{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-2697"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-2697","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Digital Illustration: The Costume Designer’s Process For East Tennessee State University’s Spring Dance Concert 2012","abstract":"<p>This paper's objective is to document the research and developmental processes of creating East Tennessee State University's <em>Spring Dance Concert 2012</em> costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks to put it all together. Incorporating digital technology into the rendering process saved time, expenses, and helped clarify the designer's choices. This paper reflects the 2-year study of incorporating digital technology into the rendering process, culminating in the costume design for the <em>Spring Dance Concert 2012</em>.</p>","abstract_html":"&lt;p&gt;This paper&#x27;s objective is to document the research and developmental processes of creating East Tennessee State University&#x27;s &lt;em&gt;Spring Dance Concert 2012&lt;/em&gt; costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks to put it all together. Incorporating digital technology into the rendering process saved time, expenses, and helped clarify the designer&#x27;s choices. This paper reflects the 2-year study of incorporating digital technology into the rendering process, culminating in the costume design for the &lt;em&gt;Spring Dance Concert 2012&lt;/em&gt;.&lt;/p&gt;","abstract_has_math":false,"creators":["Waxstein, Christine Michele"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"Communication, Professional","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2012,"date_issued":"2012-12-15T08:00:00Z","date_published":"2012-12-15T08:00:00Z","updated_at":"2026-07-24T02:20:42Z","subjects":["dance","ETSU","performance","Costume design","theatre","digital rendering","Art and Design","Arts and Humanities","Fashion Design"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/1504","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Waxstein, Christine Michele"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2012-12-15T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Communication, Professional"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["dance","ETSU","performance","Costume design","theatre","digital rendering","Art and Design","Arts and Humanities","Fashion Design"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/2697/viewcontent/WaxteinC113012f.pdf","https://dc.etsu.edu/etd/1504"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>This paper's objective is to document the research and developmental processes of creating East Tennessee State University's <em>Spring Dance Concert 2012</em> costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks to put it all together. Incorporating digital technology into the rendering process saved time, expenses, and helped clarify the designer's choices. This paper reflects the 2-year study of incorporating digital technology into the rendering process, culminating in the costume design for the <em>Spring Dance Concert 2012</em>.</p>"]},{"key":"dc:title","label":"Title","values":["Digital Illustration: The Costume Designer’s Process For East Tennessee State University’s Spring Dance Concert 2012"]}]}],"canonical_facts":{"dc:creator":["Waxstein, Christine Michele"],"dc:date.issued":["2012-12-15T08:00:00Z"],"dc:description.abstract":["<p>This paper's objective is to document the research and developmental processes of creating East Tennessee State University's <em>Spring Dance Concert 2012</em> costume designs and renderings. This thesis describes design creation from research stage to idea formulation to the conception of costumes using inspirational images, illustrations, and performance photos and videos. The show was a challenging undertaking because it involved the collaboration of many in a compressed timeframe: 1 artistic director, 9 choreographers, 20 dances, 46 performers, 10 lighting designers, 1 costume designer, and 3 weeks to put it all together. Incorporating digital technology into the rendering process saved time, expenses, and helped clarify the designer's choices. This paper reflects the 2-year study of incorporating digital technology into the rendering process, culminating in the costume design for the <em>Spring Dance Concert 2012</em>.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/2697/viewcontent/WaxteinC113012f.pdf","https://dc.etsu.edu/etd/1504"],"dc:rights":["Copyright by the authors."],"dc:subject":["dance","ETSU","performance","Costume design","theatre","digital rendering","Art and Design","Arts and Humanities","Fashion Design"],"dc:title":["Digital Illustration: The Costume Designer’s Process For East Tennessee State University’s Spring Dance Concert 2012"],"thesis:degree_discipline":["Communication, Professional"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:20:42Z"}