{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-2241"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-2241","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Indefinite Ethnicity in Fact and Fiction: \"Invisible Color\" or \"Honkified Meanderings\"?","abstract":"<p>Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming \"no color\" is ineffective in fact and fiction as can be seen in James McBride's <em>The Color of Water</em>, Shirlee Taylor Haizlip's <em>The Sweeter the Juice</em>, Danzy Senna's <em>Caucasia</em>, and Rosellen Brown's <em>Half a Heart</em>. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.</p>","abstract_html":"&lt;p&gt;Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming &quot;no color&quot; is ineffective in fact and fiction as can be seen in James McBride&#x27;s &lt;em&gt;The Color of Water&lt;/em&gt;, Shirlee Taylor Haizlip&#x27;s &lt;em&gt;The Sweeter the Juice&lt;/em&gt;, Danzy Senna&#x27;s &lt;em&gt;Caucasia&lt;/em&gt;, and Rosellen Brown&#x27;s &lt;em&gt;Half a Heart&lt;/em&gt;. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.&lt;/p&gt;","abstract_has_math":false,"creators":["Hughes, Anita Louise"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2005,"date_issued":"2005-12-17T08:00:00Z","date_published":"2005-12-17T08:00:00Z","updated_at":"2026-07-24T02:19:43Z","subjects":["Passing","Ethnicity","Senna","Brown","McBride","Haizlip","Arts and Humanities","English Language and Literature","Race, Ethnicity and Post-Colonial Studies"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/1084","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Hughes, Anita Louise"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2005-12-17T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Passing","Ethnicity","Senna","Brown","McBride","Haizlip","Arts and Humanities","English Language and Literature","Race, Ethnicity and Post-Colonial Studies"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/2241/viewcontent/HughesA111505f.pdf","https://dc.etsu.edu/etd/1084"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming \"no color\" is ineffective in fact and fiction as can be seen in James McBride's <em>The Color of Water</em>, Shirlee Taylor Haizlip's <em>The Sweeter the Juice</em>, Danzy Senna's <em>Caucasia</em>, and Rosellen Brown's <em>Half a Heart</em>. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.</p>"]},{"key":"dc:title","label":"Title","values":["Indefinite Ethnicity in Fact and Fiction: \"Invisible Color\" or \"Honkified Meanderings\"?"]}]}],"canonical_facts":{"dc:creator":["Hughes, Anita Louise"],"dc:date.issued":["2005-12-17T08:00:00Z"],"dc:description.abstract":["<p>Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming \"no color\" is ineffective in fact and fiction as can be seen in James McBride's <em>The Color of Water</em>, Shirlee Taylor Haizlip's <em>The Sweeter the Juice</em>, Danzy Senna's <em>Caucasia</em>, and Rosellen Brown's <em>Half a Heart</em>. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/2241/viewcontent/HughesA111505f.pdf","https://dc.etsu.edu/etd/1084"],"dc:rights":["Copyright by the authors."],"dc:subject":["Passing","Ethnicity","Senna","Brown","McBride","Haizlip","Arts and Humanities","English Language and Literature","Race, Ethnicity and Post-Colonial Studies"],"dc:title":["Indefinite Ethnicity in Fact and Fiction: \"Invisible Color\" or \"Honkified Meanderings\"?"],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:19:43Z"}