{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-1856"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-1856","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Creating a New Genre: Mary Rowlandson and Hher Narrative of Indian Captivity.","abstract":"<p>In the aftermath of King Philip's War, Puritan Mary Rowlandson recorded her experiences as an Indian captive. In a vivid story that recollects the details of these events, Rowlandson attempts to impart a message to her community through the use of a variety of literary techniques. The genre of the Indian captivity narrative is a literary construct that she develops out of the following literary forms that existed at the time of her writing. These are the spiritual autobiography, a documentary method meant to archive spiritual and emotional growth through a record of daily activities; the conversion narrative, which made public one's theological assurance of God's grace; and the jeremiad, a sermon form designed to remind Puritans of their Covenant with God. To her contemporaries, Rowlandson served as an example of God's Providence. To later generations and specifically twenty-first century scholars, she represents America's first female literary prose voice.</p>","abstract_html":"&lt;p&gt;In the aftermath of King Philip&#x27;s War, Puritan Mary Rowlandson recorded her experiences as an Indian captive. In a vivid story that recollects the details of these events, Rowlandson attempts to impart a message to her community through the use of a variety of literary techniques. The genre of the Indian captivity narrative is a literary construct that she develops out of the following literary forms that existed at the time of her writing. These are the spiritual autobiography, a documentary method meant to archive spiritual and emotional growth through a record of daily activities; the conversion narrative, which made public one&#x27;s theological assurance of God&#x27;s grace; and the jeremiad, a sermon form designed to remind Puritans of their Covenant with God. To her contemporaries, Rowlandson served as an example of God&#x27;s Providence. To later generations and specifically twenty-first century scholars, she represents America&#x27;s first female literary prose voice.&lt;/p&gt;","abstract_has_math":false,"creators":["De Luise, Rachel Bailey"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2002,"date_issued":"2002-08-01T07:00:00Z","date_published":"2002-08-01T07:00:00Z","updated_at":"2026-07-24T02:19:07Z","subjects":["early American literature","American female authors","Puritan jeremiad","Mary Rowlandson","captivity narratives","conversion narratives","Arts and Humanities","English Language and Literature"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/699","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["De Luise, Rachel Bailey"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["1990-01-01T08:00:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2002-08-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["early American literature","American female authors","Puritan jeremiad","Mary Rowlandson","captivity narratives","conversion narratives","Arts and Humanities","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/1856/viewcontent/DeLuiseR072402.pdf","https://dc.etsu.edu/etd/699"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>In the aftermath of King Philip's War, Puritan Mary Rowlandson recorded her experiences as an Indian captive. In a vivid story that recollects the details of these events, Rowlandson attempts to impart a message to her community through the use of a variety of literary techniques. The genre of the Indian captivity narrative is a literary construct that she develops out of the following literary forms that existed at the time of her writing. These are the spiritual autobiography, a documentary method meant to archive spiritual and emotional growth through a record of daily activities; the conversion narrative, which made public one's theological assurance of God's grace; and the jeremiad, a sermon form designed to remind Puritans of their Covenant with God. To her contemporaries, Rowlandson served as an example of God's Providence. To later generations and specifically twenty-first century scholars, she represents America's first female literary prose voice.</p>"]},{"key":"dc:title","label":"Title","values":["Creating a New Genre: Mary Rowlandson and Hher Narrative of Indian Captivity."]}]}],"canonical_facts":{"dc:creator":["De Luise, Rachel Bailey"],"dc:date.available":["1990-01-01T08:00:00Z"],"dc:date.issued":["2002-08-01T07:00:00Z"],"dc:description.abstract":["<p>In the aftermath of King Philip's War, Puritan Mary Rowlandson recorded her experiences as an Indian captive. In a vivid story that recollects the details of these events, Rowlandson attempts to impart a message to her community through the use of a variety of literary techniques. The genre of the Indian captivity narrative is a literary construct that she develops out of the following literary forms that existed at the time of her writing. These are the spiritual autobiography, a documentary method meant to archive spiritual and emotional growth through a record of daily activities; the conversion narrative, which made public one's theological assurance of God's grace; and the jeremiad, a sermon form designed to remind Puritans of their Covenant with God. To her contemporaries, Rowlandson served as an example of God's Providence. 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