pieces are included in chronological order, based upon their completion; in this way I hope to demonstrate how I have been able to experiment with different approaches to composition in the shorter pieces, and then develop these ideas in the piece As silent as a Mirror is Believed, which forms the bulk of the portfolio.","abstract_html":"The four works which make up the portfolio demonstrate pieces of varying lengths and complexity, written for a range of contrasting ensembles. The pieces are included in chronological order, based upon their completion; in this way I hope to demonstrate how I have been able to experiment with different approaches to composition in the shorter pieces, and then develop these ideas in the piece As silent as a Mirror is Believed, which forms the bulk of the portfolio.","abstract_has_math":false,"creators":["Duncan, David Thomas"],"institution":"University of Glasgow","degree_name":null,"degree_level":"MMus(R)","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2009,"date_issued":"2009","date_published":"2009","updated_at":"2026-07-24T02:23:30Z","subjects":["M Music"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Duncan, David Thomas"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2009"]},{"key":"dc:date.issued","label":"Date","values":["2009"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Glasgow"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://theses.gla.ac.uk/655/"]},{"key":"dc:relation.isreferencedby.uri","label":"Dc Relation Isreferencedby URI","values":["https://gla.on.worldcat.org/oclc/1547487208"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["MMus(R)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["M Music"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://theses.gla.ac.uk/655/1/2008duncanmmus.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The four works which make up the portfolio demonstrate pieces of varying lengths and complexity, written for a range of contrasting ensembles. The pieces are included in chronological order, based upon their completion; in this way I hope to demonstrate how I have been able to experiment with different approaches to composition in the shorter pieces, and then develop these ideas in the piece As silent as a Mirror is Believed, which forms the bulk of the portfolio."]},{"key":"dc:format","label":"Dc Format","values":["application/pdf"]},{"key":"dc:title","label":"Title","values":["Portfolio of compositions"]}]}],"canonical_facts":{"dc:creator":["Duncan, David Thomas"],"dc:date":["2009"],"dc:date.issued":["2009"],"dc:description.abstract":["The four works which make up the portfolio demonstrate pieces of varying lengths and complexity, written for a range of contrasting ensembles. The pieces are included in chronological order, based upon their completion; in this way I hope to demonstrate how I have been able to experiment with different approaches to composition in the shorter pieces, and then develop these ideas in the piece As silent as a Mirror is Believed, which forms the bulk of the portfolio."],"dc:format":["application/pdf"],"dc:identifier.uri":["https://theses.gla.ac.uk/655/1/2008duncanmmus.pdf"],"dc:language":["en"],"dc:publisher.institution":["University of Glasgow"],"dc:relation.isreferencedby":["https://theses.gla.ac.uk/655/"],"dc:relation.isreferencedby.uri":["https://gla.on.worldcat.org/oclc/1547487208"],"dc:subject":["M Music"],"dc:title":["Portfolio of compositions"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["MMus(R)"]},"updated_at":"2026-07-24T02:23:30Z"}