{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-3284"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-3284","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Inside, Outside, In-Between.","abstract":"<p>The artist discusses her Master of Fine Arts exhibition, <em>Inside, Outside, In-Between</em>, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.</p><p>These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.</p><p>Ideas discussed include materiality, process, composition, cropping, collective and selective memory, landmarks, archaeology, gardening, borders and boundaries, parietal Paleolithic art and the art of the Abstract Expressionists, ritual, alchemy, time, liminality, and the influences of Michelle Stuart, Mary Frank, and Cai Guo-Qiang.</p>","abstract_html":"&lt;p&gt;The artist discusses her Master of Fine Arts exhibition, &lt;em&gt;Inside, Outside, In-Between&lt;/em&gt;, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.&lt;/p&gt;&lt;p&gt;These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist&#x27;s materials.&lt;/p&gt;&lt;p&gt;Ideas discussed include materiality, process, composition, cropping, collective and selective memory, landmarks, archaeology, gardening, borders and boundaries, parietal Paleolithic art and the art of the Abstract Expressionists, ritual, alchemy, time, liminality, and the influences of Michelle Stuart, Mary Frank, and Cai Guo-Qiang.&lt;/p&gt;","abstract_has_math":false,"creators":["Pope, Aurora Maria"],"institution":null,"degree_name":"MFA (Master of Fine Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2008,"date_issued":"2008-05-03T07:00:00Z","date_published":"2008-05-03T07:00:00Z","updated_at":"2026-07-24T02:21:11Z","subjects":["painting","encaustic","garden","memory","landmark","time","alchemy","Art Practice","Arts and Humanities","Fine Arts"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/1932","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Pope, Aurora Maria"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2008-05-03T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MFA (Master of Fine Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["painting","encaustic","garden","memory","landmark","time","alchemy","Art Practice","Arts and Humanities","Fine Arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/3284/viewcontent/PopeA041608f.pdf","https://dc.etsu.edu/etd/1932"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>The artist discusses her Master of Fine Arts exhibition, <em>Inside, Outside, In-Between</em>, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.</p><p>These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.</p><p>Ideas discussed include materiality, process, composition, cropping, collective and selective memory, landmarks, archaeology, gardening, borders and boundaries, parietal Paleolithic art and the art of the Abstract Expressionists, ritual, alchemy, time, liminality, and the influences of Michelle Stuart, Mary Frank, and Cai Guo-Qiang.</p>"]},{"key":"dc:title","label":"Title","values":["Inside, Outside, In-Between."]}]}],"canonical_facts":{"dc:creator":["Pope, Aurora Maria"],"dc:date.issued":["2008-05-03T07:00:00Z"],"dc:description.abstract":["<p>The artist discusses her Master of Fine Arts exhibition, <em>Inside, Outside, In-Between</em>, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.</p><p>These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.</p><p>Ideas discussed include materiality, process, composition, cropping, collective and selective memory, landmarks, archaeology, gardening, borders and boundaries, parietal Paleolithic art and the art of the Abstract Expressionists, ritual, alchemy, time, liminality, and the influences of Michelle Stuart, Mary Frank, and Cai Guo-Qiang.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/3284/viewcontent/PopeA041608f.pdf","https://dc.etsu.edu/etd/1932"],"dc:rights":["Copyright by the authors."],"dc:subject":["painting","encaustic","garden","memory","landmark","time","alchemy","Art Practice","Arts and Humanities","Fine Arts"],"dc:title":["Inside, Outside, In-Between."],"thesis:degree_discipline":["Art"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MFA (Master of Fine Arts)"]},"updated_at":"2026-07-24T02:21:11Z"}