{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-3393"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-3393","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Hearing Adam: Gender Relationships in the Short Fiction of Caroline Gordon.","abstract":"<p>Writer and critic Caroline Gordon has been a participant on the Southern literary scene since the early 1930s, yet her works have been neither studied nor appreciated as frequently as the works of her male contemporaries. Her novels and short fiction never received the critical acclaim that they merited due to the perpetuation of the erroneous idea that women have little to say. While at the time other female writers were exploring their emancipation, Gordon retreated to the consistent confines of male-dominated tradition and created fiction embodying her conservative philosophy. This thesis will examine five pieces of her short fiction, 'The Petrified Woman,\" \"Tom Rivers,\" \"One More Day,\" \"The Brilliant Leaves,\" and \"The Presence,\" to explore gender relationships and how Gordon's background and personal beliefs impacted her body of work.</p>","abstract_html":"&lt;p&gt;Writer and critic Caroline Gordon has been a participant on the Southern literary scene since the early 1930s, yet her works have been neither studied nor appreciated as frequently as the works of her male contemporaries. Her novels and short fiction never received the critical acclaim that they merited due to the perpetuation of the erroneous idea that women have little to say. While at the time other female writers were exploring their emancipation, Gordon retreated to the consistent confines of male-dominated tradition and created fiction embodying her conservative philosophy. This thesis will examine five pieces of her short fiction, &#x27;The Petrified Woman,&quot; &quot;Tom Rivers,&quot; &quot;One More Day,&quot; &quot;The Brilliant Leaves,&quot; and &quot;The Presence,&quot; to explore gender relationships and how Gordon&#x27;s background and personal beliefs impacted her body of work.&lt;/p&gt;","abstract_has_math":false,"creators":["Hipple, Linda Elaine"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2007,"date_issued":"2007-12-15T08:00:00Z","date_published":"2007-12-15T08:00:00Z","updated_at":"2026-07-24T02:21:19Z","subjects":["Caroline Gordon","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/2032","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hipple, Linda Elaine"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2007-12-15T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Caroline Gordon","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/3393/viewcontent/HippleL112807f.pdf","https://dc.etsu.edu/etd/2032"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Writer and critic Caroline Gordon has been a participant on the Southern literary scene since the early 1930s, yet her works have been neither studied nor appreciated as frequently as the works of her male contemporaries. Her novels and short fiction never received the critical acclaim that they merited due to the perpetuation of the erroneous idea that women have little to say. While at the time other female writers were exploring their emancipation, Gordon retreated to the consistent confines of male-dominated tradition and created fiction embodying her conservative philosophy. This thesis will examine five pieces of her short fiction, 'The Petrified Woman,\" \"Tom Rivers,\" \"One More Day,\" \"The Brilliant Leaves,\" and \"The Presence,\" to explore gender relationships and how Gordon's background and personal beliefs impacted her body of work.</p>"]},{"key":"dc:title","label":"Title","values":["Hearing Adam: Gender Relationships in the Short Fiction of Caroline Gordon."]}]}],"canonical_facts":{"dc:creator":["Hipple, Linda Elaine"],"dc:date.issued":["2007-12-15T08:00:00Z"],"dc:description.abstract":["<p>Writer and critic Caroline Gordon has been a participant on the Southern literary scene since the early 1930s, yet her works have been neither studied nor appreciated as frequently as the works of her male contemporaries. Her novels and short fiction never received the critical acclaim that they merited due to the perpetuation of the erroneous idea that women have little to say. While at the time other female writers were exploring their emancipation, Gordon retreated to the consistent confines of male-dominated tradition and created fiction embodying her conservative philosophy. This thesis will examine five pieces of her short fiction, 'The Petrified Woman,\" \"Tom Rivers,\" \"One More Day,\" \"The Brilliant Leaves,\" and \"The Presence,\" to explore gender relationships and how Gordon's background and personal beliefs impacted her body of work.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/3393/viewcontent/HippleL112807f.pdf","https://dc.etsu.edu/etd/2032"],"dc:rights":["Copyright by the authors."],"dc:subject":["Caroline Gordon","Arts and Humanities","English Language and Literature","Feminist, Gender, and Sexuality Studies"],"dc:title":["Hearing Adam: Gender Relationships in the Short Fiction of Caroline Gordon."],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:21:19Z"}