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University of Glasgow

Seventeenth-century musical fantasy : origins of freedom and irrationality

Abstract

dc:description.abstract

The essence of seventeenth-century musical fantasy lies in the contemporary notion of freedom. Contemporary fantasy genres and verbal descriptions of fantasy highlight freedom from given tonal, harmonic, and temporal frameworks. This freedom assumes the composer's ingenuity (freedom to command the rules of counterpoint) and spontaneity (freedom to breach the rules and conventional expectations), both important sources to understand the distinctiveness of seventeenth-century musical fantasy. Given that a manifestation of freedom could be perceived as either fantastic or 'irrational', I survey the cultural and intellectual background concerning an assumed norm and the contemporary notion of 'rationality' through differing views on reason and the senses. In order to clarify the environment in which musical fantasy was sensed and defined, I turn to the analogy between music and its sister arts: imitation (philosophical mimesis and rhetorical imitatio as key concepts of artistic representation) and empirical thought (the growing interest in the role of the senses and imagination in aesthetic experience) are taken as bases for contemporary artists' understanding of nature and art. To discern the freedom that seventeenth-century musicians exercised in their representation of nature, I trace the varied properties and fantastic aspects of expressive resources in dramatic and improvisatory genres by exploring three metaphorical subjects: lament, melancholy, and humour. In all, this study focuses on how fantasy was musically represented and perceived in the era, and elucidates the distinctive and universal aspects of fantasy in the seventeenth-century context through an interdisciplinary approach that combines the historical, the philosophical, and the musical.

Degree

thesis:*
Level dc:type.qualificationlevel
PhD
Grantor dc:publisher.institution
University of Glasgow
Year dc:date.issued
2008

Author and committee

dc:creator, dc:contributor.*
Author dc:creator
  • Park, Yoon Kyung

Subjects

dc:subject × 1

Rights

Language dc:language
en

Chain of custody

source
Harvested from
University of Glasgow
Base URL
theses.gla.ac.uk/cgi/oai2
Last updated
2026-07-24
Source record
OAI-PMH GetRecord
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citation

Park, Yoon Kyung. Seventeenth-century musical fantasy : origins of freedom and irrationality. PhD thesis, University of Glasgow, 2008.