{"id":{"repo_id":"essex","oai_identifier":"oai:repository.essex.ac.uk:25316"},"canonical_url":"https://search.dev.ndltd.org/etd/essex/oai:repository.essex.ac.uk:25316","repository":{"repo_id":"essex","name":"University of Essex","base_url":"https://repository.essex.ac.uk/cgi/oai2"},"display":{"title":"Rivonia","abstract":"The thesis is entitled ‘Rivonia’ and comprises an epic poem written in the form of ten separate interlinking dramatic monologues and a critical and reflective commentary. The poem is called ‘Rivonia’ and it is about the Rivonia Trial at which Nelson Mandela and six co-accused were sentenced to life imprisonment, and about the fall of the apartheid regime in South Africa. The critical and reflective commentary introduces the idea of the epic-minded poet and the sorts of narratives such a poet might look for. It also discusses how the poem came to be written, why the Rivonia Trial was considered a suitable subject for an epic poem, why dramatic monologue was chosen as a suitable form for an epic poem and various problems which arose as a result of this choice. The commentary concludes with a discussion of the way contemporary epic poets use myth in the creation of heroic figures, problems which arise when using contemporary history as a basis for an epic poem and an argument for the continued relevance of epic poetry.","abstract_html":"The thesis is entitled ‘Rivonia’ and comprises an epic poem written in the form of ten separate interlinking dramatic monologues and a critical and reflective commentary. The poem is called ‘Rivonia’ and it is about the Rivonia Trial at which Nelson Mandela and six co-accused were sentenced to life imprisonment, and about the fall of the apartheid regime in South Africa. The critical and reflective commentary introduces the idea of the epic-minded poet and the sorts of narratives such a poet might look for. It also discusses how the poem came to be written, why the Rivonia Trial was considered a suitable subject for an epic poem, why dramatic monologue was chosen as a suitable form for an epic poem and various problems which arose as a result of this choice. The commentary concludes with a discussion of the way contemporary epic poets use myth in the creation of heroic figures, problems which arise when using contemporary history as a basis for an epic poem and an argument for the continued relevance of epic poetry.","abstract_has_math":false,"creators":["Solnick, Jeremy Samuel Richard"],"institution":"University of Essex","degree_name":"phd","degree_level":"doctoral","degree_discipline":null,"degree_department":null,"school":null,"contributors":[],"advisors":[],"committee_chairs":[],"committee_members":[],"year":2019,"date_issued":"2019-09","date_published":"2019-09","updated_at":"2026-07-24T02:18:29Z","subjects":["PE English","PR English literature"],"languages":["en"],"rights":[],"rights_urls":[],"identifier_entries":[]},"links":{"outbound_url":null,"outbound_label":null,"outbound_source":null},"metadata_groups":[{"id":"people","label":"People","entries":[{"key":"dc:creator","label":"Author","values":["Solnick, Jeremy Samuel Richard"]}]},{"id":"academic_context","label":"Academic Context","entries":[{"key":"dc:date","label":"Dc Date","values":["2019-09"]},{"key":"dc:date.issued","label":"Date","values":["2019-09"]},{"key":"dc:publisher.department","label":"Dc Publisher Department","values":["Department of Literature, Film and Theatre Studies"]},{"key":"dc:publisher.institution","label":"Dc Publisher Institution","values":["University of Essex"]},{"key":"dc:relation.isreferencedby","label":"Dc Relation Isreferencedby","values":["https://repository.essex.ac.uk/25316/"]},{"key":"dc:type","label":"Dc Type","values":["Thesis"]},{"key":"dc:type.qualificationlevel","label":"Dc Type Qualificationlevel","values":["doctoral"]},{"key":"dc:type.qualificationname","label":"Dc Type Qualificationname","values":["phd"]}]},{"id":"subjects_keywords","label":"Subjects and Keywords","entries":[{"key":"dc:subject","label":"Dc Subject","values":["PE English","PR English literature"]}]},{"id":"language_rights","label":"Language and Rights","entries":[{"key":"dc:language","label":"Dc Language","values":["en"]}]},{"id":"identifiers","label":"Identifiers","entries":[{"key":"dc:identifier.uri","label":"Identifier URI","values":["https://repository.essex.ac.uk/25316/1/Rivonia%20-%20Final%20Corrected%20Copy%20-%207-8-2019.pdf"]}]},{"id":"additional","label":"Additional Metadata","entries":[{"key":"dc:description.abstract","label":"Abstract","values":["The thesis is entitled ‘Rivonia’ and comprises an epic poem written in the form of ten separate interlinking dramatic monologues and a critical and reflective commentary. The poem is called ‘Rivonia’ and it is about the Rivonia Trial at which Nelson Mandela and six co-accused were sentenced to life imprisonment, and about the fall of the apartheid regime in South Africa. The critical and reflective commentary introduces the idea of the epic-minded poet and the sorts of narratives such a poet might look for. It also discusses how the poem came to be written, why the Rivonia Trial was considered a suitable subject for an epic poem, why dramatic monologue was chosen as a suitable form for an epic poem and various problems which arose as a result of this choice. The commentary concludes with a discussion of the way contemporary epic poets use myth in the creation of heroic figures, problems which arise when using contemporary history as a basis for an epic poem and an argument for the continued relevance of epic poetry."]},{"key":"dc:format","label":"Dc Format","values":["text"]},{"key":"dc:title","label":"Title","values":["Rivonia"]}]}],"canonical_facts":{"dc:creator":["Solnick, Jeremy Samuel Richard"],"dc:date":["2019-09"],"dc:date.issued":["2019-09"],"dc:description.abstract":["The thesis is entitled ‘Rivonia’ and comprises an epic poem written in the form of ten separate interlinking dramatic monologues and a critical and reflective commentary. The poem is called ‘Rivonia’ and it is about the Rivonia Trial at which Nelson Mandela and six co-accused were sentenced to life imprisonment, and about the fall of the apartheid regime in South Africa. The critical and reflective commentary introduces the idea of the epic-minded poet and the sorts of narratives such a poet might look for. It also discusses how the poem came to be written, why the Rivonia Trial was considered a suitable subject for an epic poem, why dramatic monologue was chosen as a suitable form for an epic poem and various problems which arose as a result of this choice. The commentary concludes with a discussion of the way contemporary epic poets use myth in the creation of heroic figures, problems which arise when using contemporary history as a basis for an epic poem and an argument for the continued relevance of epic poetry."],"dc:format":["text"],"dc:identifier.uri":["https://repository.essex.ac.uk/25316/1/Rivonia%20-%20Final%20Corrected%20Copy%20-%207-8-2019.pdf"],"dc:language":["en"],"dc:publisher.department":["Department of Literature, Film and Theatre Studies"],"dc:publisher.institution":["University of Essex"],"dc:relation.isreferencedby":["https://repository.essex.ac.uk/25316/"],"dc:subject":["PE English","PR English literature"],"dc:title":["Rivonia"],"dc:type":["Thesis"],"dc:type.qualificationlevel":["doctoral"],"dc:type.qualificationname":["phd"]},"updated_at":"2026-07-24T02:18:29Z"}