Rembrandt's influence on the medium of printmaking can only be explained through his methodology in the production of his images. Experimentation is the key word to describe his evolution in style as he mastered the skills necessary to achieve his desired result. This paper will focus on this experimental attitude towards the medium and the subsequent inspiration it gave to me and other artists. Also included is a technical and stylistic comparison of various etchings by Rembrandt and my six prints that serve as a visual illustration and personal interpretation of the artist's method.
My research consisted of the consultation of many texts that aided in my supportive argument and eventual conclusion that Rembrandt created his place in history as an avant-garde in printmaking through his willingness to experiment with various methods in the production of his images.
","abstract_html":"<p>Rembrandt's influence on the medium of printmaking can only be explained through his methodology in the production of his images. Experimentation is the key word to describe his evolution in style as he mastered the skills necessary to achieve his desired result. This paper will focus on this experimental attitude towards the medium and the subsequent inspiration it gave to me and other artists. Also included is a technical and stylistic comparison of various etchings by Rembrandt and my six prints that serve as a visual illustration and personal interpretation of the artist's method.</p> <p>My research consisted of the consultation of many texts that aided in my supportive argument and eventual conclusion that Rembrandt created his place in history as an avant-garde in printmaking through his willingness to experiment with various methods in the production of his images.</p>","abstract_has_math":false,"creators":["Carter-Kneff, Bethany Ann"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"Art","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2004,"date_issued":"2004-05-01T07:00:00Z","date_published":"2004-05-01T07:00:00Z","updated_at":"2026-07-24T02:19:35Z","subjects":["Rembrandt","printmaking","Art and Design","Arts and Humanities"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/885","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Carter-Kneff, Bethany Ann"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.issued","label":"Date","values":["2004-05-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["Art"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Rembrandt","printmaking","Art and Design","Arts and Humanities"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/2042/viewcontent/Carter_KneffB040704f.pdf","https://dc.etsu.edu/etd/885"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Rembrandt's influence on the medium of printmaking can only be explained through his methodology in the production of his images. Experimentation is the key word to describe his evolution in style as he mastered the skills necessary to achieve his desired result. This paper will focus on this experimental attitude towards the medium and the subsequent inspiration it gave to me and other artists. Also included is a technical and stylistic comparison of various etchings by Rembrandt and my six prints that serve as a visual illustration and personal interpretation of the artist's method.
My research consisted of the consultation of many texts that aided in my supportive argument and eventual conclusion that Rembrandt created his place in history as an avant-garde in printmaking through his willingness to experiment with various methods in the production of his images.
"]},{"key":"dc:title","label":"Title","values":["A Discussion: Rembrandt's Influence on the Evolution of the Printmaking Process through his Experimental Attitude towards the medium."]}]}],"canonical_facts":{"dc:creator":["Carter-Kneff, Bethany Ann"],"dc:date.issued":["2004-05-01T07:00:00Z"],"dc:description.abstract":["Rembrandt's influence on the medium of printmaking can only be explained through his methodology in the production of his images. Experimentation is the key word to describe his evolution in style as he mastered the skills necessary to achieve his desired result. This paper will focus on this experimental attitude towards the medium and the subsequent inspiration it gave to me and other artists. Also included is a technical and stylistic comparison of various etchings by Rembrandt and my six prints that serve as a visual illustration and personal interpretation of the artist's method.
My research consisted of the consultation of many texts that aided in my supportive argument and eventual conclusion that Rembrandt created his place in history as an avant-garde in printmaking through his willingness to experiment with various methods in the production of his images.
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