There is a Silver Lining.

<p>I investigated two unique processes developed throughout this body of work. The first technique is the cracking and lifting of an electroformed layer from a core vessel form. The second process, that I named “crunch-raising”, is used to form vessels.</p> <p>General data is gathered through research of traditional metalsmithing processes. Using an individualized approach, new data is gathered through extensive experimentation to develop a knowledge base because specific reference information does not currently exist.</p> <p>I find that an electroformed layer can be lifted from a core form with extreme torch heat to reveal the underlining vessel. I also find that the “crunch-raising” technique leaves a rippled texture in the surface of a vessel as it is being formed.</p> <p>I conclude that the project is successful. It is quite significant in that it has given me a personal vocabulary to define my current work.</p>

Name thesis:degree_name

MFA (Master of Fine Arts)

Level thesis:degree_level

Thesis - unrestricted

Discipline thesis:degree_discipline

Art

Year dc:date.issued

2003

Author dc:creator

• Crowell-Hilde, Kaki D.

• Metalsmithing
• Casting
• Alloys
• Etching
• Electroforming
• Raising
• Crunch-raising
• Patinas
• Solvent Dyes
• Art and Design
• Arts and Humanities

Statement dc:rights

• Copyright by the authors.

Repository record dc:identifier

https://dc.etsu.edu/etd/784

OAI identifier oai:identifier

oai:dc.etsu.edu:etd-1941