This thesis supports the Master of Fine Arts exhibition, To End In Silence, at the Slocumb Galleries, East Tennessee State University, March 15-19, 2010. The exhibit consists of fourteen pieces, which are either presented on pedestals or mounted on the wall.
To comment on the title of my thesis, it is a description of the state of calm that I strive to embrace during the creation of my work and the unobtrusive yet engaging tone that I hope for each finished composition to project. This paper explores the aesthetic and conceptual transitions in my work, inspired by a period of personal realization and acceptance. Influences discussed include a number of connections to historical practices including Buddhism, Numerology, and Traditional Japanese Aesthetics, as well as the works of contemporary artists, Agnes Martin, Lee Bontecou, and Manfred Muller.
Also included is a complete catalogue of works from To End In Silence.
","abstract_html":"<p>This thesis supports the Master of Fine Arts exhibition, <em>To End In Silence</em>, at the Slocumb Galleries, East Tennessee State University, March 15-19, 2010. The exhibit consists of fourteen pieces, which are either presented on pedestals or mounted on the wall.</p><p>To comment on the title of my thesis, it is a description of the state of calm that I strive to embrace during the creation of my work and the unobtrusive yet engaging tone that I hope for each finished composition to project. This paper explores the aesthetic and conceptual transitions in my work, inspired by a period of personal realization and acceptance. Influences discussed include a number of connections to historical practices including Buddhism, Numerology, and Traditional Japanese Aesthetics, as well as the works of contemporary artists, Agnes Martin, Lee Bontecou, and Manfred Muller.</p><p>Also included is a complete catalogue of works from To End In Silence.</p>","abstract_has_math":false,"creators":["Hammer, Justin R"],"institution":null,"degree_name":"MFA (Master of Fine Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2010,"date_issued":"2010-05-08T07:00:00Z","date_published":"2010-05-08T07:00:00Z","updated_at":"2026-07-24T02:20:42Z","subjects":["Escape","Light","Ritual","Numerology","Compulsion","Meditation","Simplicity","Art Practice","Arts and Humanities","Fine Arts"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/1681","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hammer, Justin R"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2010-05-08T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MFA (Master of Fine Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Escape","Light","Ritual","Numerology","Compulsion","Meditation","Simplicity","Art Practice","Arts and Humanities","Fine Arts"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/3036/viewcontent/HammerJ040910f.pdf","https://dc.etsu.edu/etd/1681"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This thesis supports the Master of Fine Arts exhibition, To End In Silence, at the Slocumb Galleries, East Tennessee State University, March 15-19, 2010. The exhibit consists of fourteen pieces, which are either presented on pedestals or mounted on the wall.
To comment on the title of my thesis, it is a description of the state of calm that I strive to embrace during the creation of my work and the unobtrusive yet engaging tone that I hope for each finished composition to project. This paper explores the aesthetic and conceptual transitions in my work, inspired by a period of personal realization and acceptance. Influences discussed include a number of connections to historical practices including Buddhism, Numerology, and Traditional Japanese Aesthetics, as well as the works of contemporary artists, Agnes Martin, Lee Bontecou, and Manfred Muller.
Also included is a complete catalogue of works from To End In Silence.
"]},{"key":"dc:title","label":"Title","values":["To End in Silence."]}]}],"canonical_facts":{"dc:creator":["Hammer, Justin R"],"dc:date.issued":["2010-05-08T07:00:00Z"],"dc:description.abstract":["This thesis supports the Master of Fine Arts exhibition, To End In Silence, at the Slocumb Galleries, East Tennessee State University, March 15-19, 2010. The exhibit consists of fourteen pieces, which are either presented on pedestals or mounted on the wall.
To comment on the title of my thesis, it is a description of the state of calm that I strive to embrace during the creation of my work and the unobtrusive yet engaging tone that I hope for each finished composition to project. This paper explores the aesthetic and conceptual transitions in my work, inspired by a period of personal realization and acceptance. Influences discussed include a number of connections to historical practices including Buddhism, Numerology, and Traditional Japanese Aesthetics, as well as the works of contemporary artists, Agnes Martin, Lee Bontecou, and Manfred Muller.
Also included is a complete catalogue of works from To End In Silence.
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