{"id":{"repo_id":"etsu","oai_identifier":"oai:dc.etsu.edu:etd-1159"},"canonical_url":"https://search.dev.ndltd.org/etd/etsu/oai:dc.etsu.edu:etd-1159","repository":{"repo_id":"etsu","name":"East Tennessee State University","base_url":"https://dc.etsu.edu/do/oai/"},"display":{"title":"Weaving Accessibility and Art in Marilou Awiakta's <em>Selu: Seeking the Corn-Mother's Wisdom</em>.","abstract":"<p>In Selu: Seeking the Corn-MotherÆs Wisdom, Awiakta enlists the reader to participate on the path to knowing Selu, Corn-Mother to us all. In particular, the book provides a reader with a text that blends ancient Cherokee teachings of the oral tale of <em>Selu</em> with contemporary Western, Appalachian-American thought and experience. Awiakta adopts and adapts <em>Selu</em> in order to capture and express the essence of the tale within a contemporary American aesthetic.</p> <p>Though Awiakta's approach is didactic, it rises above mere teaching to achieve an aesthetic characterized by accessibility, simultaneity, and liminality. She purposely combines stories, poems, teachings, histories, and cultural reflections to produce art that is dynamically personal and cultural. The purpose of this study is to investigate how Awiakta's construction of art surpasses didacticism to express the liminality of the author's cultural identity.</p>","abstract_html":"&lt;p&gt;In Selu: Seeking the Corn-MotherÆs Wisdom, Awiakta enlists the reader to participate on the path to knowing Selu, Corn-Mother to us all. In particular, the book provides a reader with a text that blends ancient Cherokee teachings of the oral tale of &lt;em&gt;Selu&lt;/em&gt; with contemporary Western, Appalachian-American thought and experience. Awiakta adopts and adapts &lt;em&gt;Selu&lt;/em&gt; in order to capture and express the essence of the tale within a contemporary American aesthetic.&lt;/p&gt; &lt;p&gt;Though Awiakta&#x27;s approach is didactic, it rises above mere teaching to achieve an aesthetic characterized by accessibility, simultaneity, and liminality. She purposely combines stories, poems, teachings, histories, and cultural reflections to produce art that is dynamically personal and cultural. The purpose of this study is to investigate how Awiakta&#x27;s construction of art surpasses didacticism to express the liminality of the author&#x27;s cultural identity.&lt;/p&gt;","abstract_has_math":false,"creators":["Basinger, James David"],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - unrestricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001-12-01T08:00:00Z","date_published":"2001-12-01T08:00:00Z","updated_at":"2026-07-24T02:19:07Z","subjects":["Liminality","Cherokee","Marilou Awiakta","Art","Simultaniety","Arts and Humanities","English Language and Literature"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/109","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Basinger, James David"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["1900-01-01T08:00:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2001-12-01T08:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - unrestricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Liminality","Cherokee","Marilou Awiakta","Art","Simultaniety","Arts and Humanities","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/1159/viewcontent/basingerj121201.pdf","https://dc.etsu.edu/etd/109"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["<p>In Selu: Seeking the Corn-MotherÆs Wisdom, Awiakta enlists the reader to participate on the path to knowing Selu, Corn-Mother to us all. In particular, the book provides a reader with a text that blends ancient Cherokee teachings of the oral tale of <em>Selu</em> with contemporary Western, Appalachian-American thought and experience. Awiakta adopts and adapts <em>Selu</em> in order to capture and express the essence of the tale within a contemporary American aesthetic.</p> <p>Though Awiakta's approach is didactic, it rises above mere teaching to achieve an aesthetic characterized by accessibility, simultaneity, and liminality. She purposely combines stories, poems, teachings, histories, and cultural reflections to produce art that is dynamically personal and cultural. The purpose of this study is to investigate how Awiakta's construction of art surpasses didacticism to express the liminality of the author's cultural identity.</p>"]},{"key":"dc:title","label":"Title","values":["Weaving Accessibility and Art in Marilou Awiakta's <em>Selu: Seeking the Corn-Mother's Wisdom</em>."]}]}],"canonical_facts":{"dc:creator":["Basinger, James David"],"dc:date.available":["1900-01-01T08:00:00Z"],"dc:date.issued":["2001-12-01T08:00:00Z"],"dc:description.abstract":["<p>In Selu: Seeking the Corn-MotherÆs Wisdom, Awiakta enlists the reader to participate on the path to knowing Selu, Corn-Mother to us all. In particular, the book provides a reader with a text that blends ancient Cherokee teachings of the oral tale of <em>Selu</em> with contemporary Western, Appalachian-American thought and experience. Awiakta adopts and adapts <em>Selu</em> in order to capture and express the essence of the tale within a contemporary American aesthetic.</p> <p>Though Awiakta's approach is didactic, it rises above mere teaching to achieve an aesthetic characterized by accessibility, simultaneity, and liminality. She purposely combines stories, poems, teachings, histories, and cultural reflections to produce art that is dynamically personal and cultural. The purpose of this study is to investigate how Awiakta's construction of art surpasses didacticism to express the liminality of the author's cultural identity.</p>"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/1159/viewcontent/basingerj121201.pdf","https://dc.etsu.edu/etd/109"],"dc:rights":["Copyright by the authors."],"dc:subject":["Liminality","Cherokee","Marilou Awiakta","Art","Simultaniety","Arts and Humanities","English Language and Literature"],"dc:title":["Weaving Accessibility and Art in Marilou Awiakta's <em>Selu: Seeking the Corn-Mother's Wisdom</em>."],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis - unrestricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:19:07Z"}