{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-3435"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-3435","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Trophies or Treasures: The Burden of Choice for Mothers, Wives, and Daughters in <em>Washington Square</em>, <em>The Portrait of a Lady</em>, and <em>The Bostonians</em>.","abstract":"<p>In the world of Henry James's novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to objectify them, to place them on the shelf as a trophy. Fathers and husbands are typically the controlling agents, but James also presents women who appropriate the dominating role.</p><p>With varying degrees of success, each female character rejects the status of trophy. Instead, each attempts to make choices and determine her own future. James allows for ambiguity and nuanced resolutions. With ambiguity comes hope in the steadfastness of Catherine Sloper in <u>Washington Square</u>, in the tragic heroism of Isabel Archer in <u>The Portrait of a Lady</u>, and even in the sacrificial loss of Verena Tarrant for Olive Chancellor in <u>The Bostonians</u>.</p>","abstract_html":"&lt;p&gt;In the world of Henry James&#x27;s novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to objectify them, to place them on the shelf as a trophy. Fathers and husbands are typically the controlling agents, but James also presents women who appropriate the dominating role.&lt;/p&gt;&lt;p&gt;With varying degrees of success, each female character rejects the status of trophy. Instead, each attempts to make choices and determine her own future. James allows for ambiguity and nuanced resolutions. With ambiguity comes hope in the steadfastness of Catherine Sloper in &lt;u&gt;Washington Square&lt;/u&gt;, in the tragic heroism of Isabel Archer in &lt;u&gt;The Portrait of a Lady&lt;/u&gt;, and even in the sacrificial loss of Verena Tarrant for Olive Chancellor in &lt;u&gt;The Bostonians&lt;/u&gt;.&lt;/p&gt;","abstract_has_math":false,"creators":["Huisman, Melissa C."],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-05-05T07:00:00Z","date_published":"2007-05-05T07:00:00Z","updated_at":"2026-07-24T02:21:19Z","subjects":["Henry James","Washington Square","The Portrait of a Lady","The Bostonians","father-daughter relationships","marriage","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/2074","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Huisman, Melissa C."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2007-05-05T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Henry James","Washington Square","The Portrait of a Lady","The Bostonians","father-daughter relationships","marriage","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/3435/viewcontent/HuismanM040207f.pdf","https://dc.etsu.edu/etd/2074"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>In the world of Henry James's novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to objectify them, to place them on the shelf as a trophy. Fathers and husbands are typically the controlling agents, but James also presents women who appropriate the dominating role.</p><p>With varying degrees of success, each female character rejects the status of trophy. Instead, each attempts to make choices and determine her own future. James allows for ambiguity and nuanced resolutions. With ambiguity comes hope in the steadfastness of Catherine Sloper in <u>Washington Square</u>, in the tragic heroism of Isabel Archer in <u>The Portrait of a Lady</u>, and even in the sacrificial loss of Verena Tarrant for Olive Chancellor in <u>The Bostonians</u>.</p>"]},{"key":"dc:title","label":"Title","values":["Trophies or Treasures: The Burden of Choice for Mothers, Wives, and Daughters in <em>Washington Square</em>, <em>The Portrait of a Lady</em>, and <em>The Bostonians</em>."]}]}],"canonical_facts":{"dc:creator":["Huisman, Melissa C."],"dc:date.issued":["2007-05-05T07:00:00Z"],"dc:description.abstract":["<p>In the world of Henry James's novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to objectify them, to place them on the shelf as a trophy. Fathers and husbands are typically the controlling agents, but James also presents women who appropriate the dominating role.</p><p>With varying degrees of success, each female character rejects the status of trophy. Instead, each attempts to make choices and determine her own future. James allows for ambiguity and nuanced resolutions. With ambiguity comes hope in the steadfastness of Catherine Sloper in <u>Washington Square</u>, in the tragic heroism of Isabel Archer in <u>The Portrait of a Lady</u>, and even in the sacrificial loss of Verena Tarrant for Olive Chancellor in <u>The Bostonians</u>.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/3435/viewcontent/HuismanM040207f.pdf","https://dc.etsu.edu/etd/2074"],"dc:rights":["Copyright by the authors."],"dc:subject":["Henry James","Washington Square","The Portrait of a Lady","The Bostonians","father-daughter relationships","marriage","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"],"dc:title":["Trophies or Treasures: The Burden of Choice for Mothers, Wives, and Daughters in <em>Washington Square</em>, <em>The Portrait of a Lady</em>, and <em>The Bostonians</em>."],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:21:19Z"}