{"id":{"repo_id":"essex","oai_identifier":"oai:repository.essex.ac.uk:27571"},"canonical_url":"https://search.dev.ndltd.org/etd/essex/oai:repository.essex.ac.uk:27571","repository":{"repo_id":"essex","name":"University of Essex","base_url":"https://repository.essex.ac.uk/cgi/oai2"},"display":{"title":"Overcoming the State of Oblivion: Decolonial Approaches within Engaged Art Practices","abstract":"This research project focuses on tracking artistic responses to social, ecological, and economic sustainability, as well as social responses to artistic movements that go beyond turning art into a commodity in service of a neoliberal agenda. In this doctoral thesis, I provide a critical analysis of contemporary politically engaged art projects that claim to challenge dominant models of world-building and present alternative forms of living through the use of decolonial methodologies and political ecology approaches. In particular, I examine ‘alter-institutional practice’ in order to comprehend the role art plays in the search for social justice, political horizontality and autonomous forms of organising. This thesis draws a comparative analysis of three case studies—Campus in Camps, Institute for Human Activities and World of Matter—and interrogates if these alter-institutional initiatives can provide a platform where ‘spaces of hope’ can be stimulated and nurtured. Touching upon aspects of decolonial critique, I argue that alter-institutional projects use failure as a prolific tool to create ‘spaces of hope’ which can in turn lead to the development of autonomous forms of living and just world-building practices.","abstract_html":"This research project focuses on tracking artistic responses to social, ecological, and economic sustainability, as well as social responses to artistic movements that go beyond turning art into a commodity in service of a neoliberal agenda. In this doctoral thesis, I provide a critical analysis of contemporary politically engaged art projects that claim to challenge dominant models of world-building and present alternative forms of living through the use of decolonial methodologies and political ecology approaches. In particular, I examine ‘alter-institutional practice’ in order to comprehend the role art plays in the search for social justice, political horizontality and autonomous forms of organising. This thesis draws a comparative analysis of three case studies—Campus in Camps, Institute for Human Activities and World of Matter—and interrogates if these alter-institutional initiatives can provide a platform where ‘spaces of hope’ can be stimulated and nurtured. Touching upon aspects of decolonial critique, I argue that alter-institutional projects use failure as a prolific tool to create ‘spaces of hope’ which can in turn lead to the development of autonomous forms of living and just world-building practices.","abstract_has_math":false,"creators":["Varas Ibarra, Ana C"],"institution":"University of Essex","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2020,"date_issued":"2020-05","date_published":"2020-05","updated_at":"2026-07-24T02:18:34Z","subjects":["NX Arts in general"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:contributor.sponsor","label":"Sponsor","values":["FONCA-CONACYT","Fundación Jumex","School of Philosophy and Art History (University of Essex)","Beca SEP Complemento"]},{"key":"dc:creator","label":"Author","values":["Varas Ibarra, Ana C"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2020-05"]},{"key":"dc:date.issued","label":"Date","values":["2020-05"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["School of Philosophy and Art History"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Essex"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.essex.ac.uk/27571/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["NX Arts in general"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repository.essex.ac.uk/27571/1/Ana%20Varas_Thesis_Revised_Version_21_April.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["This research project focuses on tracking artistic responses to social, ecological, and economic sustainability, as well as social responses to artistic movements that go beyond turning art into a commodity in service of a neoliberal agenda. 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Touching upon aspects of decolonial critique, I argue that alter-institutional projects use failure as a prolific tool to create ‘spaces of hope’ which can in turn lead to the development of autonomous forms of living and just world-building practices."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["Overcoming the State of Oblivion: Decolonial Approaches within Engaged Art Practices"]}]}],"canonical_facts":{"dc:contributor.sponsor":["FONCA-CONACYT","Fundación Jumex","School of Philosophy and Art History (University of Essex)","Beca SEP Complemento"],"dc:creator":["Varas Ibarra, Ana C"],"dc:date":["2020-05"],"dc:date.issued":["2020-05"],"dc:description.abstract":["This research project focuses on tracking artistic responses to social, ecological, and economic sustainability, as well as social responses to artistic movements that go beyond turning art into a commodity in service of a neoliberal agenda. 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