Disagreement over the label \"feminist\" continues to elicit debate within the feminist movement and in society. Some contemporary feminists see protofeminism in Jacqueline Susann's novels.
This work investigates the support Susann's novels offered to the second wave of the feminist movement of the 1960s and the 1970s. A close reading of Susann's best-selling novels, Valley of the Dolls (1966), The Love Machine (1969), and Once is Not Enough (1973) was combined with a study of the author's biography, works by second-wave feminists, and reviews and criticism of the novels. Further evidence was gathered through research of the socioeconomic status of women during relevant periods and viewing the novels from the perspective of the feminist movement's second wave.
Placing the novels in their historical and socio-economic context proved that these works did not offer support to the movement. Instead, they advocated women's continued status as oppressed citizens.
","abstract_html":"<p>Disagreement over the label "feminist" continues to elicit debate within the feminist movement and in society. Some contemporary feminists see protofeminism in Jacqueline Susann's novels.</p> <p>This work investigates the support Susann's novels offered to the second wave of the feminist movement of the 1960s and the 1970s. A close reading of Susann's best-selling novels, Valley of the Dolls (1966), The Love Machine (1969), and Once is Not Enough (1973) was combined with a study of the author's biography, works by second-wave feminists, and reviews and criticism of the novels. Further evidence was gathered through research of the socioeconomic status of women during relevant periods and viewing the novels from the perspective of the feminist movement's second wave.</p> <p>Placing the novels in their historical and socio-economic context proved that these works did not offer support to the movement. Instead, they advocated women's continued status as oppressed citizens.</p>","abstract_has_math":false,"creators":["Jett, Heather N."],"institution":null,"degree_name":"MA (Master of Arts)","degree_level":"Thesis - restricted","degree_discipline":"English","degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2001,"date_issued":"2001-08-01T07:00:00Z","date_published":"2001-08-01T07:00:00Z","updated_at":"2026-07-24T02:19:07Z","subjects":["Popular Culture","Women's Movement","Second Wave Feminism","Arts and Humanities","English Language and Literature"],"languages":[],"rights":["Copyright by the authors."],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":"https://dc.etsu.edu/etd/103","outbound_label":"Repository record","outbound_source":"dc:identifier"},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Jett, Heather N."]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date.available","label":"Dc Date Available","values":["1900-01-01T08:00:00Z"]},{"key":"dc:date.issued","label":"Date","values":["2001-08-01T07:00:00Z"]},{"key":"thesis:degree_discipline","label":"Discipline","values":["English"]},{"key":"thesis:degree_level","label":"Degree Level","values":["Thesis - restricted"]},{"key":"thesis:degree_name","label":"Degree Name","values":["MA (Master of Arts)"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["Popular Culture","Women's Movement","Second Wave Feminism","Arts and Humanities","English Language and Literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:rights","label":"Dc Rights","values":["Copyright by the authors."]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier","label":"Identifier","values":["https://dc.etsu.edu/context/etd/article/1153/viewcontent/jett0514.pdf","https://dc.etsu.edu/etd/103"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["Disagreement over the label \"feminist\" continues to elicit debate within the feminist movement and in society. Some contemporary feminists see protofeminism in Jacqueline Susann's novels.
This work investigates the support Susann's novels offered to the second wave of the feminist movement of the 1960s and the 1970s. A close reading of Susann's best-selling novels, Valley of the Dolls (1966), The Love Machine (1969), and Once is Not Enough (1973) was combined with a study of the author's biography, works by second-wave feminists, and reviews and criticism of the novels. Further evidence was gathered through research of the socioeconomic status of women during relevant periods and viewing the novels from the perspective of the feminist movement's second wave.
Placing the novels in their historical and socio-economic context proved that these works did not offer support to the movement. Instead, they advocated women's continued status as oppressed citizens.
"]},{"key":"dc:title","label":"Title","values":["Pop Culture and Protofeminism: The Novels of Jacqueline Susann and the Second Wave of the Women's Movement."]}]}],"canonical_facts":{"dc:creator":["Jett, Heather N."],"dc:date.available":["1900-01-01T08:00:00Z"],"dc:date.issued":["2001-08-01T07:00:00Z"],"dc:description.abstract":["Disagreement over the label \"feminist\" continues to elicit debate within the feminist movement and in society. Some contemporary feminists see protofeminism in Jacqueline Susann's novels.
This work investigates the support Susann's novels offered to the second wave of the feminist movement of the 1960s and the 1970s. A close reading of Susann's best-selling novels, Valley of the Dolls (1966), The Love Machine (1969), and Once is Not Enough (1973) was combined with a study of the author's biography, works by second-wave feminists, and reviews and criticism of the novels. Further evidence was gathered through research of the socioeconomic status of women during relevant periods and viewing the novels from the perspective of the feminist movement's second wave.
Placing the novels in their historical and socio-economic context proved that these works did not offer support to the movement. Instead, they advocated women's continued status as oppressed citizens.
"],"dc:identifier":["https://dc.etsu.edu/context/etd/article/1153/viewcontent/jett0514.pdf","https://dc.etsu.edu/etd/103"],"dc:rights":["Copyright by the authors."],"dc:subject":["Popular Culture","Women's Movement","Second Wave Feminism","Arts and Humanities","English Language and Literature"],"dc:title":["Pop Culture and Protofeminism: The Novels of Jacqueline Susann and the Second Wave of the Women's Movement."],"thesis:degree_discipline":["English"],"thesis:degree_level":["Thesis - restricted"],"thesis:degree_name":["MA (Master of Arts)"]},"updated_at":"2026-07-24T02:19:07Z"}